There are many books that explore actual, physical, sacred space and pilgrimage sites. This is a different kind of book. It introduces seven traditional 'sacred spaces' but then leads readers into a deeper reflection on what such 'sacred space' means in our own lives and experience. The various sacred spaces explored are: the Celtic Cross; the infinite knot; hilltops; wells and springs; causeways and bridges; thresholds and burial grounds; and boundaries. In each chapter, the author introduces a 'sacred space' as the main theme and then illustrates this by associating it with a particular stage of life and a particular sacramental experience. The ideas are then brought together by means of a scripture story.

Essentially interdisciplinary, this innovative collection of essays - religious case-histories of many kinds from three eras, - explores in depth the dynamic interaction of sacred text and sacred space, forming and reforming through time, to shape and voice one another.

Sacred spaces exemplify some of the most exciting and challenging architecture today. Designing Sacred Spaces tells the inside story of seven architecture firms and their approaches to designing churches, mosques, synagogues and temples, monasteries and retreats. Twenty beautifully illustrated case studies located in Asia, Europe, and North America are showcased alongside discussions with the designers into concept and design development, materiality, and spatial analysis. Complementing these are essays on the cultural, historical, and theoretical meaning and importance of sacred spaces. By exploring the way we see religion and how we understand secular and sacred space, Designing Sacred Spaces reveals how we see ourselves and how we see others. A tour-de-force of first-person narratives, research, and illustrations, this book is a vital desk reference.

Sacred Space for the Missional Church examines the strong link between the theology and mission of the Church and the spaces in which and from which that theology and mission are lived out. The author demonstrates that the built environment is not incidental or even subservient to mission. Rather it is a key player in the fulfillment and the communication of that mission. The book begins with a working definition of the missional church, underscoring the connection between God's mission (missio Dei) and the Church's mission. The reader is presented with historical and theological frameworks for sacred space, and reminded of the pivotal role of the built environment in the fulfillment of the mission of the Church. The design and construction of sacred spaces are shown to be fundamentally a theological exercise and not solely a matter of function, pragmatics and fiscal astuteness. The author questions the uncritical application of blanket statements such "form must follow function," and challenges the conviction that it does not matter where worship occurs, only that it occurs. The book addresses genuine concerns such as legitimizing the cost of church buildings and concludes with practical suggestions and essential questions that must be considered in posturing the built environment within the missional praxis of the Church.

This book offers global perspectives from Mediterranean, Asian, Australian, and American cultures on sacred sites and their related stories in regional history. Contemporary society witnesses many travelers visiting sacred sites (temples, mountains, castles, churches, houses) throughout the world. These visits often involve discovery of new historical facts through the origin stories of the associated tribe, region, or nation. The transmission of oral tradition and myth carries on the significant meaning of those religious sites. This volume unveils multi-angle perspectives of symbolic and mystical places. The contributors describe the religio-political experiences of each regional case, and analyze the religiosity of local people as a lens through which readers can re-examine the concept of iconography, syncretism, and materialism. In addition, contributors interpret the growth of new religions as the alternative perspectives of anti-traditional religions. This new approach offers significant insight into comprehending the practical agony and sorrow of regional people in the context of contemporary history.

One of the first studies to consider how church rituals were performed in Anglo-Saxon England. Brings together evidence from written, archaeological, and architectural sources. It will be of particular interest to architectural specialists keen to know more about liturgy, and church historians who would like to learn more about architecture.

This book sheds light on the Bawa Muhaiyaddeen Fellowship (BMF), one of North America's major Sufi movements, and one of the first to establish a Sufi shrine in the region. It provides the first comprehensive overview of the BMF, offering new insight into its historical development and practices, and charting its establishment in both the United States and Sri Lanka. Through ethnographic research, Sacred Spaces and Transnational Networks in American Sufism shows that the followers of Bawa in the United States and Sri Lanka share far more similarities in the relationships they formed with spaces, Bawa, and Sufism, than differences. This challenges the accepted conceptualization of Sufism in North America as having a distinct “Americanness”, and prompts scholars to re-consider how Sufism is developing in the modern American landscape, as well as globally. The book focuses on the transnational spaces and ritual activities of Bawa's communities, mapping parallel shrines and pilgrimages. It examines the roles of culture, religion, and gender and their impact on ritual embodiment, drawing attention to the global range of a Sufi community through engagement with its distinct Muslim, Hindu, Jewish, and Christian followers.

