This new study argues that the religious attitude of the Roman army was a crucial factor in the Christianization of the Roman world. Specifically, by the end of the third century, there was a significant Christian presence within the army which was ready to act in the interests of the faith. Conditions at this time were thus ripe for the coming to power of a Christian emperor: when Constantine converted to Christianity he could rely upon the enthusiastic support of his Christian soldiers. Constantine strengthened his Christian base by initiating policies which accelerated the Christianization of the army. The continuation of these policies by Christian Roman emperors eventually allowed them to use the military as a vehicle for the suppression of paganism and ‘heretical’ Christian sects.

This book is the most complete, accessible, and up-to-date resource for Ethiopian geography, history, politics, economics, society, culture, and education, with coverage from ancient times to the present. Ethiopia is a comprehensive treatment of this ancient country's history coupled with an exploration of the nation today. Arranged by broad topics, the book provides an overview of Ethiopia's physical and human geography, its history, its system of government, and the present economic situation. But the book also presents a picture of contemporary society and culture and of the Ethiopian people. It also discusses art, music, and cinema; class; gender; ethnicity; and education, as well as the language, food, and etiquette of the country. Readers will learn such fascinating details as the fact that coffee was first domesticated in Ethiopia more than 10,000 years ago and that modern Ethiopia comprises 77 different ethnic groups with their own distinct languages.

Included. Each of the 35 paintings are accompanied by a descriptive text discussing its meaning. Not indexed. Distributed by the U. of Washington Press. Annotation 2005 Book News, Inc., Portland, OR (booknews.com).

Includes section "Recensiones".

"Churches of Ethiopia" Narga Sellase's monastery sits on a tiny islet in the middle of Lake Tana, the great body of water in the centre of the Ethiopian plateau near to the imperial city of Gondar. Founded in 1748, Narga Sellase is one of the constellation of monasteries on the lake. They are the expression of a civilization which since the 4th century has known the Christianity on which its identity is founded. The extraordinary beauty of the natural surroundings and the concentric space of the monastic complex enclose the holiness of the sanctuary, making Narga Sellase a strikingly suggestive place. The church is one of the masterpieces in the multi-millenial Ethiopian civilization-- an ancient but extant Christian enclave in Africa--, and is noted not only for the superb quality of the paintings which completely cover the walls of the "maqdas," the "sancta sanctorum," but also as a testimony to imperial devotion, as expressed by the prostrate figure of Queen Mentewwab, the foundress, depicted at the feet of the Majesty. Narga Sellase plays an important part in the history of 18th century Ethiopian art, when European, Islamic, and Indian influences gathered into an artistic form which maintained its fundamental Ethiopian features, not only in the magnificent paintings but also in the decoration, well-integrated into the architecture, and the architecture itself. Stanislaw Chojnacki introduces the historical and background references which characterize and distinguish Gondar's imperial court in the 18th century and its effect on art. Mario Di Salvo fits the Lake Tana region into the story of Ethiopia's civilization, describes the architecture of Ethiopian churchesin their rich topographical variety, and leads on to illustrate the monastic complex of Narga Sellase, its structure, its architectural, decorative and pictorial components. Osvaldo Raineri presents, finally in a systematic way, the sources of the paintings, derived both from canonical texts and from Ethiopian tradition, and the new translation of an 18th century manuscript, written in "ge'ez "(Classical Ethiopian) of the "Story of Narga." Stanislaw Chojnacki: founder and curator of the University College Museum (1952-63), then of the Museum of the Institute of Ethiopian Studies at Addis Ababa and co-director of the "Journal of Ethiopian Studies" (1963-75). In 1966 he founded the Committee for the Preservation of Old Ethiopian Paintings. He is the author of numerous highly authoritative essays on Ethiopian painting and his annotated catalogue of the icons of the Museum of Addis Ababa is soon to be published. Mario Di Salvo: architect; he guided the expedition to Narga in 1997. The author of numerous essays on the anthropological evolution of the territories of various countries, as well as of different publications on various expressions of contemporary art. Osvaldo Raineri: professor of Ethiopian Language and Ethiopian Institutions at the Pontificio Istituto Orientale in Rome, and also assistant at the Biblioteca Apostolica Vaticana. He is the author of numerous publications and critical editions of texts on Ethiopian history and classical literature.