This book by Giovanni Verga is a French opera melodrama in one act by Pietro Mascagni. This book is centered around a man who discovers his fiancé has married a wealthy wine carter. In retaliation, he went on to romance another lady making his ex-fiancé jealous. What will happen next? Will he take her back or falls in true love again?

Turiddu, a young villager, is the son of Lucia, and the lover of Lola, (who is the wife of Alfio; having married the latter during Turiddu's prolonged absence in military service). Turiddu wins the affections of Santuzza, whom he wrongs; while, in the meantime, he is intimate with Lola. On Easter morning, (the opening of the opera), Alfio is incidentally informed, by Santuzza, of his wife's unfaithful actions. He challenges Turiddu (biting the ear, as was the rustic Sicilian custom). Turiddu, though regretting his past evil course, accepts the challenge and is killed by Alfio.

A comprehensive guide to CAVALLERIA RUSTICANA and I PAGLIACCI, featuring insightful and in depth Commentary and Analysis, a complete, newly translated Libretto of each opera with Italian/English side-by side, and over 60 music highlight examples.

This bibliography lists English-language translations of twentieth-century Italian literature published chiefly in book form between 1929 and 1997, encompassing fiction, poetry, plays, screenplays, librettos, journals and diaries, and correspondence.

Written by a well-known authority, this book consists of 175 entries that set some of the most popular operas within the context of their composer's career, outline the plot, discuss the music, and more.

This book aims to describe and demystify what makes criminal gangs so culturally powerful. It examines their codes of conduct, initiation rites, secret communications methods, origin myths, symbols, and the like that imbue the gangsters with the pride and nonchalance that goes hand in hand with their criminal activities. Mobsters are everywhere in the movies, on television, and on websites. Contemporary societies are clearly fascinated by them. Why is this so? What feature and constituents of organized criminal gangs make them so emotionally powerful—to themselves and others? These are the questions that have guided the writing of this textbook, which is intended as an introduction to organized crime from the angle of cultural analysis. Key topics include: • An historic overview of organized crime, including the social, economic, and cultural conditions that favour its development; • A review of the type of people who make up organized gangs and the activities in which they engage; • The symbols, rituals, codes and languages that characterize criminal institutions; • The relationship between organized crime and cybercrime; • The role of women in organized crime; • Drugs and narco-terrorism; • Media portrayals of organized crime. Organized Crime includes case studies and offers an accessible, interdisciplinary approach to the subject of organized crime. It is essential reading for students engaged with organized crime across criminology, sociology, anthropology and psychology.