The bizarre origin of the B.P.R.D.s greatest foe Rumors of the Black Flame cult practicing human sacrifice lead downriver and deep into the jungle, while the groups guide is plagued by dreams of a dark goddess.

The B.P.R.D.'s greatest foe was not always a man ... Little English girls are going missing, and the trail leads to a bloodthirsty cult wielding an ancient power of evil--the Cult of the Black Flame. No villain in the history of the Mike Mignola's line of books has caused as much death and destruction as the Black Flame. See what it was like when that power belonged to a secret order of priests hidden in the jungles of Siam. Christopher Mitten (Umbral, Criminal Macabre, Wasteland) joins Mignola and Chris Roberson (Hellboy & the B.P.R.D. 1953, iZombie) to explore an uncharted corner of the Hellboy's fictional world.

In an ancient temple lost deep in the jungle, the heroes find proof of the rumored human sacrifices and answers about the Cult of the Black Flame.

The bizarre origin of the BPRDs greatest foe. Young girls are going missing from the cities of Siam, and the trail leads to the jungle hideout of a bloodthirsty cult wielding an ancient evil power, the Cult of the Black Flame. Christopher Mitten joins the Mignolaverse!

The heroes' search finally ends at the temple of the Black Flame cult, but they don't arrive in time to stop what they find there. The final issue!

A Considerate Warning Sometimes we are moved to break laws even though doing so might cost us our lives. This book before you is the evidence of what I hope to have done in defying this world and unjust rule. If you read it or keep it, you take part in what I have done and are responsible with my hopes and aspirations. Weather it is accomplished or not does not matter. You are guilty. My name is Maggie, and I have written the record of things that might have been, may be happening, might have passed, or may never be. The world I live in is not yours, yet I know your world. It may so be that even this story reaches Earth as nothing more than a fantasy. Until then it resides in a similar world called Kush-Rangla, connected to your own through Death. All that I say may be true and may be false, for I cannot be sure that it will be, or that is has been as the case may be. Of this portion, I cannot write all that I have seen or heard. This was not the beginning of my world, nor its end. It was not its middle either. I write of one man of legend. I write of Kush-Rangla and a time in its history where everything was undone. Time was taken back, as it were, but it was not. I am your narrator.

In the 1960s and 1970s, the staff and students of two newly founded universities in the Pacific Islands helped foster a golden age of Oceanian literature. At the University of Papua New Guinea and the University of the South Pacific, bold experiments in curriculum design recentered literary studies around a Pacific modernity. Rejecting the established British colonial model, writer-scholars placed Pacific oratory and a growing body of Oceanian writing at the heart of the syllabus. From this local core, students ventured outward to contemporary postcolonial literatures, where they saw modernist techniques repurposed for a decolonizing world. Only then did they turn to foundational modernist texts, encountered at last as a set of creative tools rather than a canon to be copied or learned by rote. The Rise of Pacific Literature reveals the transformative role and radical adaptations of global modernisms in this golden age. Maebh Long and Matthew Hayward examine the reading and teaching of Pacific oral narratives, European and American modernisms, and African, Caribbean, and Indian literature, tracing how Oceanian writers appropriated and reworked key texts and techniques. They identify the local innovations and international networks that spurred Pacific literature’s golden age by reading crucial works against the poetry, prose, and plays on the syllabi of the new universities. Placing internationally recognized writers such as Albert Wendt, Subramani, Konai Helu Thaman, Marjorie Crocombe, and John Kasaipwalova alongside lesser-known authors of works published in Oceanian little magazines, this book offers a wide-ranging new account of Pacific literary history that tells a fresh story about modernism’s global itineraries and transformations.

Part one of a two-part history of the non-Marxist, libertarian form of socialism, aka anarchism. From its origins in the 18th century and the conflicts with Marx in the First International to insurrections, trade unions and specific anarchist organisations, the hidden history of an alternative tradition is revealed. The ideas about socialism so prevalent today, that it equates with state ownership, that is the perogative of the Party, that it has somehow failed, are all dismantled in this scholarly engagement with a complex ideology.

A series of occult events mystifies the man known as the Witchfinder, but even more surprising is the revelation that he is not alone in exploring the paranormal in London. When a personal invitation arrives from the palace, Sir Edward Grey is pulled even deeper into underground supernatural exploration alongside new allies in the race to stop a mad scientist from destroying London in his pursuit of mystical power. This volume collects Witchfinder: The Gates of Heaven #1-#5 plus bonus material.