The sensing, processing, and visualizing that are currently in development within the environment boldly change the ways design and maintenance of landscapes are perceived and conceptualised. This is the first book to rationalize interactive architecture and responsive technologies through the lens of contemporary landscape architectural theory. Responsive Landscapes frames a comprehensive view of design projects using responsive technologies and their relationship to landscape and environmental space. Divided into six insightful sections, the book frames the projects through the terms; elucidate, compress, displace, connect, ambient, and modify to present and construct a pragmatic framework in which to approach the integration of responsive technologies into landscape architecture. Complete with international case studies, the book explores the various approaches taken to utilise responsive technologies in current professional practice. This will serve as a reference for professionals, and academics looking to push the boundaries of landscape projects and seek inspiration for their design proposals.

The Routledge Research Companion to Landscape Architecture considers landscape architecture’s increasingly important cultural, aesthetic, and ecological role. The volume reflects topical concerns in theoretical, historical, philosophical, and practice-related research in landscape architecture – research that reflects our relationship with what has traditionally been called ‘nature’. It does so at a time when questions about the use of global resources and understanding the links between human and non-human worlds are more crucial than ever. The twenty-five chapters of this edited collection bring together significant positions in current landscape architecture research under five broad themes – History, Sites and Heritage, City and Nature, Ethics and Sustainability, Knowledge and Practice – supplemented with a discussion of landscape architecture education. Prominent as well as up-and-coming contributors from landscape architecture and adjacent fields including Tom Avermaete, Peter Carl, Gareth Doherty, Ottmar Ette, Matthew Gandy, Christophe Girot, Anne Whiston Spirn, Ian H. Thompson and Jane Wolff seek to widen, fuel, and frame critical discussion in this growing area. A significant contribution to landscape architecture research, this book will be beneficial not only to students and academics in landscape architecture, but also to scholars in related fields such as history, architecture, and social studies.

A team of eminent practitioners and writers contribute to an assessment of the philosophy of landscape, and collectively form a new approach to creative design.

Landscape Architecture and Digital Technologies explores how digital technologies are reshaping design and making in landscape architecture. While the potentials of digital technologies are well documented within landscape planning and visualisation, their application within design practice is far less understood. This book highlights the role of the digital model in encouraging a new design logic that moves from the privileging of the visual to a focus on processes of formation, bridging the interface of the conceptual and material, the virtual and the physical. Drawing on interviews and projects from a range of international designers -including , Snøhetta, Arup, Gustafson Porter, ASPECT Studios, Grant Associates, Catherine Mosbach, Philippe Rahm, PARKKIM, LAAC and PEG office of landscape + architecture among others, the authors explore the influence of parametric modelling, scripting, real-time data, simulation, prototyping, fabrication, and Building Information Modelling on the design and construction of contemporary landscapes. This engagement with practice is expanded through critical reflection from academics involved in landscape architecture programs around the world that are reshaping their research and pedagogy to reflect an expanded digital realm. Crossing critical theory, technology and contemporary design, the book constructs a picture of an emerging twenty-first century practice of landscape architecture practice premised on complexity and performance. It also highlights the disciplinary demands and challenges in engaging with a rapidly evolving digital context within practice and education. The book is of immense value to professionals and researchers, and is a key publication for digital landscape courses at all levels.

Winner of the 2017 McLaren-Lambart Award for Best Book on the Subject of Animation Studying landscape in cinema isn't quite new; it'd be hard to imagine Woody Allen without New York, or the French New Wave without Paris. But the focus on live-action cinema leaves a significant gap in studying animated films. With the almost total pervasiveness of animation today, this collection provides the reader with a greater sense of how the animated landscapes of the present relate to those of the past. Including essays from international perspectives, Animated Landscapes introduces an idea that has seemed, literally, to be in the background of animation studies. The collection provides a timely counterpoint to the dominance of character (be that either animated characters such as Mickey Mouse or real world personalities such as Walt Disney) that exists within animation scholarship (and film studies more generally). Chapters address a wide range of topics including history, case studies in national contexts (including Australia, Japan, China and Latvia), the traversal of animated landscape, the animation of fantastical landscapes, and the animation of interactive landscapes. Animated Landscapes promises to be an invaluable addition to the existing literature, for the most overlooked aspect of animation.

"A valuable resource for both student and practitioner. The text and photos are clear, concise, and informative. A valuable addition to any library, the general public as well."--Kenneth S. Nakaba, FASLA, Professor, California State Polytechnic University, Pomona "This is the treed landscape knowledge source, and the design and management tool we have all been hoping to see for decades. Bridging horticulture and design, it spans without judgment native specifics, introduced "near-native," and "not-so-near-native" trees. It provides the much asked-for design settings as well as the species characteristics in all their delight and imagery. This exhaustive treatise on California trees even sets the context for the big issues of climate, geomorphic, topographic and hydrologic effects, and how we design with trees so as to be true partners in the best future for California."--Joe Brown, Principal, EDAW, Inc. "I find the concept for Chuck's book quite exciting and envision it will be used both by those involved with urban landscapes as well as those involved with restoration of native habitats. It is a well-researched compendium that will aid anyone who is interested in trees and their use in a wide variety of situations. The photographs in the book are an excellent aid in tree identifications and the single volume will reduce the need carry around multiple references for identification of both native as well as non-native trees. It is my hope that Chuck's book will stimulate greater use of California's drought tolerant native trees in landscape plantings because of their reduced water requirements and ecological compatibility with other native plants and animals."--Monty Knudsen, Assistant Project Leader, USDI Fish & Wildlife Service "Trees of the California Landscape is a masterful combination of those native and non-Californian species that have importance in wildlands or the designed landscape or both. Each of the 468-plus pages is devoted to a single species, with photographs of the tree, the bark, and leafy branches accompanied by an amazingly efficient text that summarizes the natural distribution, key identification traits, tree architecture, longevity, and suitable habitats for planting, all in a very readable style. Charles Hatch has created an excellent reference for forest ecologists, landscape designers, horticulturalists, and restoration specialists--not only in California, but throughout the United States."--Michael G. Barbour, Professor of Plant Ecology, University of California, Davis "This richly illustrated book provides a much needed resource for students, educators and practitioners."--Margarita M. Hill, Head, Landscape Architecture Department, California Polytechnic State University, San Luis Obispo

