This collection seeks to move noncombatant perspectives to center stage, acknowledging their importance, destabilizing the primacy of the combatant, and explaining or undermining the staging of warfare as a singular and acontextual production.

Neutrality serves different purposes during times of war and peace. ‘Notions of Neutralities’ portrays those historical challenges that neutrals faced, and are still facing, to maintain some form of economic stability and political order as chaos and wars rage. Neutrals are exposed to existential issues and questions of civil-society, international politics, and morality, in a world defiant to principles of universal peace. Every age has its own armed conflicts and while the questions they raise are often the same, the answers are different because the international word order changes. Is neutrality justifiable even when the humanity of civilization is at risk as in the Second World War or the wars of the post-Cold War era? Can those who refuse the call to arms still act by providing humanitarian services to contain the impact of war or, on the contrary, are neutrals shut-off from global politics – mere weaklings that “suffer what they must?" This book addresses such questions through an interdisciplinary scholarship by some of the world’s foremost experts on neutrality. Twelve chapters tackle different but profound aspects of the concept over a span of five hundred years. They succinctly show the evolution of international norms in the context of war and peace. What is more, the essays portray fundamental categories of thinking about a variety of neutralities that the international system has produced in the past and present. The authors discuss the complexities of neutrality, providing a new and refreshing understanding of international relations and security for the past as well as for the multipolar world of the twenty-first century.

This exciting new collection examines the relationships between warfare, myths, and fairy tales, and explores the connections and contradictions between the narratives of war and magic that dominate the ways in which people live and have lived, survived, considered and described their world. Presenting original contributions and critical reflections that explore fairy tales, fantasy and wars, be they "real" or imagined, past or present, this book looks at creative works in popular culture, stories of resistance, the history and representation of global and local conflicts, the Holocaust, across multiple media. It offers a timely and important overview of the latest research in the field, including contributions from academics, story-tellers and artists, thereby transcending the traditional boundaries of the disciplines, extending the parameters of war studies beyond the battlefield.

How have Americans sought peaceful, rather than destructive, solutions to domestic and world conflict? This two-volume set documents peace and antiwar movements in the United States from the colonial era to the present. Although national leaders often claim to be fighting to achieve peace, the real peace seekers struggle against enormous resistance to their message and have often faced persecution for their efforts. Despite a well-established pattern of being involved in wars, the United States also has a long tradition of citizens who made extensive efforts to build and maintain peaceful societies and prevent the destructive human and material costs of war. Unarmed activists have most consistently upheld American values at home. Opposition to War: An Encyclopedia of U.S. Peace and Antiwar Movements investigates this historical tradition of resistance to involvement in armed conflict—an especially important and relevant topic today as the nation has been mired in numerous military conflicts throughout most of the current century. The book examines a largely misunderstood and underappreciated minority of Americans who have committed themselves to finding peaceful resolutions to domestic and international conflicts—individuals who have proposed and conducted an array of practical and creative methods for peaceful change, from the transformation of individual behavior to the development of international governing and legal systems, for more than 250 years. Readers will learn how individuals working alone or organized into societies of various size have steadfastly campaigned to stop war, end the arms race, eliminate the underlying causes of war, and defend the civil liberties of Americans when wartime nationalism most threatens them.

Between 1942 and 1945 more than two million servicemen occupied the southern Pacific theater, the majority of whom were Americans in service with the U.S. Army, Navy, Air Force, and Marines. During the occupation, American servicemen married approximately 1,800 women from New Zealand and the island Pacific, creating legal bonds through marriage and through children. Additionally, American servicemen fathered an estimated four thousand nonmarital children with Indigenous women in the South Pacific Command Area. In Of Love and War Angela Wanhalla details the intimate relationships forged during wartime between women and U.S. servicemen stationed in the South Pacific, traces the fate of wartime marriages, and addresses consequences for the women and children left behind. Paying particular attention to the experiences of women in New Zealand and in the island Pacific—including Tonga, Fiji, Samoa, and the Cook Islands—Of Love and War aims to illuminate the impact of global war on these women, their families, and Pacific societies. Wanhalla argues that Pacific war brides are an important though largely neglected cohort whose experiences of U.S. military occupation expand our understanding of global war. By examining the effects of American law on the marital opportunities of couples, their ability to reunite in the immediate postwar years, and the citizenship status of any children born of wartime relationships, Wanhalla makes a significant contribution to a flourishing scholarship concerned with the intersections between race, gender, sexuality, and militarization in the World War II era.

