With his twinkling eyes, boundless energy and unrivalled natural wit, Robin Williams was the comedian who brought laughter to a generation.Through roles in cherished films such as Mrs. Doubtfire, Jumanji, Aladdin and Hook, he became the genial face of family comedy. His child-like enthusiasm was infectious, sweeping viewers away. Allied to his lightning-quick improvisation and ability to riff lewdly off any cue thrown at him, Robin was that rare thing - a true comic genius who appealed to adults and children equally.He could also play it straight, and empathetic depth came to him naturally. A poignant performance in Good Will Hunting won him an Academy Award whilst his masterfully chilling turn in psychological thriller Insomnia shocked audiences and hinted at a darker side.What truly caught the imagination, though, was his good-heartedness. Warmth radiated from him on-screen, but he was legendary for his off-screen acts of selfless generosity. Where most Hollywood A-listers demand outrageous pampering in their contract riders, he always insisted that the production company hire a full quota of homeless people to help make his movies.But behind the laughter lay a deeply troubled man, and tragedy would follow. At midday, on 11 August 2014, Robin Williams was pronounced dead at his California home. The verdict was suicide. He had battled depression and addiction for many years and was allegedly beset by financial difficulties.Virginia Blackburn's sensitive and thoughtful biography celebrates his genius and warmth, but also attempts to understand what could have driven such a gentle and gifted man to so tragic an end. This is Robin Williams, the life, the laughter, and the deep sorrow of the man who made the world smile.

If creativity is the highest expression of the life impulse, why do creative individuals who have made lasting contributions to the arts and sciences so often end their lives? M.F. Alvarez addresses this central paradox by exploring the inner lives and works of eleven creative visionaries who succumbed to suicide. Through a series of case studies, Alvarez shows that creativity and suicide are both attempts to authenticate and resolve personal catastrophes that have called into question the most basic conditions of human existence.

The 1950s were a transitional period for film comedians. The artistic suppression of the McCarthy era and the advent of television often resulted in a dumbing down of motion pictures. Cartoonist-turned-director Frank Tashlin contributed a funny but cartoonish effect through his work with comedians like Jerry Lewis and Bob Hope. A new vanguard of comedians appeared without stock comic garb or make-up--fresh faces not easily pigeonholed as merely comedians, such as Tony Randall, Jack Lemmon and Tony Curtis. Some traditional comedians, like Charlie Chaplin, Red Skelton and Danny Kaye, continued their shtick, though with some evident tweaking. This book provides insight into a misunderstood decade of film history with an examination of the "personality comedians." The talents of Dean Martin and Bob Hope are reappraised and the "dumb blonde" stereotype, as applied to Judy Holliday and Marilyn Monroe, is deconstructed.

The international best-selling author explores the revolutions, past and present, that define the chaotic, polarized and unstable age in which we live. Fareed Zakaria first warned of the threat of “illiberal democracy” two decades ago. Now comes Age of Revolutions: Progress and Backlash from 1600 to the Present. A decade in the making, the book is based on deep research and conversations with world leaders from Emmanuel Macron to Lee Kuan Yew. In it Zakaria sets our era of populist chaos into the sweep of history. Age of Revolutions tells the story of progress and backlash, of the rise of classical liberalism and of the many periods of rage and counter-revolution that followed seismic change. It begins with the upstart Dutch Republic, the first modern republic and techno-superpower where refugees and rebels flocked for individual liberty. That haven for liberalism was almost snuffed out by force – until Dutch ideas leapt across the English Channel in the so-called “Glorious Revolution.” Not all revolutions were so glorious, however. The French Revolution shows us the dangers of radical change that is imposed top-down. Lasting change comes bottom-up, like the Industrial Revolution in Britain and the United States, which fueled the rise of the world’s modern superpowers and gave birth to the political divides we know today. Even as Britain and America boomed, technology unsettled society and caused backlash from machine-smashing Luddites and others who felt threatened by this new world. In the second half of the book, Zakaria details the revolutions that have convulsed our times: globalization in overdrive, digital transformation, the rise of identity politics, and the return of great power politics with a vengeful Russia and an ascendant China. Vladimir Putin and Xi Jingping see a world upended by liberalism – and want to turn back the clock on democracy, women’s rights, and open societies. Even more dangerous than aggression abroad is democratic decay at home. This populist and cultural backlash that has infected the West threatens the very foundations of the world that the Enlightenment built – and that we all take too easily for granted. The book warns us that liberalism’s great strength has been freeing people from arbitrary constraints—but its great weakness has been leaving individuals isolated, to figure out for themselves what makes for a good life. This void – the hole in the heart – can all too easily be filled by tribalism, populism, and identity politics. Today’s revolutions in technology and culture can even leave people so adrift that they turn against modernity itself.

