This legendary work consists of alphabetically arranged genealogical tables of approximately 500 Rhode Island families, representing thousands of descendants of pre--1690 settlers, all carried to the third generation, and some--about 100 families-- carried to the fourth.

Reprint of the original, first published in 1881.

Apart from a handful of exotic--and almost completely unreliable--tales surrounding his life, Richard Potter is almost unknown today. Two hundred years ago, however, he was the most popular entertainer in America--the first showman, in fact, to win truly nationwide fame. Working as a magician and ventriloquist, he personified for an entire generation what a popular performer was and made an invaluable contribution to establishing popular entertainment as a major part of American life. His story is all the more remarkable in that Richard Potter was also a black man. This was an era when few African Americans became highly successful, much less famous. As the son of a slave, Potter was fortunate to have opportunities at all. At home in Boston, he was widely recognized as black, but elsewhere in America audiences entertained themselves with romantic speculations about his "Hindu" ancestry (a perception encouraged by his act and costumes). Richard Potter’s performances were enjoyed by an enormous public, but his life off stage has always remained hidden and unknown. Now, for the first time, John A. Hodgson tells the remarkable, compelling--and ultimately heartbreaking--story of Potter’s life, a tale of professional success and celebrity counterbalanced by racial vulnerability in an increasingly hostile world. It is a story of race relations, too, and of remarkable, highly influential black gentlemanliness and respectability: as the unsung precursor of Frederick Douglass, Richard Potter demonstrated to an entire generation of Americans that a black man, no less than a white man, could exemplify the best qualities of humanity. The apparently trivial "popular entertainment" status of his work has long blinded historians to his significance and even to his presence. Now at last we can recognize him as a seminal figure in American history.

A generously illustrated survey of an important post-revolutionary American decorative art form.

The biography of Israel Potter created a sensation when it was first published. Potter's tale was so strange and compelling that Herman Melville later made it his own in fiction. But no one has ever known Potter's true-life tale, which was hidden for more than two hundred years. Beggarman, Spy brings the truth out of the shadows of history with grace and vengeance. It makes a great adventure into an even greater story.

From 1840 through 1844 East Texas was wracked by murderous violence between Regulator and Moderator factions. More than thirty men were killed in assassinations, lynchings, ambushes, street fights, and pitched battles. The sheriff of Harrison County was murdered, and so was the founder of Marshall, as well as a former district judge. Senator Robert Potter, a signer of the Texas Declaration of Independence, was slain by Regulators near his Caddo Lake home. Courts ceased to operate and anarchy reigned in Shelby County, Panola District, and Harrison County. Only the personal intervention of President Sam Houston and an invasion of the militia of the Republic of Texas halted the bloodletting. The Regulator-Moderator War was the first and largest—in numbers of participants and fatalities—of the many blood feuds of Texas, and Bill O'Neal's book is the first detailed account of this feud. He has included numerous photographs, maps to help the reader to identify various locations of specific events, and rosters of names of the Regulator and Moderator factions arranged by the counties in which the individuals were associated—along with a roster of the victims of the war.