This collection provides readers with a comprehensive overview of postwar representations of Nazism in popular culture, documenting and critiquing their enormous impact and importance. From Charlie Chaplin's The Great Dictator to the depiction of Nazis in the Raiders of the Lost Ark to other various literature, comic books, video games, television programs, and pop music, Nazism has maintained a constant presence in popular culture after World War II. Why are representations of Nazism—which are often used to depict the ultimate expression of human evil—so entrenched in our culture? Each chapter in this book examines this multifaceted topic from different angles, highlighting the different incidences of Nazistic representations in the post-1945 period. The diverse subject matter in this text ranges from analysis of recent allo-historical novels, to the music of the "neo-folk" movement, to fetishes and pornography. Readers will gain insight on how the imagery and symbology of Nazism in popular culture has changed over time and understand how the disconnect between representations of Nazism and the historical record have developed, particularly with regard to the genocide that resulted from Nazi politics.

When we hear the term “child soldiers,” most Americans imagine innocent victims roped into bloody conflicts in distant war-torn lands like Sudan and Sierra Leone. Yet our own history is filled with examples of children involved in warfare—from adolescent prisoner of war Andrew Jackson to Civil War drummer boys—who were once viewed as symbols of national pride rather than signs of human degradation. In this daring new study, anthropologist David M. Rosen investigates why our cultural perception of the child soldier has changed so radically over the past two centuries. Child Soldiers in the Western Imagination reveals how Western conceptions of childhood as a uniquely vulnerable and innocent state are a relatively recent invention. Furthermore, Rosen offers an illuminating history of how human rights organizations drew upon these sentiments to create the very term “child soldier,” which they presented as the embodiment of war’s human cost. Filled with shocking historical accounts and facts—and revealing the reasons why one cannot spell “infantry” without “infant”—Child Soldiers in the Western Imagination seeks to shake us out of our pervasive historical amnesia. It challenges us to stop looking at child soldiers through a biased set of idealized assumptions about childhood, so that we can better address the realities of adolescents and pre-adolescents in combat. Presenting informative facts while examining fictional representations of the child soldier in popular culture, this book is both eye-opening and thought-provoking.

In February of 2011, Libyan citizens rebelled against Muammar Qaddafi and quickly unseated him. The speed of the regime's collapse confounded many observers, and the ensuing civil war showed Foreign Policy's index of failed states to be deeply flawed--FP had, in 2010, identified 110 states as being more likely than Libya to descend into chaos. They were spectacularly wrong, but this points to a larger error in conventional foreign policy wisdom: failed, or weak and unstable, states are not anomalies but are instead in the majority. More states resemble Libya than Sweden. Why are most states weak and unstable? Taking as his launching point Charles Tilly's famous dictum that 'war made the state, and the state made war, ' Arjun Chowdhury argues that the problem lies in our mistaken equation of democracy and economic power with stability. But major wars are the true source of stability: only the existential crisis that such wars produced could lead citizens to willingly sacrifice the resources that allowed the state to build the capacity it needed for survival. Developing states in the postcolonial era never experienced the demands major interstate war placed on European states, and hence citizens in those nations have been unwilling to sacrifice the resources that would build state capacity. For example, India and Mexico are established democracies with large economies. Despite their indices of stability, both countries are far from stable: there is an active Maoist insurgency in almost a quarter of India's districts, and Mexico is plagued by violence, drug trafficking, and high levels of corruption in local government. Nor are either effective at collecting revenue. As a consequence, they do not have the tax base necessary to perform the most fundamental tasks of modern states: controlling organized violence in a given territory and providing basic services to citizens. By this standard, the majority of states in the world--about two thirds--are weak states. Chowdury maintains that an accurate evaluation of international security requires a normative shift: the language of weakness and failure belies the fact that strong states are exceptions. Chowdhury believes that dismantling this norm is crucial, as it encourages developing states to pursue state-building via war, which is an extremely costly approach--in terms of human lives and capital. Moreover, in our era, such an approach is destined to fail because the total wars of the past are highly unlikely to occur today. Just as importantly, the non-state alternatives on offer are not viable alternatives. For better or worse, we will continue to live in a state-dominated world where most states are weak. Counterintuitive and sweeping in its coverage, The Myth of International Order demands that we fundamentally rethink foundational concepts of international politics like political stability and state failure.

In the wake of a global wave of mobilisation, this book offers an unprecedented interrogation of protest camps as sites of gendered politics and feminist activism. Using international case studies, it develops an intersectional analysis of protest camps and tells new and inspiring stories of feminist organising and agency.

This book makes the case that the idea of a "world" in the cultural and philosophical sense is not an exclusively Western phenomenon. During the Cold War and in the wake of decolonization a plethora of historical attempts were made to reinvent the notions of world literature, world art, and philosophical universality from an anticolonial perspective. Contributing to recent debates on world literature, the postcolonial, and translatability, the book presents a series of interdisciplinary and multilingual case studies spanning Europe, the United States, and China. The case studies illustrate how individual anti-imperialist writers and artists set out to remake the conception of the world in their own image by offering a different perspective centered on questions of race, gender, sexuality, global inequality, and class. The book also discusses how international cultural organizations like the Afro-Asian Writers’ Bureau, UNESCO, and PEN International attempted to shape this debate across Cold War divides.