Imprisonment is a central trope of Irish nationalism, often deployed to portray the injustice of an Ireland occupied by foreign rule. Irish nationalism celebrates people jailed for resistance to British forces. While such a celebratory history resists colonialist images of Irish brutality, it also generates nationalist amnesia and nostalgia. Rethinking Occupied Ireland takes this history as its point of departure, arguing that the potent visual language generated to represent national heroes facilitates a narrow conceptualization of “occupation” and “resistance.” Irish cinema has long offered a double critique—against both colonialist and nationalist historiography. Through a study of incarceration in film, Scarlata critiques state-of-emergency discourses and reveals the global relevance of Irish history to questions of terrorism, security, and sexual and gender transgression in an ever-lengthening list of crimes against the nation. The films included in this book, ranging from 1980 to 2010, explore Irish history from the perspective of those marginalized within or ejected from Irish and British national narratives, providing an ideal occasion to interrogate the legacy of colonialism and post/anticolonial nationalism. Examining Ireland’s past in relation to its present, these films become a mode of postcolonial historiography, and, Scarlata argues, they are an important component in the reevaluation of what constitutes political cinema and political resistance.

This volume brings together scholarship from many disciplines, including history, heritage studies, archaeology, geography, and political science to provide a nuanced view of life in medieval Ireland and after. Primarily contributing to the fields of settlement and landscape studies, each essay considers the influence of Terence B. Barry of Trinity College Dublin within Ireland and internationally. Barry’s long career changed the direction of castle studies and brought the archaeology of medieval Ireland to wider knowledge. These essays, authored by an international team of fifteen scholars, develop many of his original research questions to provide timely and insightful reappraisals of material culture and the built and natural environments. Contributors (in order of appearance) are Robin Glasscock, Kieran O’Conor, Thomas Finan, James G. Schryver, Oliver Creighton, Robert Higham, Mary A. Valante, Margaret Murphy, John Soderberg, Conleth Manning, Victoria McAlister, Jennifer L. Immich, Calder Walton, Christiaan Corlett, Stephen H. Harrison, and Raghnall Ó Floinn.

A ground-breaking history of the twentieth century in Ireland, written on the most ambitious scale by a brilliant young historian. It is significant that it begins in 1900 and ends in 2000 - most accounts have begun in 1912 or 1922 and largely ignored the end of the century. Politics and political parties are examined in detail but high politics does not dominate the book, which rather sets out to answer the question: 'What was it like to grow up and live in 20th-century Ireland'? It deals with the North in a comprehensive way, focusing on the social and cultural aspects, not just the obvious political and religious divisions.

Rethinking Northern Ireland provides a coherent and critical account of the Northern Ireland conflict. Most writing on Northern Ireland is informed by British propaganda, unionist ideology or currently popular 'ethnic conflict' paradigm which allows analysts to wallow in a fascination with tribal loyalty. Rethinking Northern Ireland sets the record straight by reembedding the conflict in Ireland in the history of an literature on imperialism and colonialism. Written by Irish, Scottish and English women and men it includes material on neglected topics such as the role of Britain, gender, culture and sectarianism. It presents a formidable challenge to the shibboleths of contemporary debate on Northern Ireland. A just and lasting peace necessitates thorough re-evaluation and Rethinking Northern Ireland provides a stimulus to that urgent task.

In 1898, documentary footage of a yacht race was shot by Robert A. Mitchell, making him the first Irishman to shoot a film within Ireland. Despite early exposure to the filmmaking process, Ireland did not develop a regular film industry until the late 1910s when James Mark Sullivan established the Film Company of Ireland. Since that time, Ireland has played host to many famous films about the country_Man of Aran, The Quiet Man, The Crying Game, My Left Foot, and Bloody Sunday_as well as others not about the country_Braveheart and Saving Private Ryan. It has also produced great directors such as Neil Jordan and Jim Sheridan, as well as throngs of exceptional actors and actresses: Colin Farrel, Colm Meaney, Cillian Murphy, Liam Neeson, Maureen O'Hara, and Peter O'Toole. The Historical Dictionary of Irish Cinema provides essential facts on the history of Irish cinema through a list of acronyms and abbreviation; a chronology; an introduction; a bibliography; and hundreds of cross-referenced dictionary entries on the pioneers and current leaders in the industry, the actors, directors, distributors, exhibitors, schools, arts centers, the government bodies and some of the legislation they passed, and the films.

