The first book to examine the relationship between cinema and the UFO phenomenon, analyzing more than 300 films in terms of their aesthetic merit (direction, acting, screenplay, etc.) and their UFOlogical significance.

For many years, conspiracy theories have been among the most popular story elements in Hollywood films. According to the "conspiracy culture," Government, Big Business, the Church, even aliens--all of which, bundled together, comprise the ubiquitous "Them"--are concealing some of the biggest secrets in American and world history. From The Manchurian Candidate (1962) to JFK (1991), The Matrix (1999) to The Da Vinci Code (2006), this decade-by-decade history explores our fascination with paranoia. The work paints a vivid picture of several of the more prevalent conspiracy theories and the entertainment they have inspired, not only in theatrical films but also in such television series as The X-Files, Lost and V.

If a child can watch Barney, can’t that same child also enjoy watching Charlie Chaplin or the Marx Brothers? And as they get older, wouldn’t they grow to like screwball comedies (His Girl Friday), women’s weepies (Imitation of Life), and westerns (The Searchers)? The answer is that they’ll follow because they’ll have learned that “old” does not necessarily mean “next channel, please.”Here is an impassioned and eminently readable guide that introduces the delights of the golden age of movies. Ty Burr has come up with a winning prescription for children brought up on Hollywood junk food. FOR THE LITTLE ONES (Ages 3—6): Fast-paced movies that are simple without being unsophisticated, plainspoken without being dumbed down. Singin’ in the Rain and Bringing Up Baby are perfect.FOR THE ONES IN BETWEEN (Ages 7—12): “Killer stories,” placing easily grasped characters in situations that start simply and then throw curveballs. The African Queen and Some Like It Hot do the job well.FOR THE OLDER ONES (Ages 13+): Burr recommends relating old movies to teens’ contemporary favorites: without Hitchcock, there could be no The Texas Chainsaw Massacre, without Brando, no Johnny Depp.

In Wonder Shows, Fred Nadis offers a colorful history of these traveling magicians, inventors, popular science lecturers, and other presenters of “miracle science” who revealed science and technology to the public in awe-inspiring fashion. The book provides an innovative synthesis of the history of performance with a wider study of culture, science, and religion from the antebellum period to the present.

The flying saucer has been the most vivid and persistent image in American life of the last half century. It has also generated more controversy and rancor than anything else that might be characterized as a fantasy. It is malleable, suiting a wide variety of beliefs and outlooks, touching nearly every public concern. It arrived as a mysterious threat from above, a metaphor for The Bomb. It transformed swiftly into a hope from above, promising to save us from ourselves. Renamed UFO, it became a symbol for those who distrusted the government. Along its way through the postwar skies, it acquired a cargo that included every species of hoax, craziness, lunacy, and even sexual fantasy, along with a fair amount of scientific and political baggage. The flying saucer myth says much about how Americans react to the unexpected. Before and After Roswell: The Flying Saucer in America, 1947-1999 places the flying saucer idea in the context of history, politics, entertainment, and science to arrive at an explanation of what it is all about and how it got that way. Because the Roswell incident--the story that a flying saucer crashed near Roswell, New Mexico, in 1947 and that the government has hidden the truth about it ever since--has dominated the subject recently, the book is anchored around that particular story while demonstrating that the flying saucer did exist before and after Roswell. It corrects some misconceptions, including one that holds that because a majority of people say they believe in UFOs, they therefore believe in a conspiracy to cover up the truth about them. After detailing what actually happened in Roswell in 1947, the book takes up the birth of the flying saucer earlier that year, underscoring the fact that the name originally denoted its movement, not its shape. The text then examines the Air Forces and CIAs responses to the phenomenon, and the rise of competing bands of ufologists, true believers and skeptics, to dominate debate over it. The book also addresses Cold War contributions to the UFO issue, and the role of Hollywood in providing the images that defined it. Along the way it describes the crashed-saucer tradition, the contactees, abductions, men in black, the Bermuda Triangle, ancient astronauts, cattle mutilations, the little gray alien, SETIs Drake Equation, sex and the flying saucer, and the rise of a new ufology emanating from the conspiracy culture growing out of the Kennedy assassination mythology and the Watergate scandal. Part Two of Before and After Roswell begins with the invention of the incident in 1980, then traces the history of the flying saucer idea to the end of the century. Important here are the submersion of the saucer into the larger anti-government conspiracy tradition of that period, and the increasing domination of the subject by television, including Area 51, a myth invented on a TV show, and the combined influence of reality-based cable documentaries and the amazingly popular series The X-Files. Also addressed are such things as crop circles, the MAJIC hoax, the face on Mars, UFO conspiracy fiction, and the explosion of the abduction belief. A chapter on The Battle of Roswell traces the evolution of that controversy through a succession of books by ufologists; in the end it broke down into disputed orthodoxies and feuds over who had the real crash site to charge admission to. When boosters tried to turn Roswell into a tourist attraction, their quarrels and mercenary outlook alienated the town and made the annual UFO Encounter a flop. The book concludes that the flying saucer is not a thing, but an idea, and one that will overcome the burden of

