Hollywood studios were once eager to bring stand-up comedy king Richard Pryor's dynamic humor to the big screen--so much so that studio executives gave him full access to available resources and creative control to develop his own projects. Unfortunately Pryor's screen talents were far less acclaimed than his stage ones, and flops such as The Toy and Superman III greatly diminished his reputation. The author examines how this downfall unfolded through comprehensive analyses of each of Pryor's movies.

To what extent have Hollywood feature films shaped the meanings that Americans attach to alcoholics, their families, and the alcoholic condition? To what extent has the mass culture of the movie industry itself been conceptually shaped by a broad, external societal discourse? Norman Denzin brings to his life-long study of alcoholism a searching interest in how cultural texts signify and lend themselves to interpretation within a social nexus. Both historical and diachronic in his approach, Denzin identifies five periods in the alcoholism films made between 1932 and the end of the 1980s, and offers a detailed critical reading of thirty-seven films produced during these six decades.

This thought-provoking work examines the dehumanizing depictions of black males in the movies since 1910, analyzing images that were once imposed on black men and are now appropriated and manipulated by them. Moving through cinematic history decade by decade since 1910, this important volume explores the appropriation, exploitation, and agency of black performers in Hollywood by looking at the black actors, directors, and producers who have shaped the image of African American males in film. To determine how these archetypes differentiate African American males in the public's subconscious, the book asks probing questions—for example, whether these images are a reflection of society's fears or realistic depictions of a pluralistic America. Even as the work acknowledges the controversial history of black representation in film, it also celebrates the success stories of blacks in the industry. It shows how blacks in Hollywood manipulate degrading stereotypes, gain control, advance their careers, and earn money while making social statements or bringing about changes in culture. It discusses how social activist performers—such as Paul Robeson, Sidney Poitier, Harry Belafonte, and Spike Lee—reflect political and social movements in their movies, and it reviews the interactions between black actors and their white counterparts to analyze how black males express their heritage, individual identity, and social issues through film.

Hollywood film directors are some of the world's most powerful storytellers, shaping the fantasies and aspirations of people around the globe. Since the 1960s, African Americans have increasingly joined their ranks, bringing fresh insights to movie characterizations, plots, and themes and depicting areas of African American culture that were previously absent from mainstream films. Today, black directors are making films in all popular genres, while inventing new ones to speak directly from and to the black experience. This book offers a first comprehensive look at the work of black directors in Hollywood, from pioneers such as Gordon Parks, Melvin Van Peebles, and Ossie Davis to current talents including Spike Lee, John Singleton, Kasi Lemmons, and Carl Franklin. Discussing 67 individuals and over 135 films, Melvin Donalson thoroughly explores how black directors' storytelling skills and film techniques have widened both the thematic focus and visual style of American cinema. Assessing the meanings and messages in their films, he convincingly demonstrates that black directors are balancing Hollywood's demand for box office success with artistic achievement and responsibility to ethnic, cultural, and gender issues.

The films, the stars, the filmmakers-all get their due in Hollywood Black, a sweeping overview of blacks in film from the silent era through Black Panther, with striking photos and an engrossing history by award-winning author Donald Bogle. The story opens in the silent film era, when white actors in blackface often played black characters, but also saw the rise of independent African American filmmakers, including the remarkable Oscar Micheaux. It follows the changes in the film industry with the arrival of sound motion pictures and the Great Depression, when black performers such as Stepin Fetchit and Bill "Bojangles" Robinson began finding a place in Hollywood. More often than not, they were saddled with rigidly stereotyped roles, but some gifted performers, most notably Hattie McDaniel in Gone With the Wind (1939), were able to turn in significant performances. In the coming decades, more black talents would light up the screen. Dorothy Dandridge became the first African American to earn a Best Actress Oscar nomination for Carmen Jones (1954), and Sidney Poitier broke ground in films like The Defiant Ones and1963's Lilies of the Field. Hollywood Black reveals the changes in images that came about with the evolving social and political atmosphere of the US, from the Civil Rights era to the Black Power movement. The story takes readers through Blaxploitation, with movies like Shaft and Super Fly, to the emergence of such stars as Cicely Tyson, Richard Pryor, Eddie Murphy, and Whoopi Goldberg, and of directors Spike Lee and John Singleton. The history comes into the new millennium with filmmakers Barry Jenkins (Moonlight), Ava Du Vernay (Selma),and Ryan Coogler (Black Panther); megastars such as Denzel Washington, Will Smith, and Morgan Freeman; as well as Halle Berry, Angela Bassett, Viola Davis, and a glorious gallery of others. Filled with evocative photographs and stories of stars and filmmakers on set and off, Hollywood Black tells an underappreciated history as it's never before been told.

