Satire, Humor and the Construction of Identities conveys how satire can contribute to the construction of social subjects’ identities. It attempts to provide a theoretical ground for a novel understanding of the relationship between satire and identity by finding their common denominator, namely opposition, in order to explain the mechanism through which satire can form identities. After establishing the role of opposition in satire and identity construction through a detailed analysis of various theories, it will be argued that satire can contribute to the construction of racial, ethnic, national, religious, and gender identities. Several examples from British, Persian, ancient Roman literary traditions, and different epochs illustrate the theoretical discussions. The prevalence of satire and the challenges that identity has encountered in our contemporary world guarantee the significance of this study and its socio-political implications.

Satire, Humor, and Environmental Crises explores how satire and humor can be employed to address and mitigate ecological crises at individual and collective levels. Besides scientific and technological endeavors, solutions to ecological crises must entail social and communicative reform to persuade citizens, corporations, organizations, and policymakers to adopt more sustainable lifestyles and policies. This monograph reassesses environmental behavior and messaging and explores the promises of humorous and satiric communication therein. It draws upon a solid and interdisciplinary theoretical foundation to explicate the individual, social, and ecospheric determinants of behavior. Creative works of popular culture across various modes of expression, including The Simpsons, Last Week Tonight with John Oliver, and The New Yorker cartoons, are examined to illustrate the strong if underappreciated relationship between humor and the environment. This is followed by a discussion of the instruments and methodological subtleties involved in measuring the impacts of humor and satire in environmental advocacy for the purpose of conducting empirical research. More broadly, the book aspires to participate in urgent cultural and political discussions about how we can evaluate and intervene in the full diversity of environmental crises, engage a broad set of internal and external partners and stakeholders, and develop models for positive social and environmental transformations. This book will be of great interest to students and scholars interested in environmental humanities, communication science, psychology, and critical humor studies. It can further benefit environmental activists, policymakers, NGOs, and campaign organizers.

Based on approaches from discourse analysis and sociolinguistics, this study proposes an analytical model focusing on the linguistic and discursive means narrators use to construct a variety of identities in everyday stories. This model is further exploited in language teaching to cultivate students' cultural sensitivity and critical literacy.

The present publication has been conceived as a critical reflection, in different disciplinary fields, on the social, institutional, and cultural impact of the recent COVID-19 pandemic in Asia and Africa. The issues presented here were first discussed as part of a larger research project at two conferences, held in Rome in June and October 2022. After extensive revision, these results have now been collected as fully developed articles in the current two volumes: the first focuses on the cultural, artistic, and media-related facets of the pandemic; the second on its social and institutional implications. This Volume I examines the effects of the traumatic events brought about by the COVID-19 pandemic on various cultural phenomena, artistic expressions, and social media communication, analysing among other themes the creation of new narratives and the modalities of personal and collective responses. The articles cover vast geographical areas, spanning from the Middle East to the Indian Subcontinent and East Asia, and aim at making their multiple visions converge in one compact perspective of empathic connection.

This is the first book in English to survey the Eastern German literary trend of employing humor and satire to come to terms with experiences in the German Democratic Republic and after the fall of the Berlin Wall. As sophisticated attempts to make sense of socialism’s failure and a difficult unification process, these contemporary texts help define Germany today from a specific, Eastern German perspective. Grounded in politics and history, ten humorous and satirical novels are analyzed for their literary aesthetics and language, cultural critiques, and socio-political insights. The texts include popular novels such as Thomas Brussig’s Helden wie wir, Ingo Schulze’s Simple Storys, and Jens Sparschuh’s Der Zimmerspringbrunnen, as well as lesser-known but equally relevant works like Schlehweins Giraffe by Bernd Schirmer and Katerfrühstück by Erich Loest. A broad spectrum of humor and satire theories is applied to probe texts from various angles and suggest multi-layered answers to the question of how these literary modes function in postwall Germany to construct a specifically Eastern German identity. Interviews the author conducted with five of the satirists are appended as primary sources and contribute to the interpretation of the texts.

