Beginning with Casino Royale (2006) and ending with No Time to Die (2021), the Daniel Craig era of James Bond films coincides with the rise of various justice movements challenging deeply entrenched systems of inequality and oppression, ranging from sexism, racism, and immigration to 2SLGBTQIA+ rights, reproductive justice and climate change. While focus is often placed on individual actions and institutional policies and practices, it is important to recognize the role that culture plays within these systems. Mainstream film is not simply 'mindless' entertainment but a key part of a global cultural industry that naturalizes and normalizes power structures. Engaging with these issues, Resisting James Bond is a multidisciplinary collection that explores inequality and oppression in the world of 007 through a range of critical and theoretical approaches. The chapters explore the embodiment and disembodiment of power and privilege across the formal, narrative, cultural and geopolitical elements that define the revisionist-reversionist world of Daniel Craig's Bond.

'I have always been fascinated by that charismatic hero of the Resistance, Josephine Baker, but it turns out I didn't know the half of it. Lewis' story-telling blew my mind. Again.' - Dan Snow 'A story of incredible bravery in the face of tyrants who invaded a free and democratic nation, this will have powerful resonance today.' - Tim Spicer During WW2, Josephine Baker, the world's richest and most glamorous entertainer, was an Allied spy in Occupied France. This is the story of her heroic personal resistance to Nazi Germany. Prior to World War II, Josephine Baker was a music hall diva renowned for her singing and exotic dancing, her beauty and sexuality; she was the most highly-paid female performer in Europe. When the Nazis seized her adopted city, Paris, she was banned from the stage, along with all 'negroes and Jews'. Yet, instead of returning to America, she vowed to stay and to fight the Nazi evil. Overnight she went from performer to Resistance spy. In The Flame of Resistance best-selling author Damien Lewis uncovers this little known history of the famous singer's life. During the years of the war, as a member of the French Nurse paratroopers - a cover for her spying work-- she participated in numerous clandestine activities and emerged as formidable spy. In turn, she was a hero of the three countries in whose name she served: the US, the nation of her birth; France, the land that embraced her during her adult career; and Britain, the country from which she took her orders, as one of London's most closely-guarded special agents. Baker's secret war embodies a tale of unbounded courage, passion, devotion and sacrifice, and of deep and bitter tragedy, fueled by her own desire to combat the rise of Nazism, and to fight for all that is good and right in the world. Drawing on a plethora of new historical material and rigorous research, including previously undisclosed letters and journals, Lewis upends the conventional story of Josephine Baker, revealing that her mark on history went far beyond the confines of the stage. 'An eye-opening, pulse-quickening history. Josephine Baker led a wartime double life of extraordinary jeopardy and Damien Lewis's needle-sharp narrative is jagged with suspense. Yet he also writes with great warmth and sensitivity, creating a powerfully moving portrait of a woman who fought prejudice and hate in all its forms.' - Sinclair McKay 'A gripping true story of a remarkable heroine. The details of Josephine Baker's espionage for the Deuxieme Bureau, the French military intelligence agency during the war, make for a fascinating read in Damien Lewis's meticulously researched account' - Deborah Cadbury

How do James Bond’s X-ray glasses work, the ones he uses to see whether the lady at the roulette table has a pistol concealed in her underwear? Is it really possible to launch oneself into the air and catch up with a plane that is free-falling towards the earth? Or to shoot down a helicopter with a pistol? In this lively and informative book, Germany's boldest physics professor Metin Tolan analyses the stunts and gadgets of the 007 films and even answers the question of all questions: Why does Bond drink his vodka martini shaken, not stirred? "So much entertaining science is a rare thing." Spiegel Online

They are the most ruthless enemy we have ever faced. And they are one millionth our size. Deep in an Atlanta research laboratory, the world's deadliest germs lie in wait. Dr Lou Welcome knows only too well the destruction they could unleash in the wrong hands and when a research scientist working on a top-secret case is kidnapped, Lou's fears become reality. Soon Lou is locked in a deadly race, from hospital wards to the top corridors of power, to stop a lethal epidemic breaking out. With his best friend's life in the balance, Lou must confront his own demons if he is to stop a group determined to use mankind's worst creation to take the power they crave for themselves...

Revisiting the French Resistance in Cinema, Literature, Bande Dessinée, and Television (1942–2012) examines how fictional works have contributed to shaping the image of the French Resistance, and offers a key to understanding France’s national psyche. Christophe Corbin explores themes including the making of the myth of an honorable country united against a common enemy, comedies gently poking fun at it and fictional works debunking it straightforwardly, the invisibility and resurfacing of women in films and novels, as well as contemporary depictions of the Resistance on television. Case studies include sometimes forgotten or lesser-known works such as Aragon’s wartime poetry, early films such as Le Père tranquille or Casablanca-inspired Fortunat, iconic films and novels such as Le Silence de la mer or La Grande Vadrouille, but also contemporary fictional works such as Effroyables jardins and Un Héros très discret, or the popular TV series Un Village français. It will be of interest to scholars and students in cultural studies, film studies, French studies, history, and media studies.

RESITANCE is essential in the workings of our outer 3D Universe, where change is the only certainty. But in the inner world, it may also be used as a 'Slingshot of Change, ' when you make conscious this fascinating principle and allow breakthroughs. Working against it, 'what you Resist persists.' Working with it, you will release more life energ

" We got a live one!' Muted footsteps moved closer. The sound of heavy breathing followed. I couldn't move. Every muscle in my body ached and screamed in pain. I could feel the presence of people around me, but I still couldn't fi nd enough strength in me to open my eyes. How bad?' Bad.' Something pried my eyelids open. I could see the dark sky above me. Nothing but black dust. Four large people sat around my body. All were dressed in bulky white suits so that they weren't exposed to the outside air. And here I was lying in the dirt vulnerable and hurt. I couldn't see their eyes through the helmets they wore, but I knew they were all looking at me. Suddenly, there was a fl ash of white light; then I was plunged back into the dark. My eyes had fallen closed again. What do we do?' There's no room left in the truck for the half dead. We need to find survivors. Leave her. It doesn't look like it has much longer anyway.' The voice held authority. What about the boy?' Been dead for days. Let's go.' Their footsteps moved away, but there was still a presence left behind. It was eerily silent other than my ragged breathing. Then came the sound of a gun loading, and cocking. Slowly, I found it in me to open my eyes. With my eyes half open, I stared at the man above me. The white suit he wore reminded me of a spaceman. He had a gun in his hand, and it was pointed down at me." He was a soldier. Working for what government was left after the apocalypse of WW3. I was a survivor, a part of a resistance group, living in the destroyed remains of the city. We stood against everything they stood for and for that we had become a problem. We should have shot each other dead on sight...but fate had other plans for us...

A compelling history of the director's films of war and resistance

This collection draws together recent work by new and emerging scholars which examines the representation of alienation and resistance in texts and images, both modern and traditional. The essays collected here incorporate both “high” and “low” culture, covering a wide range of disciplines from traditional literary sources to the more modern mediums of film and comic. Informing each of the contributions is one overriding question: what are the roles, forms, and conditions of alienation and resistance in our culture and its diverse media? The contributors to this collection find examples of both alienation and resistance everywhere, from sixteenth century drama to contemporary fiction, from American comics to Eastern European cinema, from representations of the body to the site of the body itself. In seeking out these representations of alienation and resistance, the essays begin also to probe the limits and limitations of such terms. As such, the collection as a whole offers both a broad overview of the field of play as it stands today and makes tentative suggestions as to potential paths of future inquiry.