This is a paperback version 6 x 9.A look at three different sides of my poetry. The first side is about philosophy and seeking enlightenment. The second side is the lighter side that has a more humorous tone. Then finally the last side is a dark more grim view mainly focusing on the exit from this life.

Kelly Mason is living the typical college student life in New Jersey until he starts having strange dreams of a faraway place where he has never been and of a woman who he has never seen. His first reaction is one of confusion, but the dreams get so intense that they start interfering with his sleep and ultimately his life. While trying to find out the cause of his dreams, he gets regressed by a hypnotist and remembers a past life. He sees himself as a young man being murdered by a group of tough young men right in front of his beautiful fiance. He recognizes the setting as the place he saw in his dreams and he recognizes the fiance as the woman from his dreams. When he happens to see the setting of his dreams on a Beatles documentary, he becomes determined to explore his past life and find the woman he left behind. He sets off on a journey which will take him from the Jersey Shore to the docks of Liverpool and finally to the beautiful green of Ireland. Bobby Logan, a resident of North Port, Florida has a B.A in Psychology from S.U.N.Y Stony Brook in New York and an A.S. in Computers from Manatee Community College in Venice, Florida. On a personal note, Bobby came from a family of avid readers and very early developed a love for the written word. Bobby has had a passion for rock music from a very young age and specifically, has been a Beatles fan since birth. This author has traveled to Liverpool and Ireland and fell in love with them both, and has always been interested in and open-minded about reincarnation.

Whether you're a lifelong collector or have only just gotten hip to the vinyl revival, navigating the vast landscape of rock albums can be a daunting prospect. Enter Mike Segretto and his mammoth 33 1/3 Revolutions Per Minute, a history of the rock LP era told through a very personal selection of nearly 700 albums. Beginning with the birth of rock and roll in the 1950s, Segretto moves through the explosive innovations of the 1960s, the classic rock and punk albums of the 1970s, the new wave classics of the 1980s, and the alternative revolution of the 1990s, always with an eye to both the iconic and the ephemeral, the failed experiments and the brilliant trailblazers. It's all here: everything from the classics (Sgt. Pepper's Lonely Hearts Club Band, Purple Rain, Nevermind, and countless other usual suspects) to such oddities as albums by Johnny "Guitar" Watson, P. P. Arnold, The Dentists, and Holly Golightly. Throughout, Segretto reveals the perpetual evolution of a modern art form, tracing the rock album's journey from a vehicle for singles and filler sold to kids, through its maturation into a legitimate, self-contained medium of expression by 1967, and onward to its dominance in the '70s, '80s, and '90s. Whether you read it from cover to cover, seek out specific albums, or just dip in at random and let the needle fall where it may, 33 1/3 Revolutions Per Minute is a fun, informative, and unapologetically opinionated read.

In Working Class Heroes, David Simonelli explores the influence of rock and roll on British society in the 1960s and '70s. At a time when social distinctions were becoming harder to measure, rock musicians appeared to embody the mythical qualities of the idealized working class by perpetuating the image of rebellious, irreverent, and authentic musicians.

Jonathan Gould's Can't Buy Me Love is more than just a book on the Beatles; it's a stunning recreation of the 1960s in England and America through the prism of the world's most iconic band. The Beatles, perhaps more than any act before or since, were a quintessential product of their time, and Gould brilliantly blends cultural history, musical analysis and group biography to show the unique part they played in the shaping of post-war Britain and America. Gould examines the influence of R&B, rockabilly, skiffle and Motown as the Fab Four forged a sound of their own; he illuminates the mercurial relationship the most productive and lucrative in recording music history between John Lennon and Paul McCartney; he critiques the songs they played and the movies they made, and their impact on competing bands and musicians, as well as on fashion, hairstyles, and humour; and he shows how events on both sides of the Atlantic created exactly the right cultural climate for the biggest music phenomenon of 20th century. Beautifully written, insightful, and wonderfully evocative, this is a magisterial biography by a popular historian of the very first rank.

Maximum Volume offers a glimpse into the mind, the music, and the man behind the sound of the Beatles. George Martin's working-class childhood and musical influences profoundly shaped his early career as head of the EMI Group's Parlophone Records. Out of them flowed the genius behind his seven years producing the Beatles' incredible body of work, including such albums as Rubber Soul, Revolver, Sgt. Pepper's Lonely Hearts Club Band, and Abbey Road. The first book of two, Maximum Volume traces Martin's early years as a scratch pianist, his life in the Fleet Air Arm during the Second World War, and his groundbreaking work as the head of Parlophone Records, when Martin saved the company from ruin after making his name as a producer of comedy recordings. In its most dramatic moments, Maximum Volume narrates the story of Martin's unlikely discovery of the Beatles and his painstaking efforts to prepare their newfangled sound for the British music marketplace. As the story unfolds, Martin and the band craft numerous number-one hits, progressing towards the landmark album Rubber Soul—all of which bear Martin's unmistakable musical signature.

Paul McCartney is one of the best pop bass players in the world, and this book presents a musical analysis of his consistently inventive and influential bass playing during his tenure in the Beatles. This indispensable guide offers full transcriptions (including tablature and chord names) of nine of McCartney's most revered bass parts: “Dear Prudence ” “Drive My Car ” “In My Life ” “Lovely Rita ” and more. Each track is analyzed and explained in detail to show today's bassists how much they can still learn from McCartney's remarkable skill and imagination.