Explores the Eastern German literary trend of the 1990s employing humor and satire to come to terms with socialism's failure and a difficult unification process. This title surveys ten novels including, works by Brussig, Schulze, and Hensel. These contemporary texts help define Germany today from a specific, East German perspective.

This book examines contemporary American animated humor, focusing on popular animated television shows in order to explore the ways in which they engage with American culture and history, employing a peculiarly American way of using humor to discuss important cultural issues. With attention to the work of American humorists, such as the Southwest humorists, Mark Twain, Dorothy Parker, and Kurt Vonnegut, and the question of the extent to which modern animated satire shares the qualities of earlier humor, particularly the use of setting, the carnivalesque, collective memory, racial humor, and irony, Humor and Satire on Contemporary Television concentrates on a particular strand of American humor: the use of satire to expose the gap between the American ideal and the American experience. Taking up the notion of ’The Great American Joke’, the author examines the discursive humor of programmes such as The Simpsons, South Park , Family Guy , King of the Hill, Daria, American Dad!, The Boondocks, The PJs and Futurama . A study of how animated television programmes offer a new discourse on a very traditional strain of American humor, this book will appeal to scholars and students of popular culture, television and media studies, American literature and visual studies, and contemporary humor and satire.

The study was sparked by the absence of literature on transnational masspersonal communication (tmc) of ‘Eritrean’, ‘Ethiopian’, Oromo, and Somali diaspora communities. To bridge this theoretical gap, an empirical study was conducted at meso-level based on three questions: (a) what topics do people in the diaspora communities discuss in relation to their homelands via social media – an alternative for tmc; (b) how do they communicate about their homelands’ issues in relation to their collective identities; and (c) how does this communication enable the construction of their own identity as well as the deconstruction of competing identities. The theoretical analysis from the perspective of these questions led to developing own model, i.e., the Diasporic Identity Construction in Transnational Masspersonal Communication Model (DICTMCM). This model, which connects the theoretical analysis to the empirical study, argues that their communication in relation to their homelands, particularly about their collective identities, consists not only of what they talk but also of how they converse. As a result, the empirical results delivered a comparative analysis of the tmc of these four diaspora communities and how they construct their collective identities via this tmc, which bridged the above stated gap.

Humor may surface in numerous and diverse contexts, which at the same time determine how humor works, its form, and its functions and consequences for interlocutors. Adopting a sociolinguistic and discourse analytic perspective, this study is aligned with approaches to humor exploring the variety of humorous genres, the wide range of sociopragmatic functions of humor, and the more or less dissimilar perceptions speakers may have concerning what humor is, what it means, and how it works. The chapters of this book propose a new theoretical approach to the analysis of humor by bringing context into focus. Furthermore, the study explores how we can teach about humor within a critical literacy framework creating classroom space for everyday humorous texts that are part of students’ social realities, and simultaneously taking into account that humor may yield multiple, disparaging, and often conflicting interpretations. This book is intended to appeal to humor researchers from various disciplines (such as linguistics, media studies, cultural studies, literary studies, sociology, anthropology, folklore) as well as to professionals or researchers in education.

Substantial insights into various identity discourses reflected in the biblical prayers This collection of essays from an international group of scholars focuses on how biblical prayers of the Persian and early Hellenistic periods shaped identity, evoked a sense of belonging to specific groups, and added emotional significance to this affiliation. Contributors draw examples from different biblical texts, including Genesis, Samuel, Kings, Chronicles, Ezra and Nehemiah, Psalms, Jonah, and Daniel. Features Thorough study of prayers that play a key role for a biblical book’s (re)construction of the people’s history and identity An examination of ways biblical figures are remodeled by their prayers by introducing other, sometimes even contradictory, discourses on identity An exploration of different ways in which psalms from postexilic times shaped, reflected, and modified identity discourses