This three-volume set is a valuable resource for researching the history of American television. An encyclopedic range of information documents how television forever changed the face of media and continues to be a powerful influence on society. What are the reasons behind enduring popularity of television genres such as police crime dramas, soap operas, sitcoms, and "reality TV"? What impact has television had on the culture and morality of American life? Does television largely emulate and reflect real life and society, or vice versa? How does television's influence differ from that of other media such as newspapers and magazines, radio, movies, and the Internet? These are just a few of the questions explored in the three-volume encyclopedia TV in the USA: A History of Icons, Idols, and Ideas. This expansive set covers television from 1950 to the present day, addressing shows of all genres, well-known programs and short-lived series alike, broadcast on the traditional and cable networks. All three volumes lead off with a keynote essay regarding the technical and historical features of the decade(s) covered. Each entry on a specific show investigates the narrative, themes, and history of the program; provides comprehensive information about when the show started and ended, and why; and identifies the star players, directors, producers, and other key members of the crew of each television production. The set also features essays that explore how a particular program or type of show has influenced or reflected American society, and it includes numerous sidebars packed with interesting data, related information, and additional insights into the subject matter.

Charisma encompasses power, popularity, and influence. Yet behind the curtain, complexity, chaos, and insecurity lurk. Examining the lives of charismatic personalities in a variety of fields (religion, entertainment, business, sects, etc) a picture emerges of distorted, unfulfilled souls yearning for the limelight by an inescapable force they cannot understand yet which fuels their very existence. The Age of Charisma: Understanding the Charismatic Personality examines personalities from their earliest upbringings to their often tragic end, examining the similarities that brings the charismatic to the glowing stage of fame that only temporarily assuages wounds from unhappy childhoods. The charismatic personality has always been part of human history, but they shine brighter today thanks in part to our media-dominated landscape and the growing reliance on visual rather than written communication. Ours is a golden time for such enigmatic personalities; their social influence and idolatry have never been greater. This book is written for scholars, instructors and researchers broadly interested in charisma as a social phenomenon and as the product of an expansive reality dominated by screens.

A thoughtful look at the brilliant life and tragic death of a comedy icon At midday on August 11, 2014, much-loved comedian Robin Williams was pronounced dead at his California home. From Mrs. Doubtfire, Jumanji, and Aladdin to Good Will Hunting and Dead Poets Society, Robin Williams brought laughter{u2014}and deep joy{u2014}to a generation. He was sparklingly funny, a lightning-fast improviser, and a wonderful comic. But what touched millions of people was the warmth and compassion he exuded. The deeply tragic manner in which he took his own life has come as a shock to the world and caused people to wonder about the desperately troubled life behind the laughter he gave to millions. With Twitter igniting from record volumes of tributes to the much-loved actor, the death of Robin Williams has caused a public outpouring of grief not seen since the passing of Michael Jackson or Whitney Houston. Emily Herbert{u2019}s sensitive and thoughtful biography celebrates his genius, and attempts to understand what could have driven such a warm and gifted man to take his own life.