This book analyses media conglomerates owning multiple media holdings under centralized ownership within and across media markets. It argues that Asian capitalists utilize both a market-oriented ideology and family connections to build their media empires, thereby creating cultural conglomerates that exercise corporate censorship over media markets. It focuses on family-controlled media conglomerates in Korea, specifically the international business giant, Samsung, and its related media companies, Cheil Jedang and JoongAng Ilbo, all of which are controlled by the single Lee family. Utilizing the theoretical approach of political economy of communication, the book examines how and why the Lee family exercise corporate censorship over Korean society. Offering an essential take on Asia’s political economy of communication in order to understand the workings of Asian media empires, this book will appeal to students and scholars of Korean Studies, Korean Business and Mass Communications.

Developing countries that have attained the status of emerging markets offer considerable opportunities for first world businesses. However, there are challenges to successful operations in this field of enterprise.

Together, Paris-based artists Léonore Bonaccini and Xavier Fourt make up the artist duo Bureau d'Etudes. For the past several years, this French group has been producing cartographies of contemporary political, social and economic systems which allow people to empower and reposition themselves. Revealing what normally remains invisible, often in the shape of large-sized banners, and contextualizing apparently separate elements within another framework, these visualizations of people's interests and relations re-symbolize and actualize an order concealed and unknown.