Rights, Camera, Action! offers professionals in the audiovisual industry guidance on how to use intellectual property protection to generate business opportunities. The reader is taken through the different stages from securing finance to distribution to ensure a successful audiovisual production. With practical advice and enriching case studies from developing countries “Rights, Camera, Action!” will help individual filmmakers and distributors monetize their creative content.

The first U.S. Navy aerial photographs were taken in 1913 in support of fleet exercises off Guantanamo, Cuba. Following WWI, a Navy Photographic expedition went north, making the first aerial mapping photos of the Alaskan territory. WWII found Navy shuttermen in the Pacific theatre, performing pre- and post-attack reconnaissance, along with "hitting the beach" to record the war as it unfolded. Shortly after, Navy photographic units were in the Pacific to record early atomic bomb tests. The Navy's aerial photo reconnaissance mission, both at the front end with the weaponless aircrews and the output of thousands of images and photo interpretation, continued to develop through the mid-20th century. The last aerial photo plane in the Navy's inventory was retired after flying to the Smithsonian's Air and Space Museum Annex at Dulles International Airport in Fairfax County, Virginia. The 74 year odyssey of Navy and Marine Corps aerial reconnaissance photography was finished.

While life at any large television commercial production company is never dull, life at de Corventis Internation Pictures gets crazier by the day. Agnes Schnippet is the company's highly-competent producer who thinks she's seen it all. From the company's head office in San Francisco, she is suddenly thrust into wild international productions with odd writers, bizarre crew members, equally bizarre clients and actors of questionable talent. Throughout the often unpredictable and always hilarious situations, Aggie struggles to remain professionally detached from the intrigue, lust, greed and egos that travel with her from San Francisco to Southern California, Canada and Europe. And in the end, just when she thinks life can't go on like this… it does!

Diana Rivers hadn’t intended to visit England that summer but the invitation to take part in a film-shoot seemed too exciting an opportunity to miss. She looked forward to renewing old friendships and meeting a handful of well-known film stars. The only possible fly in the ointment, was the venue. Years before, Diana had suffered a terrifying experience in Cheltenham, England – an encounter which she thought she’d resolved. Reassuring her partner, Steve that all was well and the dreadful episode was behind them, they went ahead. Little did Diana know that the filming was only a minor part of the show about to be enacted. Once again, Diana is drawn into events which threaten to spiral out of control. When a beautiful young actress is accidentally killed, Diana’s reaction is to turn to more sinister thoughts. Was it an accident or was it…murder? A second body leaves everyone reeling and this time there is no doubt. A callous and vicious murderer is at large. Diana is fast embroiled in discovering the hard facts, not knowing that she is placing herself in great danger. Watch out Diana! You could be next…

Young Arman Bakshi falls in love with movies after his parents take him to see Hindi Film "Dacaiti" Armed with a camera, Arman starts to make his own films at home, much to the delight of his supportive mother.

Rights, Camera, Action! offers professionals in the audiovisual industry guidance on how to use intellectual property protection to generate business opportunities. The reader is taken through the different stages from securing finance to distribution to ensure a successful audiovisual production. With practical advice and enriching case studies from developing countries "Rights, Camera, Action!" will help individual filmmakers and distributors monetize their creative content.

Lights! Camera! Action and the brain: The Use of Film in Education is about an innovative pedagogy whereby performing arts and digital production play a key role in teaching and learning. The book combines theory and practice; as such, it lays solid neurological foundations for film and media literacy, and provides several relevant practical applications from worldwide scholars. The book contains thirteen chapters three of which address a number of theoretical issues related to the camera and the brain while the remaining ten are practical illustrations of the extent to which film and video are used as pedagogical tools. In the book preface, Nikos Theodosakis, author of ‘The Director in the Classroom’, writes that the book contributors ‘have built a wonderful bridge for us to travel over’. In fact, the book chapters transcend age restrictions to include diverse age groups, children and young adults. The topics range from learning language and philosophy to learning about one’s self, one’s environment, and one’s cultural identity. Much more importantly, the book addresses the needs of regular and special needs learners. Arts in general, and films in particular, are shown to display salient and dynamic roles in appealing to a wide variety of regular and special needs learners. In short, the book is highly beneficial to educators and to education managers; it ‘will have the power to change teaching and the way the curriculum is perceived’ for several generations to come.

When Draculaura is led to believe she's the rightful heir to the vampire throne, she and her best ghoulfriends are whisked away to Transylvania for a royal coronation to die for. But they soon discover the hunt for the queen is not over yet. The Ghouls must locate an ancient artifact known as the Vampire's Heart in order to discover the identity of the true Vampire Queen. It's a fangtastic adventure that will lead them from the Tower of Londoom, to a haunted river boat in New Goreleans and finally to the glamorous boo-vie lots of Hauntlywood. Could this be the moment when Draculaura finally receives her vampire powers and discovers screams really can come true? Based on the Monster High movie: Frights, Camera, Action! Contains eight pages of full-colour images in addition to the story. Don't miss the other books based on Monster High movies: Haunted and Freaky Fusion.

The third hilarious adventure featuring loveable Lin, everyone's favourite Bad Panda. A documentary crew have come to the zoo, to film every day life with the animals. The only thing is that the reality is a bit boring so they ship in some animal actors. Lin and her best friend Fu are less than impressed with the prancing lion that wants to take centre stage. And the smaller animals in the zoo, the mites, are fed up of being overlooked. It's time to unleash some bad pandaness! Insects and pandas unite to create an authentic show about real zoo life that promises to be anything but boring!