From the first prehistoric inhabitants of the island to the St Andrews Agreement and decommissioning of IRA weapons, this uniquely concise account of Ireland and its people reveals how differing interpretations of history, ancient and modern, have influenced modern Irish society. Combining factual information with a critical approach, Coohill covers all the key events, including the Great Famine, Home Rule, and the Good Friday Agreement. Updated with two new chapters expanding the discussion of pre-modern Ireland, as well as developments in the 21st century, this highly accessible and balanced account will continue to provide a valuable resource to all those wishing to acquaint themselves further with the complex identity of the Irish people.

This collection of essays asks the question "What is history?" and considers how history is shaped in different socioeconomic contexts. The writers take a transdisciplinary approach, in the belief that everyone who deals with history--including professional historians, novelists, and poets--constructs narratives of the past to make sense of the present as well as to determine their future courses of action. With contributions from a variety of specialists in media studies, literature, history and anthropology, this book breaks new ground in adaptation studies.

Central to the aim of both this book is to rethink the concept of diaspora as it is used both academically and popularly at the beginning of the twenty-first century. It seeks to interrogate the notion of “diaspora” in an interdisciplinary way, and to explore the contradictions inherent in contemporary notions of place and identity. It presents explorations of both “traditional” diasporas, such as the Irish community in the United States and in Great Britain, as well as recently established diasporas being formed through new patterns of migration and resettlement. Traditional conceptions of diaspora focused on forced exile from the homeland and the adoption of conscious strategies of integration upon arrival in the new land. In the past, it was assumed that migrants would rapidly assimilate into their receiving societies. Alternatively, migrant workers were regarded by themselves and their host societies as “sojourners”: they were not expected to integrate precisely because their alien presence was perceived to be temporary. Two poles then framed the traditional interpretation of migration and settlement. On the one hand, migrants assimilated rapidly; on the other, migrants were temporarily in the host-land. Yet, the realisation both that the melting pot is a myth and that migrant workers do not, in the main, go home, has forced an increasing acceptance of ethnic diversity. This, combined with ongoing improvements in travel and communications technologies, facilitates today’s migrants in maintaining links with their home countries. The increased visibility of transnational ethnic communities and a resurgence in labour migration in the twenty-first century, have stimulated academic interest in both contemporary diasporas and in recovering the hidden narratives of earlier global migrations. The renewed interest in the formation and narrative of diasporas is evident across a range of disciplines. Moreover, the meaningful exploration of any aspect of the humanities and social sciences requires an inter-disciplinary approach. Thus is the aim of this volume. Contributors approach the issue of diaspora from a variety of academic backgrounds: sociology, politics, history, literature and the visual arts. Concomitantly, data sources are diverse, with contributors drawing on official government publications, literary sources and personal memoirs, paintings and photographs, popular culture and personal interviews. This diversity of data sources indicates the multifarious approaches to the exploration diaspora. More importantly, it highlights the critical role played by unofficial, and often hidden, narratives in representing the experiences of those who find themselves, through a variety of political, social and economic factors, displaced. "This edited collection is a timely and precocious answer to a gap in the literature of identities and nationhood. It is a response to the new challenges and opportunities facing diasporic communities and, what is more, sets out key pointers for rethinking diaspora in the twenty-first century. At a time when western states are facing the need to re-evaluate traditional responses to ethnic difference arising from migration in the mid-twentieth century, this book posits an important perspective on the multiculturalism debate. Contrary to previous political and scholarly assumptions, this book shows that the children and grandchildren of immigrants can continue to have an ambiguous relationship to the state in which they were born in part because of the very nature of diaspora. The enduringly complex and sometimes volatile insider/outsider relationship is explored in these chapters through analysis of various narratives, in textual, spoken and visual forms. Analysis of such ‘hidden narratives’ reveals that the meaning and pertinence of membership of a diasporic community is defined as much by the context of the host country as by the discourses of the homeland. Across their various sources and case studies, the authors demonstrate the power of the juncture between dominant national discourses of the host state and the identity of its immigrants. Each author notes how different the diasporic community in question would be – not to mention the impact on its relationship to the host state and the homeland – if some of narratives hidden over time were to be reclaimed. As one author puts it, flux in elements of identity-formation in postmodern society represents a chance to ‘engage in dialogue with our own diversity’. In constructing a coherent volume from such a diverse range of cases and disciplines, the editors successfully demonstrate the wide validity of their case for ‘rethinking diasporas’. Nonetheless, the specific origins of this book – a conference held in a border town in Ireland – are, it may be argued, uniquely significant. For the current process of change in Irish national identity is inseparable from central features of diaspora-formation that the authors highlight, including economic pressures. Moreover, just as the town of Dundalk has historically felt the effects of its proximity to Northern Ireland, so the ‘imagined borders’ of diaspora explored in this book are shown to be all the more powerful for the fact that their delineation is contested." —Katy Hayward (Institute for British-Irish Studies, UCD

