Presents a photographic introduction to the land, history, government, economy, people, and culture of the African nation of Rwanda.

This book provides a brief look at the geography, history, governmental structure, economy, cultural diversity, peoples, religion, and culture of Rwanda.

Presents a photographic introduction to the land, history, government, economy, people, and culture of the island nation.

Describes the geography, climate, wildlife, natural resources, history, politics, culture, economy, and government of Nepal.

Explores the role of the media in the Rwandan genocide -- within the country and beyond.

Describes the country of Namibia, including its history, geography, economy, and the cultures of its people.

Christians cannot ignore the intersection of religion and violence. In our own Scriptures, war texts that appear to approve of genocidal killings and war rape raise hard questions about biblical ethics and the character of God. Have we missed something in our traditional readings? Identifying a spectrum of views on biblical war texts, Webb and Oeste pursue a middle path using a hermeneutic of incremental, redemptive-movement ethics.

During what has become officially known as the genocide against the Tutsi, as many as one million Rwandan people were brutally massacred between April and July 1994. This book presents a critical study of fictional responses by authors inside and outside Rwanda to the 1994 genocide. Focusing on a large and original corpus of creative writing by African authors, including writers from Rwanda, Rwanda Genocide Stories: Fiction After 1994 examines the positionality of authors and their texts in relation to the genocide. How do issues of 'ethnicity', nationality, geographical location and family history affect the ways in which creative writers respond to what happened in 1994? And how do such factors lead to authors and their texts being positioned by others? The book is organized around the principal subject positions created by the genocide, categories that have particular connotations and have become fraught with political tension and ambiguity in the context of post-genocide Rwanda. Through analysis of the figures of tourists, witnesses, survivors, victims and perpetrators, the book identifies the ways in which readers of genocide stories are compelled to reevaluate their knowledge of Rwanda and take an active role in commemorative processes: as self-critical tourists, ethical witnesses, judges or culpable bystanders, we are encouraged to acknowledge and assume our own responsibility for what happened in 1994.

The Pulitzer Prizes for Press Photography are latecomers within the prestigious award system. Established in 1942 during World War II, they started with a general category called "Photography," covering all kinds of photographs. After about a quarter-century, in 1968, this award category was divided into two separate prize groups, entitled "Spot News Photography" and "Feature Photography." This book presents the decision-making processes that lead to the annual Pulitzer Prize winners. Additionally, in each decision-making case, one award-earning photo is reproduced to give an idea about the broad spectrum of aspects and themes declared prize-worthy by the jurors. (Series: Pulitzer Prize Panorama - Vol. 2)

Thousands of newcomers are pouring into Alberta from around the globe, bringing unexpected gifts. Many are writers and storytellers. What pulls them to Canada? What happens to them on the journey? What experiences have they deliberately left behind? What treasures do they bring? How do they describe their emerging sense of place and their creative aspirations in a new home? In this moving collection of stories and poems, writers from around the world share their thoughts on creating a life in Alberta. Expressed with beauty and clarity, and sometimes translated from the writer's native tongue, these very personal accounts of joy and sadness, regret and humour, homesickness and exuberance, describe the defining moments of a departure and an arrival. Contributors to The Story That Brought Me Here include Jalal Barzanji, Edmonton's first Writers in Exile; Rita Espeschit, Thuc Cong, Mohammed Al-Nassar, Monika Igali, Sabah Tahir, Therezinha Franca Kennedy, Sangmok Lee, Sudhir Jain, Yi Li, Athiann Makuach Garang, Marsh Hoke, Tortor Maruku, Reinekke Lengelle, Brian Brennan, A.K. Rashid, June Smith-Jeffries, Magdalena Witkowsky, Anna Mioduchowska, Ikponwosa I.K. Ero and Comfort Adesuwa Ero, Wilma Rubens, Patricia Lopez de Vloothduis, Neung-jae Park Mary Cavill, Mansoor Ladha, Chantal Hitayezu and many others. With photographs by Shabnam Sukhdev.