How to find develop, pitch, and sell your ideas for films to the movie studios, from the man Sherry Lansing calls the best idea man in Hollywood. How to Sell Your Idea to Hollywood gets to the very heart of the script: the idea. A mere idea can land you fame, fortune and status. At the very least, it can be your way into the movie business. This book can show you just how powerful an idea can be in Hollywood. Ideas are not a dime a dozengreat ideas are one in a million. Even if you cannot write a script, you can definitely come up with an idea. Once you have an idea, you can use that idea as leverage to get yourself into the movie game. If your main goal is to be a screenwriter, you still need to start with a good idea, which can help you make a deal to write your script for a studio (or you might choose to just sell your idea or your story). Successful producer Robert Kosberg has never met anyone who didnt have an idea. And this book will help you to learn how to find ideas, create ideas and pitch them to the right people. Youll also learn what a high concept idea is and most importantly, how to get your ideas to the right people. Rememberyou control the rights to your own ideas and thats why ideas are so powerful. How to Sell Your Idea to Hollywood encourages people at all levels who are attempting to get their break in the business. It has everything you need to know to sell your ideas to the movies. If you never thought you had something to offer the movie businessyou do!

As we celebrate these actors, we must also acknowledge the collaborative nature of filmmaking. Behind each unforgettable performance is a team of directors, writers, producers, and fellow actors who contribute to the alchemy of creating movie magic. The pages that follow pay homage not only to the actors but to the entire ecosystem of creativity that brings stories to life on the silver screen. "Hollywood’s 100 Leading Actors" is an invitation to immerse oneself in the rich history of Hollywood, to rediscover timeless classics and perhaps stumble upon hidden gems. It is a testament to the enduring power of cinema to transport us, to make us feel, and to ignite our imaginations. The actors within these pages are the conduits through which we experience the gamut of human emotions, and it is their artistry that has made Hollywood a beacon of storytelling excellence.

Savor the inside scoop on over-the-top superstars "I'm not a paranoid, deranged millionaire. . . . I'm a billionaire!" "Acting is an empty and useless profession." "Good girls go to heaven. Bad girls go everywhere else." "I'm interested in being provocative and pushing people's buttons." Which screen icons gave us the quotes above? How do stars get away with self-indulgent, unrestrained behaviors-or do they? In The Hollywood Book of Extravagance, longtime industry insider and Hollywood historian James Robert Parish gives you a provocative look behind the scenes at the lavish indulgences and larger-than-life egos of Tinseltown's rich and famous. The featured celebrities range from heartthrobs to industry tycoons, and from yesterday's matinee idols to today's hottest celebs. The stars are grouped according to their excesses: ego, neurosis, partying, power, rich living, and romancing. You'll devour little-known details on the excesses and exploits of notables ranging from Mae West to Madonna, Greta Garbo to Marilyn Monroe and Marlon Brando, Bela Lugosi to John Belushi, Zsa Zsa Gabor to Paris Hilton, Errol Flynn to Jude Law, and many more.

An Academy Award–nominated screenwriter and a mystery novelist, Roger L. Simon is the only American writer to pull off the amazing trick of being profiled positively in both Mother Jones and National Review in one lifetime. The stunning story of his political odyssey is told in this memoir, where Simon recounts his migration from financier of the Black Panther Breakfast Program to pioneer blogosphere mogul beloved by the right as a 9/11 Democrat. But Simon is beholden to neither right nor left in this tale of Hollywood chic run amuck, as he talks out of school about his adventures with, among many others, Richard Pryor, Warren Beatty, Timothy Leary, Richard Dreyfuss, Woody Allen, and Julian Semyonov, the Soviet Union’s version of Robert Ludlum and also a KGB colonel who tempted Simon to join the KGB himself. Among the topics covered along the way: Is there a new blacklist in Hollywood, this one targeting conservatives? Simon’s red-carpet tours of the People’s Republic of China, Cuba, and the Soviet Union with Hollywood screenwriters and famous mystery novelists. Why Al Gore’s documentary on global warming didn’t deserve the Oscar on artistic grounds alone; and why the Academy’s voting system is so corrupt. And, as they say, there is much, much more besides.

A “this day in Hollywood history” reference that recounts the scandals of the stars—from Charlie Chaplin to Charlie Sheen. The real-life scandals of Hollywood’s personalities rival any drama they bring to life on the silver screen. This book provides 365 daily doses of high and low crimes, fraud and deceit, culled from Tinseltown’s checkered past. Whether it’s the exploits of silent-era star Fatty Arbuckle, the midcentury misdeeds of Frank Sinatra and Marilyn Monroe, or the modern excesses of Lindsay Lohan, this calendar of Hollywood transgressions has a sensational true tale for every day of the year. It’s an entertaining and sometimes shocking trip down memory lane filled with sneaky affairs, box-office bombs, and careers cut short—sometimes by murder. It shows that the drama doesn’t end when the credits roll.