A number of nineteenth-century American women were privileged and daring enough to travel abroad, using a range of genres to respond discursively to their new surrounding. The author's study groups six women, whose writings were shaped by their encounters with Italy, to investigate women's attempts to leave behind the domestic, in all senses of that term. --book cover.

During the last 1500 years, Rome was the inspiration of artists, the coronation stage of German emperors, the distant desire of pilgrims, and the seat of the Roman popes. Yet Rome also lies within the northern range of P. falciparum malaria, the deadliest strain of the disease, against which northern Europeans had no intrinsic or acquired defenses. As a result, Rome lured a countless number of unacclimated transalpine Europeans to their deaths in the period from 500 to 1850 AD. This book examines how Rome's allure to European visitors and its resident malaria species impacted the historical development of Europe. It covers the environmental and biological factors at play and focuses on two of the periods when malaria potentially had the greatest impact on the continent: the heyday of the medieval German Empire and its conflicts with the papacy (c. 800-1300) and the Protestant Reformation (c.1500). Through explorations into the history of religion, empire, disease, and culture, this book tells the story of how the veritable capital of the world became the graveyard of nations.

A Study Guide for Edith Wharton's "Roman Fever," excerpted from Gale's acclaimed Short Stories for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Short Stories for Students for all of your research needs.

A side from her Pulitzer Prize-winning talent as a novel writer, Edith Wharton also distinguished herself as a short story writer, publishing more than seventy-two stories in ten volumes during her lifetime. The best of her short fiction is collected here in Roman Fever and Other Stories. From her picture of erotic love and illegitimacy in the title story to her exploration of the aftermath of divorce detailed in "Souls Belated" and "The Last Asset," Wharton shows her usual skill "in dissecting the elements of emotional subtleties, moral ambiguities, and the implications of social restrictions," as Cynthia Griffin Wolff writes in her introduction. Roman Fever and Other Stories is a surprisingly contemporary volume of stories by one of our most enduring writers.

Love Lost, Love Found, Illicit Love All? ""Roman Fever"" is a short story by American writer Edith Wharton. It was first published in the magazine Liberty in 1934, and was later included in Wharton's last short-story collection, The World Over. The setting of the story takes place in the afternoon, in the city of Rome. Two wealthy middle-aged widowed women are visiting Rome with their two unmarried daughters. The exotic setting illustrates the power and class from which the women hail, but the Old Rome context, such as the Colosseum, insinuates Roman Empire-style intrigue. Mrs. Ansley and Mrs. Slade have a bittersweet relationship filled with envy, betrayal, and competition. They compare their lifelong battle for one man, Delphin Slade, and now quarrel regarding who has the more impressive daughter, both of whom, ironically, share the same father... Get Your Copy Now.

Beneath the polished surface of the genteel environments delineated in Wharton's fiction, characters are competing fiercely for desirable mates, questing for social status and resources, and plotting ruthlessly to advance their relatives' fortunes in life. This book identifies these and other evolutionary issues central to her fiction, demonstrating their significance in terms of character, setting, plot, and theme. Connections to existing Wharton criticism are made throughout the book, so that readers can see how an evolutionary perspective enriches, refutes, or reconfigures insights derived from other critical approaches.

This special issue of differences celebrates the work of the contemporary feminist literary critic and theorist Barbara Johnson, whose work has been revolutionary in foregrounding concepts of "difference." Johnson's is a unique method of literary reading in which literature becomes, in her words, "a mode of cultural work, the work of giving-to-read those impossible contradictions that cannot yet be spoken." The contributors to this issue recognize that one of Johnson's primary gifts to literary studies is her ability to teach theoretical insights, not in a pedagogically prescriptive or didactic way, but through her exquisitely close readings of texts that illustrate the force of theory and language in practice. The first half of the issue comprises essays in which scholars influenced by Johnson offer close readings of texts ranging from Sandra Cisneros's Carmelo to Edith Wharton's "Roman Fever" to George Bernard Shaw's Pygmalion. Each of the remaining essays is marked by the intimate voice of its author offering a reflective tribute to Johnson's thought and teaching. Contributors. Lauren Berlant, Rachel Bowlby, Bill Brown, Mary Wilson Carpenter, Pamela Caughie, Lee Edelman, Jane Gallop, Bill Johnson González, Deborah Jenson, Lili Porten, Avital Ronell, Mary Helen Washington