"This book is a survey of the movie Western that covers its history from the early silent era to recent spins on the genre in films such as No Country for Old Men, There Will Be Blood, True Grit, and Cowboys & Aliens. The authors provide fresh perspectives on landmark films such Stagecoach, Red River, The Searchers, The Man Who Shot Liberty Valance, and The Wild Bunch, and they also pay tribute to many underappreciated Westerns including 3 Bad Men, The Wind, The Big Trail, Ruggles of Red Gap, Northwest Passage, The Westerner, The Furies, Jubal, and Comanche Station. The book explores major phases of the Western's development--silent era oaters, A-production classics of the 1930s and early 1940s, and the more psychologically complex presentations of the Westerner that emerged in the post-World War II period.. They examine various forms of genre-revival and genre-revisionism that have recurred over the past half-century, culminating especially in the masterworks of Clint Eastwood. Central themes of the book include the inner life of the Western hero, the importance of the natural landscape, the tension between myth and history, the depiction of the Native American, and the juxtaposing of comedy and tragedy"--Provided by publisher.

Reprint of the original, first published in 1859.

The great American Westerns can be profoundly meaningful when read metaphorically. More than mere shoot 'em up entertainment, they are an essential part of a vibrant, evolving national mythology. Like other versions of the archetypal Hero's Journey, these films are filled with insights about life, love, nature, society, ethics, beauty and what it means to be human, and are key to understanding American culture. Part film guide, part historical survey, this book explores the mythic and artistic elements in 52 great Westerns--some orthodox, some subversive--from the genre's first half-century. Each film is given detailed critical analysis, from the earliest silent movies to Golden Age classics like Red River (1948), High Noon (1952) and Shane (1953).

The ultimate tale of New Zealand's forgotten war -- Malaya 1948 -- and two men's linked destinies, foretold by horoscope and forged in battle. the conflict in Malaysia during and after World War two, as seen from the perspectives of a Kiwi soldier (Peter) and a Chinese Malay freedom fighter (Ng). Against a background of culture clash and political and individual conflicts, two young men are drawn inexorably together as victims and products of the Malay conflict. Will events or their deeper selves guide them when their backs are against the wall? An action-packed, compelling, and ultimately moving book about a war that in which New Zealand participated, but which has not been written about.

Beginning in the mid-1940s, the bleak, brooding mood of film noir began seeping into that most optimistic of film genres, the western. Story lines took on a darker tone and western films adopted classic noir elements of moral ambiguity, complex anti-heroes and explicit violence. The noir western helped set the standard for the darker science fiction, action and superhero films of today, as well as for acclaimed TV series such as HBO's Deadwood and AMC's Breaking Bad. This book covers the stylistic shift in westerns in mid-20th century Hollywood, offering close readings of the first noir westerns, along with revealing portraits of the eccentric and talented directors who brought the films to life.

Prescriptive books on faith abound, but this generation longs for an authentic narrative that reveals a stepping-stone journey to faith, a raw experience with which they can identify. Mike Howerton captures this with a riveting, yet heartwarming account of his own spiritual and physical journey across half the globe. This book follows him as a college student through Europe by train, America by motorcycle, Britain by hitchhiking, and Central America by jungle bus. Spiritually, the journey begins with a question mark but ends with an exclamation point.