Russia is a great country—both in terms of size and its achievements. It is the largest country in the world and, perhaps, the richest one as well, if one counts all its natural resources combined. The Russian population is well educated and its sciences and technology are quite advanced. It is also a country with political, legal, and economic systems similar to those in Western Europe and North America. What then prevents it from joining the community of Western democratic societies? What makes it always slide back into the habitual mode of authoritarianism, nationalism, and permeating corruption even when formal democratic institutions and structures are installed? Why does it stubbornly resist any attempts to promote democracy and liberalism? Is it because some curse hangs over the country and it always ends up in the hands of a bad government? The author of this book is convinced that the Russian government is just a derivative of the entire population—the entire culture. The book is thus devoted to Russian culture in comparison with Western cultures and the United States in particular. The author begins this juxtaposition at the dawn of Russian history—the Christianization of Russia in the late tenth century. Religion played a tremendous role in shaping Russian tradition from the tenth through the seventeenth centuries. Choosing Greek Orthodoxy Russia made the first and decisive step away from Western Christianity inheriting the Byzantine kind of authoritarianism and banning not only the religious doctrine but also all knowledge coming from the West including Latin. The author also demonstrates how serfdom and the agricultural commune, which lasted virtually into the twentieth century, fostered the culture of collectivism, nationalism, and legal nihilism. The book’s last part explores the psychology of Russian perceptions of the United States—a crucial factor in the relationships between the two countries. Russian culture, the author contends, persists due to inculcating children during the early childhood socialization, thus passing values and myths from generation to generation. This book represents a truly interdisciplinary project employing ideas and research results from such disciplines as cultural and psychological anthropology, social psychology, psychology of child development, sociology, semiology, law, and history of Russia and Russian religion.

This four-volume work provides a detailed, multicultural survey of established as well as "new" American religions and investigates the fascinating interactions between religion and ethnicity, gender, politics, regionalism, ethics, and popular culture. This revised and expanded edition of Religion and American Cultures: Tradition, Diversity, and Popular Expression presents more than 140 essays that address contemporary spiritual practice and culture with a historical perspective. The entries cover virtually every religion in modern-day America as well as the role of religion in various aspects of U.S. culture. Readers will discover that Americans aren't largely Protestant, Catholic, or Jewish anymore, and that the number of popular religious identities is far greater than many would imagine. And although most Americans believe in a higher power, the fastest growing identity in the United States is the "nones"—those Americans who elect "none" when asked about their religious identity—thereby demonstrating how many individuals see their spirituality as something not easily defined or categorized. The first volume explores America's multicultural communities and their religious practices, covering the range of different religions among Anglo-Americans and Euro-Americans as well as spirituality among Latino, African American, Native American, and Asian American communities. The second volume focuses on cultural aspects of religions, addressing topics such as film, Generation X, public sacred spaces, sexuality, and new religious expressions. The new third volume expands the range of topics covered with in-depth essays on additional topics such as interfaith families, religion in prisons, belief in the paranormal, and religion after September 11, 2001. The fourth volume is devoted to complementary primary source documents.

Examining the work of impresarios, financiers, and the press as well as the artists themselves, Hohman demonstrates how a variety of Russian theatrical styles were introduced and incorporated into American theatre and dance during the beginning of the twentieth century.

Traces the history of, motivations behind, and lives of the many Russians who emigrated to the United States over the last two centuries.

Russian-American Dialogue on Cultural Relations, 1776-1914, the third volume in the Russian-American Dialogues series, provides English translations of the best Russian scholarship on cultural relations. Each essay originally appeared as an article in the former Soviet Union. Five issues are discussed: the contributions that each country made to the cultural life of the other; the correspondence and interactions between scientists, writers, and others from the two nations; the development of public perceptions and how these changed over time; the "American focus" in Russian periodicals during the nineteenth century; and the significant roles of Russians and the Russian presence in American history. The Russian articles on each of these subjects are followed by comments from American historians. The articles by the Russian scholars make extensive use of and liberally cite material from Russian archives and publications. As a result, they provide American readers with new scientific exchanges, personalities, and points of view. The result is a plethora of new material for Western historians of Russia as well as of the United States. The book provides an opportunity for scholars to examine more thoroughly the relevant issues of Russian-American cultural relations. An important scholarly contribution, Russian-American Dialogue on Cultural Relations, 1776-1914 brings a new dimension to the relationship between the United States and Russia before 1914. It will be of interest not only to historians of this period but to all historians and students of international cultural relations.

As a meeting point for world cultures, the USA is characterized by its breadth and diversity. Acknowledging that diversity is the fundamental feature of American culture, this volume is organized around a keen awareness of race, gender, class and space and with over 1,200 alphabetically-arranged entries - spanning 'the American century' from the end of World War II to the present day - the Encyclopedia provides a one-stop source for insightful and stimulating coverage of all aspects of that culture. Entries range from short definitions to longer overview essays and with full cross-referencing, extensive indexing, and a thematic contents list, this volume provides an essential cultural context for both teachers and students of American studies, as well as providing fascinating insights into American culture for the general reader. The suggestions for further reading, which follows most entries, are also invaluable guides to more specialized sources.

