An original source history detailing the years of Texas’s independence and annexation from a nineteenth-century Texas Ranger and politician. The Republic of Texas was still in its first exultation over independence when John Salmon “Rip” Ford arrived from South Carolina in June of 1836. Ford stayed to participate in virtually every major event in Texas history during the next sixty years. Doctor, lawyer, surveyor, newspaper reporter, elected representative, and above all, soldier and Indian fighter, Ford sat down in his old age to record the events of the turbulent years through which he had lived. Stephen Oates has edited Ford’s memoirs to produce a clear and vigorous personal history of Texas.

The Texas Rangers have been the source of tall tales and the stuff of legend as well as a growing darker reputation. But the story of the Rangers along the Mexican border between Texas statehood and the onset of the Civil War has been largely overlooked—until now. This engaging history pulls readers back to a chaotic time along the lower Rio Grande in the mid-nineteenth century. Texas Devils challenges the time-honored image of “good guys in white hats” to reveal the more complicated and sobering reality behind the Ranger Myth. Michael L. Collins demonstrates that, rather than bringing peace to the region, the Texas Rangers contributed to the violence and were often brutal in their injustices against Spanish-speaking inhabitants, who dubbed them los diablos Tejanos—the Texas devils. Collins goes beyond other, more laudatory Ranger histories to focus on the origins of the legend, casting Ranger immortals such as John Coffee “Jack” Hays, Ben McCulloch, and John S. “Rip” Ford in a new and not always flattering light. In revealing a barbaric code of conduct on the Rio Grande frontier, Collins shows that much of the Ranger Myth doesn’t hold up to close historical scrutiny. Texas Devils offers exciting true stories of the Rangers for anyone captivated by their legend, even as it provides a corrective to that legend.

José María de Jesús Carvajalis both a biography of a Mexican postrevolutionary and a study of the development of a new border between Mexico and the United States during the crucial decades of the early to mid–nineteenth century. The work examines the challenges faced by Carvajal, a bilingual, bicultural character in confusing times, against the historical backdrop of the history of colonial Texas and northern Mexico. Chance has chosen to focus on a political-military figure whose career stretches from the Texas Revolution to the French Intervention. Carvajal played a key role in the violent struggle between the liberal and conservative political factions that vied for control of the Republic of Mexico from 1830 to 1874. He was the leader of a mercenary army that invaded Mexico from the United States in 1851 in an unsuccessful attempt for the creation of the so-called independent Republic of the Sierra Madre. In addition, he played significant roles in the struggle for Texas Independence and formation of the ill-fated Republic of the Rio Grande; and he opposed the American occupation of northern Mexico during the Mexican-American War, the War of Reform that solidified liberal control of Mexico under the leadership of Benito Juarez, and the French Intervention into Mexico. Carvajal’s life and exploits have been largely overlooked by contemporary historians. This work sheds new light on several important chapters in the history of Texas and northern Mexico.

A comprehensive history of Texas compiled from a variety of fields of study including military, political, economic, and civil areas, as well as natural disasters.

During the turbulent years of the Civil War and Reconstruction, a squall of violence and lawlessness swept through the Nueces Strip and the Rio Grande Valley in southern Texas. Cattle rustlers, regular troops, and Texas Rangers, as well as Civil War deserters and other characters of questionable reputation, clashed with Mexicans, Germans, and Indians over unionism, race, livestock, land, and national sovereignty, among other issues. In A Crooked River, Michael L. Collins presents a rousing narrative of these events that reflects perspectives of people on both sides of the Rio Grande. Retracing a path first opened by historian Walter Prescott Webb, A Crooked River reveals parts of the tale that Webb never told. Collins brings a cross-cultural perspective to the role of the Texas Rangers in the continuing strife along the border during the late nineteenth century. He draws on many rare and obscure sources to chronicle the incidents of the period, bringing unprecedented depth and detail to such episodes as the “skinning wars,” the raids on El Remolino and Las Cuevas, and the attack on Nuecestown. Along the way, he dispels many entrenched legends of Texas history—in particular, the long-held belief that almost all of the era’s cattle thieves were Mexican. A balanced and thorough reevaluation, A Crooked River adds a new dimension to the history of the racial and cultural conflict that defined the border region and that still echoes today.

A must read for anyone with an interest in the far Southwest or Native American history.

