The book presents the first English edition of “On Russia in the Reign of Aleksei Mikhailovich” by Grigorii Kotoshikhin. This is the only native source describing the character of the seventeenth-century Russian state and society. It offers a unique and detailed picture of the nature of Russian “autocracy”, the life at the tsar’s court, social mores of the nobles and commoners of those times, military affairs, diplomatic relations, etc. The book is a veritable ethnographic encyclopedia of early Russian life. With broad commentaries and supporting materials provided by the translator, Benjamin Uroff, and the editor, Marshall Poe, it provides an invaluable source for understanding XVII-century Muscovite Russia.

The reign of Peter the Great (1682-1725), long regarded as the turning point in the Europeanization of Russia, witnessed the establishment of Russia's first modern navy, the Azov Sea fleet. Its creation evokes a fundamental question about the era: was Peter a reformer or a revolutionary? This three-part study examines Russia's maritime experience in the 17th and early 18th centuries in order to address this central question. The author argues that Peter's development of the navy was revolutionary in the scale and level of technology brought to fruition through the reform of existing political and social structures.

In its scope and command of primary sources and its generosity of scholarly inquiry, Nikolai Findeizen's monumental work, published in 1928 and 1929 in Soviet Russia, places the origins and development of music in Russia within the context of Russia's cultural and social history. Volume 2 of Findeizen's landmark study surveys music in court life during the reigns of Elizabeth I and Catherine II, music in Russian domestic and public life in the second half of the 18th century, and the variety and vitality of Russian music at the end of the 18th century.

A study of the reception of the Eastern Christian Orthodox doctrine of deification by Russian religious thinkers of the immediate pre-revolutionary period.

Modern Russian identity and historical experience has been largely shaped by Russia's imperial past: an empire that was founded in the early modern era and endures in large part today. The Russian Empire 1450-1801 surveys how the areas that made up the empire were conquered and how they were governed. It considers the Russian empire a 'Eurasian empire', characterized by a 'politics of difference': the rulers and their elites at the center defined the state's needs minimally - with control over defense, criminal law, taxation, and mobilization of resources - and otherwise tolerated local religions, languages, cultures, elites, and institutions. The center related to communities and religions vertically, according each a modicum of rights and autonomies, but didn't allow horizontal connections across nobilities, townsmen, or other groups potentially with common interests to coalesce. Thus, the Russian empire was multi-ethnic and multi-religious; Nancy Kollmann gives detailed attention to the major ethnic and religious groups, and surveys the government's strategies of governance - centralized bureaucracy, military reform, and a changed judicial system. The volume pays particular attention to the dissemination of a supranational ideology of political legitimacy in a variety of media - written sources and primarily public ritual, painting, and particularly architecture. Beginning with foundational features, such as geography, climate, demography, and geopolitical situation, The Russian Empire 1450-1801 explores the empire's primarily agrarian economy, serfdom, towns and trade, as well as the many religious groups - primarily Orthodoxy, Islam, and Buddhism. It tracks the emergence of an 'Imperial nobility' and a national self-consciousness that was, by the end of the eighteenth century, distinctly imperial, embracing the diversity of the empire's many peoples and cultures.

The title of this book refers to the classic time and place for magic, witchcraft, and divination in Russia. The Bathhouse at Midnight, by one of the world's foremost experts on the subject, surveys all forms of magic, both learned and popular, in Russia from the fifth to the eighteenth century. While no book on the subject could be exhaustive, The Bathhouse at Midnight does describe and assess all the literary sources of magic, witchcraft, astrology, alchemy, and divination from Kiev Rus and Imperial Russia, and to some extent Ukraine and Belorussia. Where possible, Ryan identifies the sources of the texts (usually Greek, Arabic, or West European) and makes parallels to other cultures, ranging from classical antiquity to Finnic. He finds that Russia shares most of its magic and divination with the rest of Europe. Subjects covered include the Evil Eye, the Number of the Beast, omens, dreams, talismans and amulets, plants, gemstones, and other materials thought to possess magic properties. The first chapter gives a historical overview, and the final chapter summarizes the political, religious, and legal aspects of the history of magic in Russia. The author also provides translations of some key texts. The Bathhouse at Midnight will be invaluable for anyone&—student, teacher, or general reader&—with an interest in Russia, magic, or the occult. It is unique in its field and is set to become the definitive study of Russian magic.

During the period of the Tokugawa shogunate’s seclusion policy from about 1630 onwards there was very little European interaction with the Japanese except through the restricted Dutch presence at Nagasaki. During this period, however, Russians exploring Siberia and the Russian Far East came into contact with Japan, and further exploration and information collecting was encouraged by the Russian government, culminating in the first official Russian Embassy to Japan in 1792. This book examines the Russian discourse on Japan in the period, tracing the gradual accumulation of knowledge, and the development of Russian views, sometimes distorted, about Japan. The book includes key historical documents, some translated into English for the first time. The book is a prequel to the author’s previous book, Russian Views of Japan, 1792–1913: An Anthology of Early Travel Writing.

First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

A comprehensive history of Russian theatre, written by an international team of experts.