This book explores how 21st century media-based discourses on migrants, refugees, and displaced people both reinforce and reconfigure existing negative stereotypes about migrants, refugees, and displaced people as “other.” It is particularly pertinent given the increasingly polarized world context and the reconfigured communication ecosystem with new media as privileged platforms for exclusionary narratives toward the ‘outgroups’ of migrants, refugees, and displaced people. The book's contributions represent a range of methodologies and disciplines in communication studies, from qualitative analyses of media representations to quantitative work on public opinion. Unlike much anglophone scholarship on refugees, migrants, and displaced people, this book de-centers North America and the UK to offer a truly global perspective that studies continental and eastern Europe, the Middle East and Persian Gulf region, India, China, Turkey, Russia and Scandanavia.

Though the refugee crisis was discussed in many countries e.g. in Greece, Hungary, Italy and Spain long before 2015, it began to receive cross- European press coverage only after Angela Merkel’s statement ‘Wir schaffen das!’ on the August 30th 2015 This data-based study focuses on, how journalists report on and leading politicians make statements about refugees, migrants and asylum seekers in media and frame these humans after Angela Merkels’ sentence in 2015 until the end of 2017. This volume uses mainly Corpus Linguistics but also Communicative Science for the analysis of labelling strategies and the usage of words, collocations and grammar systems used by journalists and politicians in different European countries in comparison. This empirical volume pictures language specific variation and change of labels. To enable a contrastive study between the press discourses of many European countries, every chapter analyses the data consisting of newspaper articles describing the discourse of a particular country, including discourses of some transit countries around the borders of the Schengen Area of the European Union, which barely have been covered in other studies.

The global narrative surrounding migrants, refugees, and people on the move is often fraught with biases, misunderstandings, and misrepresentations. While crucial for informing public opinion, media coverage can inadvertently perpetuate stereotypes, fuel discrimination, and distort realities. This leads to a climate where migrants and refugees are often misunderstood, marginalized, and even targeted with hate speech. Such narratives hinder efforts for inclusive societies and contribute to the polarization of public debates on migration. Media Representation of Migrants and Refugees offers a comprehensive solution by bringing together interdisciplinary perspectives to examine and challenge prevailing media narratives critically. By inviting scholars and practitioners from diverse fields such as Social Sciences, Humanities, Media, Communications, and Government, the book aims to provide a nuanced understanding of the complex interplay between media representations and the lived experiences of migrants. This book is a vital resource for academics, researchers, policymakers, and media professionals seeking to understand and address the challenges of media representation in the context of migration.

Even with increased attention to refugee women‘s issues in the late 20th century, post-colonial discourses have nurtured limiting representations of refugee women, predominantly as subjects of charity and as victims. Adding to a growing body of work in the field, the author challenges this preconception by offering an opportunity for women‘s voices

Refugee and Forced Migration Studies has grown from being a concern of a relatively small number of scholars and policy researchers in the 1980s to a global field of interest with thousands of students worldwide studying displacement either from traditional disciplinary perspectives or as a core component of newer programmes across the Humanities and Social and Political Sciences. Today the field encompasses both rigorous academic research which may or may not ultimately inform policy and practice, as well as action-research focused on advocating in favour of refugees' needs and rights. This authoritative Handbook critically evaluates the birth and development of Refugee and Forced Migration Studies, and analyses the key contemporary and future challenges faced by academics and practitioners working with and for forcibly displaced populations around the world. The 52 state-of-the-art chapters, written by leading academics, practitioners, and policymakers working in universities, research centres, think tanks, NGOs and international organizations, provide a comprehensive and cutting-edge overview of the key intellectual, political, social and institutional challenges arising from mass displacement in the world today. The chapters vividly illustrate the vibrant and engaging debates that characterize this rapidly expanding field of research and practice.

War, migration, and refugeehood are inextricably linked and the complex nature of all three phenomena offers profound opportunities for representation and misrepresentation. This volume brings together international contributors and practitioners from a wide range of fields, practices, and backgrounds to explore and problematize textual and visual inscriptions of war and migration in the arts, the media, and in academic, public, and political discourses. The essays in this collection address the academic and political interest in representations of the migrant and the refugee, and examine the constructed nature of categories and concepts such as ‘war,’ ‘refuge(e),’ ‘victim,’ ‘border,’ ‘home,’ ‘non-place,’ and ‘dis/location.’ Contributing authors engage with some of the most pressing questions surrounding war, migration, and refugeehood as well as with the ways in which war and its multifarious effects and repercussions in society are being framed, propagated, glorified, or contested. This volume initiates an interdisciplinary debate which re-evaluates the relationship between war, migration, and refugeehood and their representations.

In the age of networked publics and global viral publicity, celebrity is transnational. Its circulation illuminates global, national, and local dynamics of power and resistance. Celebrity shapes concepts of race, gender, class, and national identity on a global scale. Governments use transnational celebrity as evidence of their country’s cultural power, transmuting cultural influence into economic and political power. Meanwhile, celebrities who cross borders become potent and contested icons of national identity. At the grassroots level, citizens in diverse geographic contexts are becoming increasingly fluent in the global language of celebrity and are mobilizing it in new ways for personal and political projects. Reaching beyond the Global North, this book showcases research on transnational celebrity as a technology of soft power and counter-hegemonic organizing, and as a driver of discourses of race and migration. It also explores self-presentation and self-branding in the globalized attention economy. This book demonstrates the need for a renewed politicized treatment of the topic of celebrity in its transnational and globalizing reach. The chapters in this book were originally published in the journal Popular Communication.

This open access book offers an innovative account of how relief organizations’ visual depiction of Syrian displacement contributes to reproduce and reinforce a securitized account of refugees. Through visual analysis, the book demonstrates how the securitization process takes place in three different ways. First of all, even if marginally, it occurs through the reproduction of mainstream media and political accounts that have depicted refugees in terms of threats. Secondly, and more consistently, through a representation of Syrian displaced people that, despite the undeniable innovative aesthetic patterns focusing on dignity and empowerment, continue to reinforce a visual narrative around refugees in terms of victimhood and passivity. The reproduction of a securitized account takes also place through the dialectic between what is made visible in the pictures and what is not. At the same time the book identifies visual glimmers and minor displacements in the humanitarian discourse that have the potentiality to produce alternative discourses on refugees and displacement beyond the mainstream securitized ones. By showing how relief organizations’ visual representation contributes to the securitization of the refugee issue, this book provides a great resource to students and academics in migration, visuality, humanitarianism and securitization, as well as social scientists and policy-makers.

Drawing on approaches from critical discourse analysis, corpus linguistics, and cognitive linguistics, this book critically examines metaphorical language used in global media coverage and political statements on the events of the Arab Spring. The volume begins by summarising key events of the Arab Spring, tracing the development of protests from Tunisia and Egypt to Libya and Syria as well as the wider impact on the region. Ullmann builds on this foundation to lay out the theoretical frameworks to be applied to an extensive corpus of natural language and actual discourse highlighting Western, Middle Eastern, and North African perspectives which integrate theoretical work on metaphor, blending theory, and semantic prosodies. Methodological considerations on corpus selection and different conceptualisations of politics and mass media, generally and across countries, are discussed, with the final chapters outlining the overarching themes across metaphors in the corpus and how these metaphors were ultimately framed in the mass media and political landscape. This book will be of particular interest to students and scholars interested in critical discourse analysis, language and politics, and corpus linguistics.