Documents the dispersal of Russian art in the United States, beginning with the works exhibited at the Louisiana Purchase Exposition in St. Louis in 1904.

This book examines the history of American exhibitions of Russian art in the twentieth century in the context of the Cold War. Because this history reflects changes in museological theory and the role of governments in facilitating or preventing intercultural cooperation, it uncovers a story that is far more complex than a chronological listing of exhibition names and art works. Roann Barris considers questions of stylistic appropriations and influences and the role of museum exhibitions in promoting international and artistic exchanges. Barris reveals that Soviet and American exchanges in the world of art were extensive and persistent despite political disagreements before, during, and after the Cold War. It also reveals that these early exhibitions communicated contradictory and historically invalid pictures of the Russian or Soviet avant-garde. The book will be of interest to scholars working in art history, museum studies, and Russian studies.

Russian-American Dialogue on Cultural Relations, 1776-1914, the third volume in the Russian-American Dialogues series, provides English translations of the best Russian scholarship on cultural relations. Each essay originally appeared as an article in the former Soviet Union. Five issues are discussed: the contributions that each country made to the cultural life of the other; the correspondence and interactions between scientists, writers, and others from the two nations; the development of public perceptions and how these changed over time; the "American focus" in Russian periodicals during the nineteenth century; and the significant roles of Russians and the Russian presence in American history. The Russian articles on each of these subjects are followed by comments from American historians. The articles by the Russian scholars make extensive use of and liberally cite material from Russian archives and publications. As a result, they provide American readers with new scientific exchanges, personalities, and points of view. The result is a plethora of new material for Western historians of Russia as well as of the United States. The book provides an opportunity for scholars to examine more thoroughly the relevant issues of Russian-American cultural relations. An important scholarly contribution, Russian-American Dialogue on Cultural Relations, 1776-1914 brings a new dimension to the relationship between the United States and Russia before 1914. It will be of interest not only to historians of this period but to all historians and students of international cultural relations.

A landmark work from one of the preeminent historians of our time: the first published biography of Andrew W. Mellon, the American colossus who bestrode the worlds of industry, government, and philanthropy, leaving his transformative stamp on each. Andrew Mellon, one of America’s greatest financiers, built a legendary personal fortune from banking to oil to aluminum manufacture, tracking America’s course to global economic supremacy. As treasury secretary under Presidents Harding, Coolidge, and finally Hoover, Mellon made the federal government run like a business–prefiguring the public official as CEO. He would be hailed as the architect of the Roaring Twenties, but, staying too long, would be blamed for the Great Depression, eventually to find himself a broken idol. Collecting art was his only nonprofessional gratification and his great gift to the American people, The National Gallery of Art, remains his most tangible legacy.

In 1919 the Soviet government directed Ludwig Martens to open a trade bureau in New York. Before his deportation two years later, Martens had established contact with nearly one thousand American firms and conducted trade in the face of a stiff Allied embargo. His work planted the seeds for growing commercial ties between the U.S. and the U.S.S.R. throughout the 1920s. Because the United States did not recognize the Soviet Union until 1933, historians have viewed the early Soviet–American relationship as an ideological stand-off. Katherine Siegel, drawing on public, private, and corporate documents as well as newly opened Soviet archives, paints a different picture. She finds that business ties flourished between 1923 and 1930, American sales to the Soviets grew twentyfold and American firms supplied Russians with more than a fourth of their imports. American businesses were only too eager to tap into huge Soviet markets. Under the Soviets' New Economic Policy and first Five Year Plan, American firms invested in the U.S.S.R. and sold technical processes, provided consulting services, built factories, and trained Soviet engineers in the U.S. Most significantly, Siegel shows, this commercial relationship encouraged policy shifts at the highest levels of the U.S. government. Thus when Franklin D. Roosevelt opened diplomatic relations with Russia, he was building on ties that had been carefully constructed over the previous fifteen years. Siegel's study makes an important contribution to a new understanding of early Soviet-American relations.

