As chaste women devoted to God, nuns are viewed as the purest of the pure. Yet, as females who reject courtship, sex, marriage, child bearing, and materialism, they have been the anathema of how society has proscribed, expected, and regulated women: sex object, wife, mother, and capitalist consumer. They are perceived as otherworldly beings, yet revered for their salt-of-the-earth demeanor. This book illustrates how both English and Spanish Renaissance-era authors latched onto the figure of the nun as a way to evaluate the social construction of womanhood. This analysis of the nun’s role in the popular imagination via literature explores how writers on both sides of the Catholic-Protestant divide employed the role of the nun to showcase the powerful potential these women possessed in acting out as sanctified subversives. The texts under consideration include William Shakespeare’s Measure for Measure, Margaret Cavendish’s The Convent of Pleasure, María de Zayas’s The Disenchantments of Love, Aphra Behn’s The History of the Nun, Catalina de Erauso’s The Lieutenant Nun, and Sor Juana Inés de la Cruz’s autobiographical and literary works. No other book addresses these issues through a concentrated study of these authors and their literary works, much less by offering an in-depth discussion of the literature and culture of seventeenth-century England, Spain, and Mexico.

Rodney Clapp asks and answers the question, How can the church provide a significant alternative to the culture in which it is embedded?

Subversive Sounds probes New Orleans’s history, uncovering a web of racial interconnections and animosities that was instrumental to the creation of a vital American art form—jazz. Drawing on oral histories, police reports, newspaper accounts, and vintage recordings, Charles Hersch brings to vivid life the neighborhoods and nightspots where jazz was born. This volume shows how musicians such as Jelly Roll Morton, Nick La Rocca, and Louis Armstrong negotiated New Orleans’s complex racial rules to pursue their craft and how, in order to widen their audiences, they became fluent in a variety of musical traditions from diverse ethnic sources. These encounters with other music and races subverted their own racial identities and changed the way they played—a musical miscegenation that, in the shadow of Jim Crow, undermined the pursuit of racial purity and indelibly transformed American culture. “More than timely . . . Hersch orchestrates voices of musicians on both sides of the racial divide in underscoring how porous the music made the boundaries of race and class.”—New Orleans Times-Picayune

Books on the Christian life abound. Some focus on spirituality, others on practices, and others still on doctrines such as justification or forgiveness. Few offer an account of the Christian life that portrays redeemed Christian existence within the multifaceted and beautiful whole of the Christian confession. This book attempts to fill that gap. It provides a constructive, specifically theological interpretation of the Christian life according to the nature of God's grace. This means coordinating the Triune God, his reconciling, justifying, redemptive, restorative, and otherwise transformative action with those practices of the Christian life emerging from it. The doctrine of the Christian life developed here unifies doctrine and life, confession and practice within the divine economy of grace. Drawing together some of the most important theologians in the church today, Sanctified by Grace achieves what no other theological text offers – a shared work of dogmatic theology oriented to redeemed Christian existence.

In this major reconsideration of Herman Melville’s life and work, Michael Paul Rogin shows that Melville’s novels are connected both to the important issues of his time and to the exploits of his patrician and politically prominent family—which, three generations after its Revolutionary War heroes, produced an alcoholic, a bankrupt, and a suicide. Rogin argues that a history of Melville’s fiction, and of the society represented in it, is also a history of the writer’s family. He describes how that family first engaged Melville in and then isolated him from American political and social life. Melville’s brother and father-in-law are shown to link Moby-Dick to the crisis over expansion and slavery. White-Jacket and Billy Budd, which concern shipboard conflicts between masters and seamen, are related to an execution at sea in which Melville’s cousin played a decisive part. The figure of Melville’s father haunts The Confidence Man, whose subject is the triumph of the marketplace and the absence of authority. A provocative study of one of our supreme literary artists.

We live in a 24/7 culture of endless productivity, workaholism, distraction, burnout, and anxiety--a way of life to which we've sadly grown accustomed. This tired system of "life" ultimately destroys our souls, our bodies, our relationships, our society, and the rest of God's creation. The whole world grows exhausted because humanity has forgotten to enter into God's rest. This book pioneers a creative path to an alternative way of existing. Combining creative storytelling, pastoral sensitivity, practical insight, and relevant academic research, Subversive Sabbath offers a unique invitation to personal Sabbath-keeping that leads to fuller and more joyful lives. A. J. Swoboda demonstrates that Sabbath is both a spiritual discipline and a form of social justice, connects Sabbath-keeping to local communities, and explains how God may actually do more when we do less. He shows that the biblical practice of Sabbath-keeping is God's plan for the restoration and healing of all creation. The book includes a foreword by Matthew Sleeth.

In response to the profound changes in Soviet society in recent years, the author considers the demise of Soviet literature and the emergence of its Russian progeny through the prism of the writers' engagement with fantasy. Viewing the mutual interaction of Soviet/Russian literary output with aspects of the dominant culture such as ideology and politics, Nadya Peterson traces the process of mainstream literary change in the context of broader social change. She explores the subversive character of the fantastic orientation, its Utopian and apocalyptic motifs, and its dialogical relationship with socialist realism, as it steadily gathered force in the latter Soviet decades. The shattering of the mythic colossus did not put an end to these opposing forces, but rather diverted them in various unexpected directions–as the author explains in her concluding chapters on the new "alternative" literatures.

THEY'RE BRIGHT. THEY CAN BE BRUTALLY HONEST. THEY CAN BE CYNICAL. THEY'RE SPIRITUALLY HUNGRY. HOW WILL YOU TELL THEM ABOUT JESUS?There is a new, "postmodern" generation with a vast, unmet spiritual hunger. They don't know Jesus. In fact, they don't know much "about" Jesus. They need someone who can relate the truth of the gospel to them in terms they understand. But how does one communicate this transforming truth to a generation increasingly suspicious of religious words and cynical about religious claims?Robert Henderson invites you to look over his shoulder as he addresses the brutally honest questions of faith posed by a young postmodern man named Chip. Chip's questions echo those of a spiritually hungry generation uncertain of where to look for answers--and totally unimpressed with what they see as powerless religion that offers no hope for change. Discover how to introduce the next generation of seekers to the radical grace of Jesus--grace that will make a difference in their lives.

This collection affirms the shaping authority of early modern women in literature and culture, evident well beyond their own moment.