This is a long chronicle romance. The main embodiment of the protagonist Prince Peng and Yu Lixia from 1987 to 200was an unforgettable extramarital love. The content is real, vivid and touching, and has strong infectious power. The novel uses real people, real things, real time, real places. It fully reflects the growth process of the peasant born prince peng under unremitting efforts.

In today’s world of Tinder and texting, do we write and save love letters anymore? Are we more likely to save a screenshot of a text exchange or a box of paper letters from a lover? How might these different ways to store a love letter make us feel? Sociologist Michelle Janning’s Love Letters: Saving Romance in the Digital Age offers a new twist on the study of love letters: what people do with them and whether digital or paper format matters. Through stories, a rich review of past research, and her own survey findings, Janning uncovers whether and how people from different groups (including gender and age) approach their love letter "curatorial practices" in an era when digitization of communication is nearly ubiquitous. She investigates the importance of space and time, showing how our connection to the material world and our attraction to nostalgia matter in actions as seemingly small and private as saving, storing, stumbling upon, or even burning a love letter. Janning provides a framework for understanding why someone may prefer digital or paper love letters, and what that preference says about a person’s access and attachment to powerful cultural values such as individualization, taking time in a hectic world, longevity, privacy, and keeping cherished things in a safe place. Ultimately, Janning contends, the cultural values that tell us how romantic love should be defined are more powerful than the format our love letters take.

Love letters during the Napoleonic wars were largely framed by concepts of love which were promoted through novels and philosophy. The standard texts, so to speak, which were written by major authors who inherited this Enlightenment bearing, responded to the emerging concepts of love found in novels and philosophical essays. Love among this Napoleonic coterie is unique because it demonstrates the reciprocal relationship between the love letter and the romantic novel. Germaine de Staël, Juiette Récamier, Chateaubriand, Benjamin Constant, Lady Emma Hamilton, Napoleon Bonaparte and his brother, Lucien Bonaparte, were the authors and recipients of some of the most passionate love letters of this period. They were also avid readers of the newly emerging genre of the romantic novel, and many of them were also authors of such works where they projected their personal romances onto the characterization of their fictional heroes and heroines. In addition, these authors had lived through the recent French Revolution and the Terror. Imprisoned during the Revolution, or branded as emigrés upon their return to Paris, their mature adult lives were spent in the shadows of the Napoleonic wars in which they shifted political loyalties as the specter of Napoleon’s powers grew from First Consul to Emperor of Europe. The looming threat of war ignited the depths of their passions and inspired their intellectual analysis of love, happiness and suicide. Their evolving concept of love was a romantic, all-consuming passion which gripped the lovers in fatal embraces. This book’s analysis of their love letters and romantic novels reveals the emerging political landscape of the period through extended metaphors of love and patriotism.

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Aspects of Romantic Love: Perceptions on Love and Marriage is a modest attempt to express my perceptions of romantic love and related themes. To love and to be loved are exciting aspects of a person's emotional life. The pivotal theme of the book is love, romance, marriage and those alliances which hamper a harmonious conjugal and family life. Romantic love is a fascinating passion and an ecstatic experience. The very word ‘romance’ captures our imagination and fills our hearts with exciting feelings. The book is not a scientific treatise on love. It only encapsulates romantic love with all its appealing themes. My effort is to describe the splendid experience called love exclusively through my impressions. The book is a product of the year 2020 marred by the Covid-19 pandemic and the terrible human exodus during the lockdown of 2020. The unexpected global and national scenario gave ample time and opportunity for reading, writing and reflection. Writing on a subject like romantic love helped overcome the lethargy and the feeling of devastation during the lockdown. It has been an exciting creative activity and a marvellous sensation of diversion.

This edited volume examines mobile phone use in China. Unlike most studies on ICT development in China this book argues for the importance of the cultural realm as captured in mobile phone usage in reflecting the normative basis and struggle of the people. It stresses how the mobile phone is in fact an important means by which one can understand a rapidly changing China. A key concern of the book is to assert the uniqueness of China’s experience in mobile phone usage. This uniqueness is encapsulated by the phrase ‘riding the double juggernaut’, in that Chinese society is exposed to a rapid process of industrialization and cyberization in a short period of time. The contributors maintain that such density of experience under a compressed period when the society has a thick cultural heritage of its own and yet is still under a dictating rule all come together to provide a unique situation in China. .

Women Letter-Writers in Tudor England represents one of the most comprehensive study of women's letters and letter-writing during the early modern period to be undertaken, and acts as an important corrective to traditional ways of reading and discussing letters as private, elite, male, and non-political. Based on over 3,000 manuscript letters, it shows that letter-writing was a larger and more socially diversified area of female activity than has been hitherto assumed. In that letters constitute the largest body of extant sixteenth-century women's writing, the book initiates a reassessment of women's education and literacy in the period. As indicators of literacy, letters yield physical evidence of rudimentary writing activity and abilities, document 'higher' forms of female literacy, and highlight women's mastery of formal rhetorical and epistolary conventions. Women Letter-Writers in Tudor England also stresses that letters are unparalleled as intimate and immediate records of family relationships, and as media for personal and self-reflective forms of female expression. Read as documents that inscribe social and gender relations, letters shed light on the complex range of women's personal relationships, as female power and authority fluctuated, negotiated on an individual basis. Furthermore, correspondence highlights the important political roles played by early modern women. Female letter-writers were integral in cultivating and maintaining patronage and kinship networks; they were active as suitors for crown favour, and operated as political intermediaries and patrons in their own right, using letters to elicit influence. Letters thus help to locate differing forms of female power within the family, locality and occasionally on the wider political stage, and offer invaluable primary evidence from which to reconstruct the lives of early modern women.

Romance Writing explores the changing nature of both the romance genre and the discourse of romantic love from the seventeenth century to the present day. Indeed, it is one of the first studies to approach romantic love as both genre and discourse in more than sixty years. Faced with the challenge of writing a cultural history for what is commonly understood to be one of lifes most universal, a-historical and cross-cultural phenomena, Lynne Pearce has invoked the concept of the gift to calculate loves added value at different cultural/historical moments. Building upon those philosophical traditions which have argued for the powerfully transformative nature of romantic love, Pearce shows how in the history of literature lovers have utilized its spark to change not only themselves, but also their worlds, through acts of creativity and heroism. The gift of love ranges from the simple gift of a name in the seventeenth century, through notions of immortality, self-sacrifice and selfhood in the nineteenth and twentieth centuries, through to the liberating temporal and spatial dislocations of the postmodern age. The opening chapter, The Alchemy of Love, also undertakes an in-depth engagement of the changing nature, and meaning, of romantic love. Providing a judicious blend of close reading and cultural history, Romance Writing will be essential reading for undergraduate students as well as postgraduates and scholars working in the field, while also offering much of interest to the general reader.