The historical record of the Rio Grande valley through much of the nineteenth century reveals well-documented violence fueled by racial hatred, national rivalries, lack of governmental authority, competition for resources, and an international border that offered refuge to lawless men. Less noted is the region’s other everyday reality, one based on coexistence and cooperation among Mexicans, Anglo-Americans, and the Native Americans, African Americans, and Europeans who also inhabited the borderlands. War and Peace on the Rio Grande Frontier, 1830–1880 is a history of these parallel worlds focusing on a border that gave rise not only to violent conflict but also cooperation and economic and social advancement. Meeting here are the Anglo-Americans who came to the border region to trade, spread Christianity, and settle; Mexicans seeking opportunity in el norte; Native Americans who raided American and Mexican settlements alike for plunder and captives; and Europeans who crisscrossed the borderlands seeking new futures in a fluid frontier space. Historian Miguel Ángel González-Quiroga draws on national archives, letters, consular records, periodicals, and a host of other sources to give voice to borderlanders’ perspectives as he weaves their many, varied stories into one sweeping narrative. The tale he tells is one of economic connections and territorial disputes, of refugees and bounty hunters, speculation and stakeholding, smuggling and theft and other activities in which economic considerations often carried more weight than racial prejudice. Spanning the Anglo settlement of Texas in the 1830s, the Texas Revolution, the Republic of Texas , the US-Mexican War, various Indian wars, the US Civil War, the French intervention into Mexico, and the final subjugation of borderlands Indians by the combined forces of the US and Mexican armies, this is a magisterial work that forever alters, complicates, and enriches borderlands history. Published in association with the William P. Clements Center for Southwest Studies at Southern Methodist University in Dallas, Texas

Sam Houston is a living legend in 1861. The hero of the Battle of San Jacinto, he had defeated Santa Anna to win independence for Texas back in 1836. He had twice served as president of the Republic of Texas, helped Texas join the Union, and served as senator and governor of Texas. Before settling in Texas, he had been a hero of the Creek War and governor of Tennessee. He had been friends with Andrew Jackson and Davy Crockett, and had been adopted into the Cherokee tribe, whose rights he had often defended and who had named him the Raven. Yet now, approaching seventy years of hard living, he finds everything he has fought for being torn asunder. Texas is joining the Confederacy, and Houston, a Unionist who has been cast out as governor, quickly loses power, prestige, and friends. He could hide in retirement, but such is not the way of a warrior. The Raven prepares for his most important fight yet. He knows this battle will test his endurance and faith. He knows he will need his wife, Margaret, to save him from his own worst enemy—himself. And he knows this war, which will pit brother against brother, will also try to divide Houston’s family. What he doesn’t know yet is that he will find help from long-dead friends and enemies to help him sort out his life and restore his honor. Johnny D. Boggs, among the most honored Western writers of the twenty-first century, brings one of Texas’ greatest heroes to life, warts and all, in a character study and love story of a man fighting for his country and legacy—but mostly for his family.

Established in Waco in 1968, the Texas Ranger Hall of Fame and Museum honors the iconic Texas Rangers, a service which has existed, in one form or another, since 1823. They have become legendary symbols of Texas and the American West. Thirty-one Rangers, with lives spanning more than two centuries, have been enshrined in the Hall of Fame. In The Ranger Ideal Volume 1: Texas Rangers in the Hall of Fame, 1823-1861, Darren L. Ivey presents capsule biographies of the seven inductees who served Texas before the Civil War. He begins with Stephen F. Austin, “the Father of Texas,” who laid the foundations of the Ranger service, and then covers John C. Hays, Ben McCulloch, Samuel H. Walker, William A. A. “Bigfoot” Wallace, John S. Ford, and Lawrence Sul Ross. Using primary records and reliable secondary sources, and rejecting apocryphal tales, The Ranger Ideal presents the true stories of these intrepid men who fought to tame a land with gallantry, grit, and guns. This Volume 1 is the first of a planned three-volume series covering all of the Texas Rangers inducted in the Hall of Fame and Museum in Waco, Texas.

The Cavalry Charges: Writings on Books, Film, and Music, Revised Edition is a collection of anecdotal reflections that relate many of the experiences that shaped Barry Gifford as a writer. Representative of Gifford’s body of work, this volume is divided into three sections: books, film and television, and music. Within these sections, Gifford’s best work is showcased, including a nine-part dossier on Marlon Brando’s One-Eyed Jacks in which Gifford examines the public and private lives of those involved in the film. New to the collection are four previously published essays: a brief look at the novels of Álvaro Mutis; a reflection on Gifford’s schooling under Nebraska poet John Neihardt; an essay on Elliot Chaze and his novel Black Wings Has My Angel; and a short piece on Sailor and Lula.