Seminar paper from the year 2001 in the subject English Language and Literature Studies - Literature, grade: 1,7, University of Regensburg (Institut für Anglistik und Amerikanistik), course: Proseminar: From Modernism to Postmodernism, language: English, abstract: This peace of work deals with the question, whether Beckett’s "Endgame" is a continuation of "Waiting for Godot". In order to answer it, both plays will be compared to work out similarities as well as differences. Godot will function as a basis and startingpoint for interpretation, that will then turn towards Endgame for comparison to come to a conclusion. Main features of the drama such as plot, setting, characters, action, language and time will be involved in this procedure of analysis. To a certain extent, this approach towards the two plays will also be related to the historical context of Postmodernism and the philosophical background of Existentialism, as well as to characteristics of the Theatre of the Absurd or the Expressionist Theatre.

Seminar paper from the year 2001 in the subject English Language and Literature Studies - Literature, grade: 1,7, University of Regensburg (Institut für Anglistik und Amerikanistik), course: Proseminar: From Modernism to Postmodernism, 10 entries in the bibliography, language: English, abstract: This peace of work deals with the question, whether Beckett's "Endgame" is a continuation of "Waiting for Godot". In order to answer it, both plays will be compared to work out similarities as well as differences. Godot will function as a basis and startingpoint for interpretation, that will then turn towards Endgame for comparison to come to a conclusion. Main features of the drama such as plot, setting, characters, action, language and time will be involved in this procedure of analysis. To a certain extent, this approach towards the two plays will also be related to the historical context of Postmodernism and the philosophical background of Existentialism, as well as to characteristics of the Theatre of the Absurd or the Expressionist Theatre.

This collection of essays the first volume in the Dialogue series brings together new and experienced scholars to present innovative critical approaches to Samuel Beckett s play Endgame. These essays broach a broad range of topics, many of which are inherently controversial and have generated significant levels of debate in the past. Critical readings of the play in relation to music, metaphysics, intertextuality, and time are counterpointed by essays that consider the nature of performance, the history of the theater and the music hall, Beckett s attitudes to directing his play, and his responses to other directors. This collection will be of special interest to Beckett scholars, to students of literature and drama, and to drama theorists and practitioners.

Gathers together interpretations of Beckett's best-known plays, illustrating a range of theoretical approaches from deconstruction to reader-response theory, psychoanalysis and feminism. Steven Connor has written books on Dickens, Beckett and Postmodernist culture.

Presents a series of critical essays discussing the structure, themes, and subject matter of Samuel Beckett's Waiting for Godot.

A Study Guide for Samuel Beckett's "Endgame," excerpted from Gale's acclaimed Drama For Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama For Students for all of your research needs.

"An impressively complete survey of the play in its cultural, theatrical, historical and political contexts." - David Bradby, co-editor of Contemporary Theatre Review Samuel Beckett's Waiting for Godot is not only an indisputably important and influential dramatic text -it is also one of the most significant western cultural landmarks of the twentieth century. Originally written in French, the play first amazed and appalled Parisian theatre-goers and critics before receiving a harshly dismissive initial critical response in Britain in 1955. Its influence since then on the international stage has been significant, impacting on generations of actors, directors and audiences.

No modern play in the western dramatic tradition has provoked as much controversy or generated as much diversity of opinion as Samuel Beckett's Waiting for Godot. Since its initial production in 1953, it has revolutionized the stage through its existentialism and apparent rejection of plot. This book is a valuable introduction to the play. It begins with a summary of the play and its origins and editions. It then explores the play's meaning and the historical and intellectual contexts informing Beckett's work. The book then examines Beckett's dramatic art and gives full coverage of the play's performance history. A bibliographical essay surveys the most important critical studies.

The New Cambridge Companion to Samuel Beckett offers an accessible introduction to issues animating the field of Beckett studies today.

In The Plays of Samuel Beckett Eugene Webb first summarizes the western philosophical tradition which has culminated in the void--the centuries of attempts to impose form and meaning on existence, the failure of which has left experience in fragments and man a stranger in an unintelligible universe. Succeeding chapters take up the plays work by work, interpreting each individually and tracing recurrent motifs, themes, and images to show the continuity in the underlying tendencies of Beckett's mind and art.