This book proposes an interdisciplinary methodology for developing an intercultural use of law so as to include cultural differences and their protection within legal discourse; this is based on an analysis of the sensory grammar tacitly included in categorizations. This is achieved by combining the theoretical insights provided by legal theory, anthropology and semiotics with a reading of human rights as translational interfaces among the different cultural spaces in which people live. To support this use of human rights’ semantic and normative potential, a specific cultural-geographic view dubbed ‘legal chorology’ is employed. Its primary purpose is to show the extant continuity between categories and spaces of experience, and more specifically between legal meanings and the spatial dimensions of people’s lives. Through the lens of legal chorology and the intercultural, translational use of human rights, the book provides a methodology that shows how to make space and law reciprocally transformative so as to create an inclusive legal grammar that is equidistant from social cultural differences. The analysis includes: a critical view on opportunities for intercultural secularization; the possibility of construing a legal grammar of quotidian life that leads to an inclusive equidistance from differences rather than an unachievable neutrality or an all-encompassing universal legal ontology; an interdisciplinary methodology for legal intercultural translation; a chorological reading of the relationships between human rights protection and lived spaces; and an intercultural and geo-semiotic examination of a series of legal cases and current issues such as indigenous peoples’ rights and the international protection of sacred places.

Christian historian Sidney Mead has observed: "In America space has played the part that time has played in older cultures of the world." In Shopping Malls and Other Sacred Spaces, Jon Pahl examines this provocative statement in conversation with what he calls the "spatial character" of American theology. He argues that places are always imaginatively constructed by the human beings who inhabit them. Sometimes this spatial theology works to our benefit; other times it poses spiritual risks. What happens when our banal "clothing of the sacred" violates our genuine need for comfort and intimacy? Or when we remember that the fleeting pleasures of a shopping trip or a Disneyland escape are designed to fill someone else's pocket rather than the spiritual emptiness in our own hearts? Pahl develops several ways to "clothe the divine from within the Christian tradition." He introduces a theology of place that reveals aspects of God's character through biblical metaphors drawn from physical spaces, such as the true vine, the rock, and the living water. Accessible and thought provoking, this enlightening book provides a better grasp of our particularly American way of lending religious significance to spaces of all kinds.

The need to personalize our surroundings is a defining human characteristic. For some this need becomes a compulsion to transform their personal surroundings into works of art. The John Michael Kohler Arts Center in Sheboygan, Wisconsin, has undertaken the mission to preserve these environments, which are presented for the first time in Sublime Spaces and Visionary Worlds. This colorful and inspiring book features the work of twenty-two vernacular artists whose locales, personal histories, and reasons for art-making vary widely but who all share a powerful connection to the home as art. Featured projects range from art environments that remain intact, such as Simon Rodia's Watts Towers in California, tosites lost over the years such as Emery Blagdon's six hundred elaborate "Healing Machines," made of copper, aluminum, tinfoil, magnets, ribbons, farm-machinery parts, painted light bulbs, beads, coffee-can lids, and more. Sublime Spaces and Visionary Worlds is the first book to explore these spectacularly offbeat spaces in detail.From "Original Rhinestone Cowboy" Loy Bowlin's wall-to-wall glitter-and-foil living room to the concrete bestiary of "witch of Fox Point" Mary Nohl, each artist and project is described in detail through a wealth of visuals and text. Sublime Spaces and Visionary Worlds reminds us that our decorative choices tell the world not just what we like but who we are.