Russian painter, explorer, and mystic Nicholas Roerich (1874–1947) ranks as one of the twentieth century’s great enigmas. Despite mystery and scandal, he left a deep, if understudied, cultural imprint on Russia, Europe, India, and America. As a painter and set designer Roerich was a key figure in Russian art. He became a major player in Diaghilev’s Ballets Russes, and with Igor Stravinsky he cocreated The Rite of Spring, a landmark work in the emergence of artistic modernity. His art, his adventures, and his peace activism earned the friendship and admiration of such diverse luminaries as Albert Einstein, Eleanor Roosevelt, H. G. Wells, Jawaharlal Nehru, Raisa Gorbacheva, and H. P. Lovecraft. But the artist also had a darker side. Stravinsky once said of Roerich that “he ought to have been a mystic or a spy.” He was certainly the former and close enough to the latter to blur any distinction. His travels to Asia, supposedly motivated by artistic interests and archaeological research, were in fact covert attempts to create a pan-Buddhist state encompassing Siberia, Mongolia, and Tibet. His activities in America touched Franklin Delano Roosevelt’s cabinet with scandal and, behind the scenes, affected the course of three US presidential elections. In his lifetime, Roerich baffled foreign affairs ministries and intelligence services in half a dozen countries. He persuaded thousands that he was a humanitarian and divinely inspired thinker—but convinced just as many that he was a fraud or a madman. His story reads like an epic work of fiction and is all the more remarkable for being true. John McCannon’s engaging and scrupulously researched narrative moves beyond traditional perceptions of Roerich as a saint or a villain to show that he was, in many ways, both in equal measure.

“Gripping and important . . . an extremely impressive book.” —Noel Malcolm, Telegraph (London) A remarkable piece of forgotten history- the never-before-told story of Americans lured to Soviet Russia by the promise of jobs and better lives, only to meet tragic ends In 1934, a photograph was taken of a baseball team. These two rows of young men look like any group of American ballplayers, except perhaps for the Russian lettering on their jerseys. The players have left their homeland and the Great Depression in search of a better life in Stalinist Russia, but instead they will meet tragic and, until now, forgotten fates. Within four years, most of them will be arrested alongside untold numbers of other Americans. Some will be executed. Others will be sent to "corrective labor" camps where they will be worked to death. This book is the story of lives-the forsaken who died and those who survived. Based on groundbreaking research, The Forsaken is the story of Americans whose dreams were shattered and lives lost in Stalinist Russia.

With Friends or Foes? Norman Saul continues his monumental multivolume magnum opus on U.S.-Russian relations over the course of 200 years. This fourth volume provides the first comprehensive study in any language of an era that shaped the rest of the century and captures the major changes in relations between two nations on the verge of becoming dominant global powers. Among other things, Saul examines the rationale for America's failure to recognize the Soviet government through the early 1930s, analyzing the impact of the Red Scare and the roles of the State Department, Russian migrs, religious groups, and key individuals—like Charles Evans Hughes, Robert Kelley, Herbert Hoover, Boris Skvirsky, Olga Kameneva, and Maxim Litvinov—on the policy process. In addition, he recalls the American Relief Administration's gigantic effort to help Russian peasants and garners new material from American business records on concession arrangements and commerce and on Soviet responses during the first Five Year Plan. He also records travelers' impressions, cultural exchange, and the role of academia in each country—particularly the contribution of Russian émigré scholars to American education and the contributions of American journalists in Russia. Saul also reveals the tendency on both sides to preserve an atmosphere of secrecy, conducting business behind closed doors and rarely on paper. His prodigious research in the Hoover Presidential Library, the Franklin Roosevelt Library, and the Hoover Institution at Stanford University-incorporating overlooked Diplomat Post Records and featuring an interview with George Kennan on his diplomatic role—has yielded a wealth of new insights into what really happened during a period in the history of the relations between the two countries that remains mysterious and controversial. Breaking new ground in diplomatic, economic, social, and cultural history, Saul's book illuminates both the mutual fascination that briefly permitted peaceful coexistence (and eventual alliance) and the ideological battles that ultimately led to the Cold War.