Preliminary material -- INTRODUCTION -- THE HELLENISTIC ICONOGRAPHY OF SARAPIS -- SARAPIS AND PLUTO -- SARAPIS AND OSIRIS -- SARAPIS AND DIONYSUS -- SARAPIS AND THE APIS BULL -- SARAPIS AND APIS THE KING -- SARAPIS AND ASCLEPIUS -- LATER HELLENISTIC IDENTIFICATIONS -- CONCLUSION -- Plates I-IV.

Private associations organized around a common cult, occupation, ethnic identity, neighborhood or family were among the principal means of organizing social and economic life in the ancient Mediterranean. They offered opportunities for sociability, cultic activities, mutual support and contexts in which to display and recognize virtuous achievement. This volume collects 140 inscriptions and papyri from Ptolemaic and early Roman Egypt, along with translations, notes, commentary, and analytic indices. The dossier of association-related documents substantially enhances our knowledge of the extent, activities, and importance of private associations in the ancient Mediterranean, since papyri, unavailable from most other locations in the Mediterranean, preserve a much wider range of data than epigraphical monuments. The dossier from Egypt includes not only honorific decrees, membership lists, bylaws, dedications, and funerary monuments, but monthly accounts of expenditures and income, correspondence between guild secretaries and local officials, price and tax declarations, records of legal actions concerning associations, loan documents, petitions to local authorities about associations, letters of resignation, and many other papyrological genres. These documents provide a highly variegated picture of the governance structures and practices of associations, membership sizes and profiles, and forms of interaction with the State.

Memory and Urban Religion in the Ancient World brings together scholars and researchers working on memory and religion in ancient urban environments. Chapters explore topics relating to religious traditions and memory, and the multifunctional roles of architectural and geographical sites, mythical figures and events, literary works and artefacts. Pagan religions were often less static and more open to new influences than previously understood. One of the factors that shape religion is how fundamental elements are remembered as valuable and therefore preservable for future generations. Memory, therefore, plays a pivotal role when - as seen in ancient Rome during late antiquity - a shift of religions takes place within communities. The significance of memory in ancient societies and how it was promoted, prompted, contested and even destroyed is discussed in detail. This volume, the first of its kind, not only addresses the main cultures of the ancient world - Mesopotamia, Egypt, Greece and Rome - but also look at urban religious culture and funerary belief, and how concepts of ethnic religion were adapted in new religious environments.

Heir of Ptolemy son of Lagus, Alexander the Great's general (who took Egypt over in 323BC), Ptolemy II Philadelphus reigned in Alexandria from 282 to 246. The greatest of the Hellenistic kings of his time, Philadelphus exercised power far beyond the confines of Egypt, while at his glittering royal court the Library of Alexandria grew to be a matchless monument to Greek intellectual life. In Egypt the Ptolemaic régime consolidated its power by encouraging immigration and developing settlement in the Fayum. This book examines Philadelphus' reign in a comprehensive and refreshing way. Scholars from the fields of Classics, Archaeology, Papyrology, Egyptology and Biblical Studies consider issues in Egypt and across Ptolemaic territory in the Mediterranean, the Holy Land and Africa.

Isis and Sarapis in the Roman World deals with the integration of the cult of Isis among Roman cults, the subsequent transformation of Isis and Sarapis into gods of the Roman state, and the epigraphic employment of the names of these two deities independent from their cultic context. The myth that the guardians of tradition and Roman religion tried to curb the cult of Isis in order to rid Rome and the imperium from this decadent cult will be dispelled. A closer look at inscriptions from the Rhine and Danubian provinces shows that most dedicators were not Isiac cult initiates and that women did not outnumber men as dedicators. Inscriptions that mention the two deities in connection with a wish for the well-being of the emperor and the imperial family are of special significance.

Jesus Christ is arguably the most famous man who ever lived. His image adorns countless churches, icons, and paintings. He is the subject of millions of statues, sculptures, devotional objects and works of art. Everyone can conjure an image of Jesus: usually as a handsome, white man with flowing locks and pristine linen robes. But what did Jesus really look like? Is our popular image of Jesus overly westernized and untrue to historical reality? This question continues to fascinate. Leading Christian Origins scholar Joan E. Taylor surveys the historical evidence, and the prevalent image of Jesus in art and culture, to suggest an entirely different vision of this most famous of men. He may even have had short hair.

New to this expanded & updated edition are revisions of Ferguson's original material, updated bibliographies, & a fresh dicussion of first century social life, the Dead Sea Scrolls & much else.

Presenting a large body of evidence for the first time, this book offers a comprehensive treatment of Nubian architecture, sculpture, and minor arts in the period between 300 BC-AD 250. It focuses primarily on the Nubian response to the traditional pharaonic, Hellenistic/Roman, Hellenizing, and “hybrid” elements of Ptolemaic and Roman Egyptian culture. The author begins with a history of Nubian art and a critical survey of the literature on Ptolemaic and Roman Egyptian art. Special chapters are then devoted to the discussion of the Egyptian-Greek interaction in the arts of Ptolemaic Egypt, the place of Egyptian Hellenistic and Hellenizing art within the oikumene, the pluralistic visual world of Ptolemaic and Roman Egypt, as well as on the specific genre of terracotta sculpture. Utilizing examples from Meroe City and Musawwarat es Sufra, the author argues that cultural transfer from Ptolemaic and Roman Egypt to Nubia resulted in an inward-focused adaptation. Therefore, the resulting Nubian art from this period expresses only those aspects of Egyptian and Greek art that are compatible with indigenous Nubian goals.

The Fitzwilliam Museum has arguably one of the finest collections of antiquities in the United Kingdom. Assembled mainly through bequests and gifts, it is a stunning exhibition of connoisseurship. This splendidly illustrated book presents sixty-four images of the finest examples of Greek, Etruscan, Cypriot, and Roman art dating from the Bronze Age to the late Roman Period, and ranging from the monumental to the decorative. The concise text provides an introduction to the art, technology, and history for the layman, as well as new insights for the expert. Many of the objects are published here for the first time. Greek and Roman Art was given a commendation in the Best Museum Publication category awarded by the Museums Association, Gulbenkian Awards for Museums and Galleries 1998.

Osiris, god of the dead, was one of ancient Egypt's most important deities. The earliest secure evidence for belief in him dates back to the fifth dynasty (c.2494-2345BC), but he continued to be worshipped until the fifth century AD. Following Osiris is concerned with ancient Egyptian conceptions of the relationship between Osiris and the deceased, or what might be called the Osirian afterlife, asking what the nature of this relationship was and what the prerequisites were for enjoying its benefits. It does not seek to provide a continuous or comprehensive account of Egyptian ideas on this subject, but rather focuses on five distinct periods in their development, spread over four millennia. The periods in question are ones in which significant changes in Egyptian ideas about Osiris and the dead are known to have occurred or where it has been argued that they did, as Egyptian aspirations for the Osirian afterlife took time to coalesce and reach their fullest form of expression. An important aim of the book is to investigate when and why such changes happened, treating religious belief as a dynamic rather than a static phenomenon and tracing the key stages in the development of these aspirations, from their origin to their demise, while illustrating how they are reflected in the textual and archaeological records. In doing so, it opens up broader issues for exploration and draws meaningful cross-cultural comparisons to ask, for instance, how different societies regard death and the dead, why people convert from one religion to another, and why they abandon belief in a god or gods altogether.