Nothing is "pure" in America, and, indeed, the rich ethnic mix that constitutes our society accounts for much of its amazing vitality. Werner Sollors's new book takes a wide-ranging look at the role of "ethnicity" in American literature and what that literature has said--and continues to say--about our diverse culture. Ethnic consciousness, he contends, is a constituent feature of modernism, not modernism's antithesis. Discussing works from every period of American history, Sollors focuses particularly on the tension between "descent" and "consent"--between the concern for one's racial, ethnic, and familial heritage and the conflicting desire to choose one's own destiny, even if that choice goes against one's heritage. Some of the stories Sollors examines are retellings of the biblical Exodus--stories in which Americans of the most diverse origins have painted their own histories as an escape from bondage or a search for a new Canaan. Other stories are "American-made" tales of melting-pot romance, which may either triumph in intermarriage, accompanied by new world symphonies, or end with the lovers' death. Still other stories concern voyages of self-discovery in which the hero attempts to steer a perilous course between stubborn traditionalism and total assimilation. And then there are the generational sagas, in which, as if by magic, the third generation emerges as the fulfillment of their forebears' dream. Citing examples that range from the writings of Cotton Mather to Liquid Sky (a "post-punk" science fiction film directed by a Russian emigre), Sollors shows how the creators of American culture have generally been attracted to what is most new and modern. About the Author: Werner Sollors is Chairman of the Afro-American Studies Department at Harvard University and the author of Amiri Baraka: The Quest for a Populist Modernism. A provocative and original look at "ethnicity" in American literature DTCovers stories from all periods of our nation's history DTRelates ethnic literature to the principle of literary modernism DT"Grave and hilarious, tender and merciless...The book performs a public service."-Quentin Anderson

Too much has been written about relations and negotiations between the governments of the United States and the former Soviet Union. But, what about the ordinary people-to-people contacts between the two countries? How were young, Russian-speaking Americans treated in the Soviet Union? Why did Soviet citizens stand for hours in the cold, rain and snow to visit American cultural exhibitions? What elaborate trips for Soviet dignitaries were organized by the US State Department? What happened when a Soviet delegation met with the John Birch Society in Iowa? What caused the Voice of America to stop hiring Russian-speaking Americans and to replace them with recent Soviet émigrés? Author Bill McGuire was part of this unusual world of exchanges, as well as a broadcaster on the Voice of America. This book is based on his experiences in the USSR and in the USA.

This important multivolume work sheds light on current—and future—research on cultural universals and differences in personality in their evolutionary, ecological, and cultural contexts. How does culture impact personality traits? To answer that question, the three volumes in this set address current theory and research on culture and personality in an effort to determine how people differ—and how they are alike. Detailed chapters by scholars from around the world unveil a fascinating picture of the relationship between culture and important aspects of personality. They also address the accuracy or meaningfulness of trait comparisons across cultures and the methods and limitations of research on the subject. As most psychological research is conducted on participants from Western industrialized countries, a work that includes a wide range of cultures not only fosters a more complete understanding of human personality, but also broadens perspectives on value systems and ways to live. Each of the three volumes concentrates on distinct areas of research, exposing the reader to the diverse theoretical and empirical approaches and topics in the field. Volume 1 focuses on the cross-cultural study of personality dispositions or traits. Volume 2 examines the relationship between culture and other important aspects of personality, including the self, emotions, motives, values, beliefs, and life narratives, as well as aspects of personality and adjustment associated with biculturalism and intercultural competence. Volume 3 looks at evolutionary, genetic, and neuroscience perspectives on personality across cultures along with ecological and cultural influences. In addition to providing readers with a thorough analysis of current and future directions for research, this unrivaled work brings together multiple perspectives on personality across cultures, thereby promoting a more integrative understanding of this important topic.

By the year 2000, more than one-third of Americans will be persons of color, and by 2050 non-white persons will constitute 45% of the population. Immigration from European countries has decreased, but the number of migrants from countries of non-white ancestry has increased. Consequently, many Americans are showing a growing interest in knowledge about the values and behaviors of their diverse associates. This book offers an insight into the diverse lifestyles for some cultures of color in American society. Although all members of these cultures may not identify themselves as persons of color, the cultures were selected because they incorporate a significant number of non-white individuals. Each chapter presents an overview of a cultural group that includes a brief history, migration trends, traditional and modern family practices, religious beliefs, concepts about death and dying, nutritional preferences, health behaviors, and diseases often found among its members. The cultures discussed are Africans, African Americans, Alaskans, Asians, Haitians, Hawaiians, Native Americans, Puerto Ricans, and West Indians. This book should be of interest to academics, health care professionals, sociologists, clergy, and laypersons. Its goal is to alleviate fear and prejudice through informed understanding.