Facsimile reprint of a 1685 work by the Scottish Presbyterian professor of philosophy, George Sinclair, which aimed to prove the existence of Satan, witchcraft, and apparitions via a collection of supposedly true stories. The work is sometimes compared to Joseph Glanville's "Saducismus Triumphatus" of 1681.

The Year That Defined American Journalism examines the 1897 conflict between the activist "yellow journalism" of William Randolph Hearst and its objective antithesis represented by the New York Times. No other year, arguably, has produced more memorable, singularly important, or defining moments in American journalism. This exceptional year brought the establishment of the White House Press Corps; the introduction of half-tone photographs to newspaper printing; the publication of American journalism's most famous editorial, "Is There A Santa Claus?"; and the inauguration of newspaper history's longest-running comic strip, the "Katzenjammer Kids." Moreover, the outcome of this conflict reshaped the profession and gave American journalism its modern contours. This work enriches not only our understanding of this decisive moment in journalism history, but also our understanding of how to do media history.

Devoted to the consideration of city problems from the steadpoint of the taxpayer and citizen.

In the early 1820s, the acclaimed Victorian philosopher, social critic, and essayist Thomas Carlyle achieved a level of expertise in German language and literature that prompted editors to seek him out as a reviewer and launched his career as an essayist. Carlyle has long been credited with establishing the importance of new German writing in Britain at the time, and Essays on German Literature and Culture brings together his complete writings on the topic. This volume will be published in two parts. ​In the essays in part 1, Carlyle ranges broadly over German literature, much of it new to English-speaking audiences, and comments on three writers—Goethe, Richter, and Novalis—who profoundly influenced him. In keeping with the Norman and Charlotte Strouse Edition of the Writings of Thomas Carlyle, these essays are accompanied by a thorough historical introduction to the material, extensive notes providing historical and cultural context while expanding on references and allusions, and a textual apparatus that carefully details and explains the editorial decisions made in reconciling the editions of each essay.

James Fitzjames Stephen (1829-1894) is still highly valued as a judge, as the historian of the criminal law of England, and as the author of Liberty, Equality, Fraternity, a forthright disagreement with John Stuart Mill. Stephen's weekly journalism established him as a vigorous cross-examiner in the controversies--cultural, social, religious, political, moral, and philosophical--of his time (and duly, of our time). Collected here now are his essays on the novel and journalism, the co-operation and collusion of these two, their responsibilities and irresponsibilities. Written between 1855 and 1867, while Stephen prosecuted twin careers as barrister and journalist, these reviews bring to bear his formidable powers of mind and of phrasing, scrutinizing many deep and disconcerting novelists--Dickens and Thackeray, Harriet Beecher Stowe and E. C. Gaskell, Flaubert and Balzac. His work also weighs journalism in the scales: from Addison's The Spectator to the Crimean war correspondence of William Howard Russell; from the scabrously detailed law-reports in The Times to the phenomenon of Letters to its Editor; from the high culture of Matthew Arnold to the mass market of 'Railroad Bookselling'.