Samson and Delilah in Medieval Insular French investigates several different adaptations of the story of Samson that enabled it to move from a strictly religious sphere into vernacular and secular artworks. Catherine Léglu explores the narrative’s translation into French in medieval England, examining the multiple versions of the Samson narrative via its many adaptations into verse, prose, visual art and musical. Utilizing a multidisciplinary approach, this text draws together examples from several genres and media, focusing on the importance of book learning to secular works. In analysing this Biblical narrative, Léglu reveals the importance of the Samson and Delilah story as a point of entry into a fuller understanding of medieval translations and adaptations of the Bible.

Why are some battles remembered more than others? Surprisingly, it is not just size that matters, nor the number of dead, the decisiveness of battles or their effects on communities and civilisations. It is their political afterlife the multiple meanings and political uses attributed to them that determines their fame. This ground-breaking series goes well beyond military history by exploring the transformation of battles into sites of memory and meaning. Cast into epic myths of the fight of Good against Evil, of punishment for decadence or reward for virtue, of the birth of a nation or the collective assertion against a tyrant, the defence of Civilisation against the Barbarians, Christendom against the Infidel, particular battles have acquired fame beyond their immediate contemporaneous relevance.The epic battles of European history examined in this first volume range from the siege of Troy and the encounters of Marathon and Thermopylai, to the wars of the Israelites which inspired the way many later battles would be narrated; and from the triumphs and defeats of the Roman Empire, to Hastings, the massacre of Bziers and the battle of Courtrai. In each chapter, the historical events surrounding a battle form the backdrop for multi-layer interpretations, which, consciously or unconsciously, carry political agendas.

In this first comprehensive study of the Taymouth Hours, Kathryn A. Smith traces the manuscript's origin to Philippa of Hainault, queen of Edward III, and Edward's sister, the thirteen-year-old Eleanor of Woodstock.