Revelation's Hymns examines the hymnic pericopes in Revelation in light of the cosmic conflict theme. It considers this theme as integral to the development of Revelation's plot. Recognizing that critical studies give interpretative primacy to the political realities that existed at the time of Revelation's composition, Grabiner responds to the need for an examination of the storyline from the perspective of issues that are of narrative importance. Grabiner argues that the cosmic conflict is at the centre of the book's concerns, and attempts to determine the function of the hymns with respect to this. Previous examinations of the hymns have considered them as a response and/or parody to Roman liturgy, examples of God's unquestioned sovereignty, or expressions of thematic overtones found throughout the book. While these approaches make a contribution to a greater understanding of the hymns, the relation to the ever-present conflict theme has not been explored. This study allows the hymnic sections to engage with the larger narrative issue as to who is truly the rightful sovereign of the universe.

This first-of-its-kind charts book does not seek to support specific interpretations of end-times prophecies. Instead, it depicts the literary, historical, and theological backgrounds of Revelation, arguably the New Testament's most challenging book. Includes seventy-nine charts, timelines, and maps. All charts are reproducible for classroom use.

Parables were used by Jesus to reveal to us the kingdom of God and to move us from being bystanders to active recipients of God's work of revelation. However, parables are constantly at risk of being buried as 'mummies of prose', as George MacDonaldputs it. We become so familiar with the language of Scripture that Jesus' parables no longer work on us in this revelatory and transforming way. George MacDonald, the Victorian poet and theologian, observed this very process at work in Victorian society. It was a culture saturated with Christian jargon but often devoid of a profound understanding of the gospel for its own time and culture. The language of Scripture no longer penetrated people's hearts, imaginations, and attitudes; it no longer transformed people's lives. MacDonald, called to be a pastor, turned a story and more specifically the 'parabolic' as a means of spiritual awakening. He created fictive worlds in which the language of Jesus would find a new home and regain its revelatory power for his particular Victorian audience.

Are you irritated by dogmatic religious belief on the one hand and by close-minded, pompous atheism (of the angry Richard Dawkins variety) on the other? Would you be interested in a more intelligent perspective on religious ideas? Intelligent people often find themselves in a dilemma regarding religion. They may be interested in religious concepts and keen to explore issues of purpose and meaning, but are repelled by the sort of unthinking, ritual-obsessed brands of religion that many people seem to follow. This book considers a selection of religious and atheist ideas and beliefs and asks how an intelligent person, unencumbered by religious or atheist dogma, might view them.

The Book of Revelation is the last book in the canon of the New Testament, and its only apocalyptic document, though there are short apocalyptic passages in various places in the gospels and the epistles. This first of two volumes on Revelation offers systematic and thorough interpretation of the book of Revelation. Revelation brings together the worlds of heaven, earth and hell in a final confrontation between the forces of good and evil. Its characters and images are both real and symbolic, spiritual and material, and it is frequently difficult to know the difference between them. Revelation's cryptic nature has ensured that it would always be a source of controversy. This commentary focuses on the theological content, gleaning the best from both the classical and modern commentary traditions and showing the doctrinal development of Scriptural truths. Scholarship on the book of Revelation has nonetheless not only endured, but even captured the imagination of generations of Bible students, both professionals and laypeople alike. Through its focus on the message of the book through scholarly analysis, this International Theological Commentary reconnects to the ecclesial tradition of biblical commentary as an effort in ressourcement, though not slavish repetition.

The claim that Revelation's hymns function as did Classical tragic choral lyrics insofar as they comment upon or interpret the surrounding narrative has become axiomatic in studies of Revelation. Justin Jeffcoat Schedtler marks an advance in this line of inquiry by offering an exegetical analysis of Revelation's hymns alongside a presentation of the forms and functions of ancient tragic choruses and choral lyrics. Evaluating the hymns in light of the varieties and complexities of ancient tragic choruses, he demonstrate that they are not best evaluated in terms of choral lyrics generally, but in terms of dramatic hymns in particular, insofar as they constitute mythological-theological reflections on the surrounding narrative, and function to situate the surrounding dramatic activity in a particular mythological-theological contexts.

This book explores the much debated relation of language and bodily experience (i.e. the 'flesh'), considering in particular how poetry functions as revelatory discourse and thus relates to the formal horizon of theological inquiry. The central thematic focus is around a 'phenomenology of the flesh' as that which connects us with the world, being the site of perception and feeling, joy and suffering, and of life itself in all its vulnerability. The voices represented in this collection reflect interdisciplinary methods of interpretation and broadly ecumenical sensibilities, focusing attention on such matters as the revelatory nature of language in general and poetic language in particular, the function of poetry in society, the question of Incarnation and its relation to language and the poetic arts, the kenosis of the Word, and human embodiment in relation to the word 'enfleshed' in poetry.