C. G. Jung, a man who accomplished a revolution in analytical psychology and made an impact both directly and indirectly on a great number of people, also took women seriously. The release of The Red Book has greatly added to our knowledge of Jung’s relationship with the feminine: from his mother, his wife and his extramarital affairs to the effect these had on the formulation of his psychology and on the women who had the courage to explore the need for a spiritual link to Jung and who became known as the Valkyries. In this revised and expanded study of the many women in Jung’s close circle, Anthony explores the women who followed Jung during his lifetime, his need for their company, and their contributions to his work. The book includes studies of Emma Jung, Sabina Spielrein and Toni Wolff, as well as Jung’s mother Emilie, and many other collaborators and followers. It also includes chapters on The Red Book, the Zurich Psychological Club and Dadaism. Including never-before published primary material, including interviews with the women themselves, Salome’s Embrace assesses their work and its value for the generations of Jungian analysts that have followed, including women who practice depth psychology today. The book will be of great interest to analytical psychologists and Jungian psychotherapists in practice and in training, academics and students of Jungian and post-Jungian studies, gender, and women’s history.

What if reality TV met one of our oldest stories of blood revenge, lust, envy, and coming-of-age? Though the story of SalomŽ has been told down through the ages, this new rendition from a woman's perspective portrays mother-daughter forgiveness based on the story of the sensuous young woman who danced for Herod then demanded John the Baptist's head on a platter at her mother's instigation. Lush language and a riveting storyline combine to create this small jewel from debut novelist Patti Rutka.

Biography of Salome Lincoln Mowry, a female minister of various Free Will Baptist churches in Massachusetts and Rhode Island.

The Salome Ensemble probes the entangled lives, works, and passions of a political activist, a novelist, a screenwriter, and a movie actress who collaborated in 1920s New York City. Together they created the shape-shifting, genre-crossing Salome of the Tenements, first a popular novel and then a Hollywood movie. The title character was a combination Cinderella and Salome like the women who conceived her. Rose Pastor Stokes was the role model. Anzia Yezierska wrote the novel. Sonya Levien wrote the screenplay. Jetta Goudal played her on the silver screen. Ginsberg considers the women individually and collectively, exploring how they shaped and reflected their cultural landscape. These European Jewish immigrants pursued their own versions of the American dream, escaped the squalor of sweatshops, knew romance and heartache, and achieved prominence in politics, fashion, journalism, literature, and film.

As Dominique strolled across the enormous lobby of the Hotel, stopping a moment to remove her shoes, as the tiny pumps had left sweltering blisters upon her dainty feet; she took no notice of the man who sat, silently in a high back leather chair, observing her. She had no way of knowing, as she stepped on to that elevator with shoes in hand, that she was the focal point of something sinister. As the doors closed and she disappeared from his sight the man pulled a commlink from inside his jacket and quickly pressed the button that would contact his associate. "She just got into the elevator," he said. "Is she alone?" "Yes. He dropped her off at the front entrance and left." "Good. We don't have much time. Get her."

Oriental dancers, ballerinas, actresses and opera singers the figure of the female performer is ubiquitous in the cinema of pre-Revolutionary Russia. From the first feature film, Romashkov's Stenka Razin (1908), through the sophisticated melodramas of the 1910s, to Viskovsky's The Last Tango (1918), made shortly before the pre-Revolutionary film industry was dismantled by the new Soviet government, the female performer remains central. In this groundbreaking new study, Rachel Morley argues that early Russian film-makers used the character of the female performer to explore key contemporary concerns from changing conceptions of femininity and the emergence of the so-called New Woman, to broader questions concerning gender identity. Morley also reveals that the film-makers repeatedly used this archetype of femininity to experiment with cinematic technology and develop a specific cinematic language."

Rosemary Radford Ruether presents an illuminating portrait of goddesses and sacred female imagery in Western culture, from prehistory to contemporary goddess movements.

"Immensely readable...a significant piece of scholarship."—Fred Volkmer, New York Sun He would become one of the most important poets of the twentieth century; she a muse of Europe's fin-de-siècle thinkers and artists. In this collection of letters, a finalist for the PEN USA translation award, the poet Rainer Maria Rilke and Lou Andreas-Salomé, a writer and intellectual fourteen years his senior, pen a relationship that spans thirty years and shifting boundaries: as lovers, as mentor and protégé, and as deep personal and literary allies.

A landmark work of Jewish history and a worldwide phenomenon when it was first published, this masterpiece of Jewish history was translated in multiple languages and instantly become the de facto standard in the field. German academic HEINRICH GRAETZ (1817-1891) brings a sympathetic Jewish perspective to the story of his own people, offering readers today an affectionate, passionate history, not a detached, clinical one. Backed by impeccable scholarship and originally published in German across 11 volumes between 1853 and 1875, this six-volume English-language edition was abridged under the direction of the author, and brought to American readers by the Jewish Publication Society of America in 1891. It remains an important work of the study of the Jewish religion and people to this day. Volume II, subtitled From the Reign of Hyrcanus (135 B.C.E) to the Completion of the Babylonian Talmud (500 C.E.), opens with the siege of Jerusalem and the rise of the Pharisees, Sadducees, and Essenes, and continues through the decline of the Roman Empire and an exploration of the contents and spirit of the Babylonian Talmud.