Through an analysis of political, art historical, and literary discourse, this book considers French fascination with the Gothic cathedral.

By the end of the nineteenth century, a mode of painting captured instantaneity had come to be seen as an appropriate and characteristically Impressionist means of depictin its subject, when that subject was understood to be our variable perception in nature. In May of 1895, however, capriciously it seemed to some, to the facade of a Gothic cathedral. Struck by the curious choice a medieval monument as subject matter, critics, used to about instantaneity, continued to lay emphasis on a theme of temporality, and this was addressed in two but related ways. First, there was the matter of perception - the temporality that is involved in engaging visually with near impenetrable surfaces of individual canvases...

This ambitious and vivid study in six volumes explores the journey of a single, electrifying story, from its first incarnation in a medieval French poem through its prolific rebirth in the nineteenth and twentieth centuries. The Juggler of Notre Dame tells how an entertainer abandons the world to join a monastery, but is suspected of blasphemy after dancing his devotion before a statue of the Madonna in the crypt; he is saved when the statue, delighted by his skill, miraculously comes to life. Jan Ziolkowski tracks the poem from its medieval roots to its rediscovery in late nineteenth-century Paris, before its translation into English in Britain and the United States. The visual influence of the tale on Gothic revivalism and vice versa in America is carefully documented with lavish and inventive illustrations, and Ziolkowski concludes with an examination of the explosion of interest in The Juggler of Notre Dame in the twentieth century and its place in mass culture today. Volume 2: Medieval Meets Medievalism deals with the influence of the tale in nineteenth- and early-twentieth-century Europe and America, and the development of literary medievalism at this time. The Juggler of Notre Dame and the Medievalizing of Modernity is a rich case study for the reception of the Middle Ages in modernity. Spanning centuries and continents, the medieval period is understood through the lens of its (post)modern reception in Europe and America. Profound connections between the verbal and the visual are illustrated by a rich trove of images, including book illustrations, stained glass, postage stamps, architecture, and Christmas cards. Presented with great clarity and simplicity, Ziolkowski's work is accessible to the general reader, while its many new discoveries will be valuable to academics in such fields and disciplines as medieval studies, medievalism, philology, literary history, art history, folklore, performance studies, and reception studies.

"That is quite fifteen years ago," said Cassim, smoothing the frail paper with tender fingers; "now it is the twenty-fourth day of July in the year eighty-nine. Six o'clock! I wonder if any of them will turn up. Jack is an engineer, building railways and bridges in China. Peter, as a respectable physician, doses invalids in Devonshire. Special Correspondent Tim, the stormy petrel of war, wires lies to London newspapers. I—I am a mere idler, given to wanderings among the tombs of dead civilisations. Peter may come. It means only a short railway journey to him; but Jack and Tim are probably thousands of miles away. Still, as I came from the Guinea Coast to meet them, they certainly ought not to miss the appointment. This is the day, the place, the hour, and I have prepared the fatted calf, of which they will partake—if they turn up. Pshaw! I am a fool to think they will come. They have, no doubt, quite forgotten this boyish freak. Perhaps it is best so. It is a great mistake to arrange a meeting fifteen years ahead. Father Time is too fond of strange surprises." Rising from his chair, he paced slowly to and fro with folded arms, and bent head, the droop of this latter being somewhat dejected. The idea that he was about to meet his old schoolfellows rendered him pensive, and a trifle regretful. Many years had passed since those halcyon days of youth, and, oh, the difference between now and then! He could hardly avoid speculating on their certain mutation. Had the wand of Time changed those merry lads into staid men? Would Jack still be ambitious as of yore? Tim's jokes were famous in the old days; but now, perchance, he found life too serious for jesting. Then Peter's butterflies! How often they had laughed at his entomological craze. Now, doubtless, he was more taken up with pills and patients. And himself,—he had out-lived his youthful enthusiasms, more's the pity. No wonder he felt pensive at the thought of such changes. Retrospection is a saddening faculty.

Using a variety of texts, but the Matter of England romances in particular, the author argues that they show a continued interest in the Anglo-Saxon past, from the localised East Sussex legend of King Alfred that underlies the twelfth-century Proverbs of Alfred, to the institutional interest in the Guy of Warwick narrative exhibited by the community of St Swithun's Priory in Winchester during the fifteenth century; they are part of a continued cultural remembrance that encompasses chronicles, folk memories, and literature."--BOOK JACKET.

Harlequin® Medical Romance brings you a collection of three new titles, available now! Enjoy these stories packed with pulse-racing romance and heart-racing medical drama. This Harlequin Medical Romance box set includes: THE DOCTOR AND THE PRINCESS by Scarlet Wilson Their chemistry is undeniable! But will Sullivan Darcy follow his heart when doctor princess Gabrielle Cartier must return home to rule? MIRACLE FOR THE NEUROSURGEON by Lynne Marshall Dare neurosurgeon Wes Van Allen hope for the ultimate miracle…a family, with Mary Harris—his never-forgotten flame—by his side? ENGAGED TO THE DOCTOR SHEIKH The Halliday Family by Meredith Webber When Lila Halliday causes uproar in his desert kingdom, Sheikh Tariq al Askeba issues an ultimatum: leave…or become his desert bride!

Reprint of the original, first published in 1876.

An illustrated women's magazine; includes extracts from novels, short stories, reviews, aphorisms, songs, philosophical discussions, and detailed descriptions of the latest clothing fashions from London and Paris.