Anthropologist Brighton (Maryland) offers a historical archaeological investigation of the diaspora of Ireland, reflecting the migration of Irish immigrants to the US during a turbulent period in Irish history from the mid-1840s to the 1850s. Brighton's work is the first to offer a study through an archaeological lens connecting Irish communities spanning two continents and covering four sites: two in Ireland, specifically, in County Roscommon, and two in the US, the Five Points section of Manhattan, New York, as well as the historically Irish community in Paterson, New Jersey. There have been some recent diasporic studies on Irish migrations of the 19th century, such as Catherine Nash's Of Irish Descent: Origin Stories, Genealogy, and the Politics of Belonging (2008). However, Brighton's technique is inspired from transnational investigations of the African diaspora to the Atlantic world. This volume can serve as an excellent research tool for students of Ireland as well as diasporic archaeology. Summing Up: Highly recommended. All students of archaeology of the modern world." --B. C. Ryan, Syracuse University, Choice Between 1845 and 1852, a watershed event in Ireland's history--the Great Hunger--forced more than one million starved and dispossessed people, most of them poor tenant farmers, to leave their native country for the shores of the United States. Further weakened by the arduous voyage across the Atlantic Ocean, many sought refuge in the harbor cities in which they landed. Not surprisingly, Irish immigrants counted as one quarter of New York City's population during the 1850s. In Historical Archaeology of the Irish Diaspora, Stephen A. Brighton places Irish and Irish American material culture within a broad historical context, including the waves of immigration that preceded the Famine and the development of the Irish American communities that followed it. He meticulously details the archaeological research connected with excavations at two pre-Famine sites in County Roscommon, Ireland, and with several immigrant tenements located in the Five Points, Manhattan, and the Dublin section of nearby Paterson, New Jersey. Using this transnational approach to link artifacts and ceramics found in rural Ireland with those discovered in sites in the urban, northeastern United States, Brighton also employs contemporary diaspora studies to illustrate how various factions sustained a distinct homeland connection even as the Irish were first alienated from, and then gradually incorporated into, American society. With more than forty million Americans claiming Irish ancestry, fully understanding Ireland's traumatic history and its impact on the growth of the United States remains a vital task for researchers on both sides of the Atlantic. Brighton's study of lived experience follows a fascinating historical path that will aid scholars in a variety of disciplines. Stephen A. Brighton is an assistant professor of anthropology at the University of Maryland. His articles have appeared in the International Journal of Historical Archaeology and Historical Archaeology.