Paradigms in Computing: Making, Machines, and Models for Design Agency in Architecture brings together critical, theoretical, and practical research and design that illustrates the plurality of computing approaches within the broad spectrum of design and mediated practices. It is an interrogation of our primary field of architecture through the lens of computing, and yet one that realizes a productive expanding of our métier’s definition and boundaries. It is a compilation that purposefully promotes architecture’s disciplinary reach and incorporations beyond the design and construction of buildings and cities. The book offers a glimpse into the wide range of positions and experiences that are shaping practice and discourse today. The work included in Paradigms in Computing is evidence that models for enquiry are many and proliferating. As digitalization and computation continue to infuse our processes with new tools and new design environments, some of the trends collected in this book will continue to be central to the production and speculation of architecture, and others will, in retrospect, be recognized as the seeds of new, or perhaps multiple, paradigms. Included are essays and projects, from; Alisa Andrasek, Rachel Armstrong, Philip Beesley, Tom Bessai, Shajay Bhooshan, Brad Cantrel, Matias Del Campo, Pablo Eiroa, Marc Fornes, David Jason Gerber, Maria Paz Gutierrez, Alvin Huang, Jason Kelly Johnson, Simon Kim, Neil Leach, Greg Lynn, Elena and Anna Maria Manferdini, Alex McDowell, Phillippe Morel, Nick Puckett, Casey Reas, Alex Robinson, Jenny Sabin, Jose Sanchez, Patrik Schumacher, Kyle Steinfeld, Satoru Sugihara, Orkan Telhan, Kathy Velikov and Geoffrey Thun, Tom Verebes, Leire Asensio Villoria and David Mah, Jenny Wu, Eric Howeler and Meejin Yoon, and Zaha Hadid Architects.

This book provides an in-depth overview of graphic and visual communication styles for conveying climate change and climate action within the landscape architectural profession and in academia. The book features visualizations of climate adaptation and resilience, developed by award-winning landscape architects and academics from Canada, the United States, the United Kingdom, The Netherlands, Denmark, Germany, Italy, France, Finland, South Africa, Singapore, and China. Representing Landscapes: Visualizing Climate Action illustrates the imaginative ways in which climate action and climate resilient concepts are visually presented, communicated, and perceived. The book will be especially valuable for students and practitioners in landscape architecture, urban planning, and related fields to understand how to visually capture climate change issues and design solutions, and to deliver this message to the public.

The tension between interior and exterior has always been present in architecture, differently articulated over the centuries, and expressed through several means of representation. Contemporary architecture is often characterized by the total interpenetration of interior and exterior configurations: often the differentiation between these two dialectical poles has become undistinguishable, boundaries blurry and the result of any design process is a hybrid product, based on the superposition of different and heterogeneous layers. Starting from the 18th century, Interior Landscapes describes the principles of the relationship between interior and exterior landscapes in architecture. It unveils the invariant forms that have crossed the History of Architecture, and which have periodically re-emerged to shape contemporary design episodes. By borrowing different interpretative elements—drawings, photographs, illustrations—Interior Landscapes is configured as a visual atlas, aimed to demonstrate how, through the contamination of interior and exterior, always- new architectural insights emerge. Comprising detailed essays that contribute insightfully to the international discourse, Stefano Corbo unpacks the general re-organization of topics internal to the territory of architecture. This book distinguishes itself with almost 70 unique plates of etchings, sketches, illustrations and photographs, each linking carefully and directly the visual with the theory, providing unique entry points and examinations of this text’s fascinating observations.

Originating as a RMIT university pamphlet in 1989 for the purpose of discussing landscape architecture. The journal now boasts a diverse selection of contributors, focusing on contemporary landscape architecture themes. The journal is edited by a group of students, who select the articles pertinent of each edition. Kerb seeks to set the agenda for designers and architects, establishing a platform for new ideas and contemporary design theory. Kerb Journal is now featured on university reading lists around the world. It is the identification and manipulation of matter that has the potential to inform, change, align, and drive a physical interaction and making with the world. Kerb 23 examines ways in which ‘Digital Landscape’ discourse can be applied to landscape architecture. Through exploring Simulation, Fabrication, Augmentation and emerging theories of ‘Digital Ecologies’ we can navigate new horizons of what is made ‘possible’ within and through the realm of digital landscapes in regards to unlocking, transforming, storing and distributing the way we might reveal, uncover, and generate alternative modes of translation and interaction.