Reprint of the original, first published in 1873.

DigiCat Publishing presents to you this special edition of "Sagas from the Far East; or, Kalmouk and Mongolian Traditionary Tales" by Various. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Sagas are stories mostly about ancient Nordic and Germanic history, early Viking voyages, the battles that took place during the voyages and migration to Iceland and of feuds between Icelandic families. They were written in the Old Norse language, mainly in Iceland. Kings' sagas are of the lives of Scandinavian kings. They were composed in the 12th to 14th centuries. The Icelanders' sagas, a.k.a. Family Sagas, are stories of real events, passed in oral form till they eventually were recorded, mostly in the 13th century. These are the highest form of the classical Icelandic saga writing. Legendary Sagas blend remote history with myth or legend. The aim is on a lively narrative and entertainment. Contents: Kings' Sagas Ynglinga Saga Halfdan the Black Saga Harald Harfager's Saga Hakon the Good's Saga Saga of King Harald Grafeld and of Earl Hakon Son of Sigurd King Olaf Trygvason's Saga Saga of Olaf Haraldson (St. Olaf) Saga of Magnus the Good Saga of Harald Hardrade Saga of Olaf Kyrre Magnus Barefoot's Saga Saga of Sigurd the Crusader and His Brothers Eystein and Olaf Saga of Magnus the Blind and of Harald Gille Saga of Sigurd, Inge, and Eystein, the Sons of Harald Saga of Hakon Herdebreid Magnus Erlingson's Saga Sagas of Icelanders Egil's Saga (The Story of Egil Skallagrimsson) Laxdæla Saga The Saga of Hrafnkell, Frey's Priest The Story of the Confederates (Bandamanna saga) The Saga of Gisli the Outlaw The Saga of Gunnlaug the Worm-Tongue and Raven the Skald Saga of the Greenlanders Erik the Red's Saga Grettir's Saga (The Story of Grettir the Strong) Njal's Saga (The story of Burnt Njal) The Saga of Cormac the Skald The Saga of Howard the Halt The Saga of the Ere-Dwellers The Saga of Thrond of Gate The Saga of Viga-Glum The Saga of Viglund the Fair The Saga of Hen-Thorir Legendary Sagas Volsunga Saga Frithiof's Saga

This collection of Newfoundland folk narratives, first published in 1996, grew out of extensive fieldwork in folk culture in the province. The intention was to collect as broad a spectrum of traditional material as possible, and Folktales of Newfoundland is notable not only for the number and quality of its narratives, but also for the format in which they are presented. A special transcription system conveys to the reader the accents and rhythms of each performance, and the endnote to each tale features an analysis of the narrator’s language. In addition, Newfoundland has preserved many aspects of English and Irish folk tradition, some of which are no longer active in the countries of their origin. Working from the premise that traditions virtually unknown in England might still survive in active form in Newfoundland, the researchers set out to discover if this was in fact the case.

In the dying days of the eighth century, the Vikings erupted onto the international stage with brutal raids and slaughter. The medieval Norsemen may be best remembered as monk murderers and village pillagers, but this is far from the whole story. Throughout the Middle Ages, long-ships transported hairy northern voyagers far and wide, where they not only raided but also traded, explored and settled new lands, encountered unfamiliar races, and embarked on pilgrimages and crusades. The Norsemen travelled to all corners of the medieval world and beyond; north to the wastelands of arctic Scandinavia, south to the politically turbulent heartlands of medieval Christendom, west across the wild seas to Greenland and the fringes of the North American continent, and east down the Russian waterways trading silver, skins, and slaves. Beyond the Northlands explores this world through the stories that the Vikings told about themselves in their sagas. But the depiction of the Viking world in the Old Norse-Icelandic sagas goes far beyond historical facts. What emerges from these tales is a mixture of realism and fantasy, quasi-historical adventures, and exotic wonder-tales that rocket far beyond the horizon of reality. On the crackling brown pages of saga manuscripts, trolls, dragons, and outlandish tribes jostle for position with explorers, traders, and kings. To explore the sagas and the world that produced them, Eleanor Rosamund Barraclough now takes her own trip through the dramatic landscapes that they describe. Along the way, she illuminates the rich but often confusing saga accounts with a range of other evidence: archaeological finds, rune-stones, medieval world maps, encyclopaedic manuscripts, and texts from as far away as Byzantium and Baghdad. As her journey across the Old Norse world shows, by situating the sagas against the revealing background of this other evidence, we can begin at least to understand just how the world was experienced, remembered, and imagined by this unique culture from the outermost edge of Europe so many centuries ago.

This collection of Newfoundland folk narratives, first published in 1996, grew out of extensive fieldwork in folk culture in the province. The intention was to collect as broad a spectrum of traditional material as possible, and Folktales of Newfoundland is notable not only for the number and quality of its narratives, but also for the format in which they are presented. A special transcription system conveys to the reader the accents and rhythms of each performance, and the endnote to each tale features an analysis of the narrator’s language. In addition, Newfoundland has preserved many aspects of English and Irish folk tradition, some of which are no longer active in the countries of their origin. Working from the premise that traditions virtually unknown in England might still survive in active form in Newfoundland, the researchers set out to discover if this was in fact the case.

Reprint of the original, first published in 1874.

Selkie, wee people, elves, fauns, mogwai -- no matter what you call them, virtually every cultural tradition has created a type of being that is analogous to the Western concept of the fairy. In this fascinating analysis, scholar Edwin Sidney Hartland delves into the inner workings of the ubiquitous fairy myth and traces its impact across many cultures.