Focusing on how spiritual initiation takes place in Western esoteric religious, literary, and artistic traditions from antiquity to the present, Restoring Paradise provides an introduction to Western esotericism, including early modern esoteric movements like alchemy, Christian theosophy, and Rosicrucianism. The author argues that European and American literature and art often entail a written transmission of spiritual knowledge in which writing itself works to transmute consciousness, to generate, provoke, or convey spiritual awakening. He focuses on several important figures whose work has not received the attention it deserves, including American writer and Imagist poet H.D. (Hilda Doolittle) and British painter Cecil Collins, among others. While Arthur Versluis presents a new way of understanding Western esotericism in a contemporary light, above all he has crafted a book about knowing, and about how we come to know, and what "knowing" by way of literature and language actually means.

Three quarters of the U.S.’s bird and plant extinctions have occurred in Hawai‘i, and one third of the country’s threatened and endangered birds and plants reside within the state. Yet despite these alarming statistics, all is not lost: There are still 12,000 extant species unique to the archipelago and new species are discovered every year. In Restoring Paradise: Rethinking and Rebuilding Nature in Hawai‘i, Robert Cabin shows why current attempts to preserve Hawai‘i’s native fauna and flora require embracing the emerging paradigm of ecological restoration—the science and art of assisting the recovery of degraded species and ecosystems and creating more meaningful and sustainable relationships between people and nature. Cabin’s extensive experience as a research ecologist and applied practitioner enables him to provide a rare, behind-the-scenes look at successful and inspiring restoration programs. In Part 1 he recounts Hakalau Forest National Wildlife Refuge’s efforts to restore thousands of acres of degraded pasture on the island of Hawai‘i back to the native rain forests that once dominated the area and sheltered native birds now on the brink of extinction. Along the way, he presents an overview of Hawaiian natural and cultural history, biogeography, and evolutionary biology. Following chapters look at restoration work underway by the U.S. Park Service to reestablish native species within the vast Hawai‘i Volcanoes National Park; by a charismatic scientist and dedicated volunteers to restore the native forests of Auwahi on the southern slopes of Haleakalā; and by the Limahuli branch of Kauai’s National Tropical Botanical Garden to revive a thousand-year-old taro plantation. To investigate the compelling and often conflicting philosophies and strategies of those involved in restoration, Cabin opens Part 3 with interview excerpts from a cross-section of Hawai‘i’s environmental community. He concludes with a provocative and insightful discussion of the contentious, evolving relationship between humans and nature and the power and limitations of science within and beyond Hawai‘i.

Inspired by Virgil’s Georgics, this study conceptualizes Renaissance poetry as a domestic labor. When is literary production more menial than inspired, more like housework than heroics of the mind? In this revisionist study, Katie Kadue shows that some of the authors we credit with groundbreaking literary feats—including Michel de Montaigne and John Milton—conceived of their writing in surprisingly modest and domestic terms. In contrast to the monumental ambitions associated with the literature of the age, and picking up an undercurrent of Virgil’s Georgics, poetic labor of the Renaissance emerges here as often aligned with so-called women’s work. Kadue reveals how male authors’ engagements with a feminized georgic mode became central to their conceptions of what literature is and could be. This other georgic strain in literature shared the same primary concern as housekeeping: the necessity of constant, almost invisible labor to keep the things of the world intact. Domestic Georgic brings into focus a conception of literary—as well as scholarly and critical—labor not as a striving for originality and fame but as a form of maintenance work that aims at preserving individual and collective life.