On June 24th, 1947, a private pilot reported numerous dazzling objects rushing through the sky above Mount Rainier in Washington state. It was the start of the current UFO phenomena, one of the country's most perplexing and persistent mysteries. Within a few weeks, hundreds of sightings of flying saucers were reported to news media. Surprising reports of a UFO crash in Roswell, New Mexico further added to the mystery that July. Since then, UFOs have sparked a slew of incredible claims and speculations. This is a sober and honest history of America's first major saucer craze, based on many sources including previously classified government records. The book cuts through decades of mystique and confusion, beginning with the 1947 UFO wave and ending with the launch of Project Blue Book in 1952. Balanced and comprehensive, this history provides background, social context and other tools for reframing perceptions of a controversial subject.

The alien abduction phenomenon is one of the enduring enigmas of our time. While the reality of alien abductions is a hotly debated topic among UFO researchers, scientists, skeptics and true believers alike, the phenomenon indisputably exists as an artifact of popular culture. This book analyzes more than 75 films that draw their inspiration from allegedly fact-based accounts of alien contact, from 1951's The Man from Planet X to Contactee in 2021. These films are examined in terms of both their cinematic qualities and their exploration of thematic elements derived from abduction reports. Abduction motifs that appear in science fiction classics such as The Day the Earth Stood Still, 2001 and Close Encounters are analyzed, as well as those in lesser-known films like The Stranger Within, Starship Invasions, Dark Skies and Proximity. Special attention is given to movies based on the famed experiences of abductees Betty and Barney Hill, Whitley Strieber and Travis Walton. The book also addresses skeptical theories about the origins of the phenomenon in science fiction and examines an uncanny prescience that appears to anticipate these inexplicable occurrences.

Science Fiction Film develops a historical and cultural approach to the genre that moves beyond close readings of iconography and formal conventions. It explores how this increasingly influential genre has been constructed from disparate elements into a hybrid genre. Science Fiction Film goes beyond a textual exploration of these films to place them within a larger network of influences that includes studio politics and promotional discourses. The book also challenges the perceived limits of the genre - it includes a wide range of films, from canonical SF, such as Le voyage dans la lune, Star Wars and Blade Runner, to films that stretch and reshape the definition of the genre. This expansion of generic focus offers an innovative approach for students and fans of science fiction alike.

People believe in a great many things; and yet most of us know almost nothing about why other people believe what they do, or indeed about how it feels to believe it. This book presents an objective method for understanding and comparing belief systems - irrespective of whether the investigator happens to agree with them.

Astronomer and ufologist Chris A. Rutkowski has spent the past forty years investigating reports of UFOs and other strange phenomena. This collection of his writings about people's experiences with UFOs, alien abductions, and other unexplained events is perfect for enthusiastic fans everywhere, and includes startling evidence to make even the biggest skeptics believe. Includes: Abductions and Aliens: What's Really Going On Based on almost 25 years of investigation and research, science writer Chris Rutkowski looks critically at abduction stories. The Canadian UFO Report: The Best Cases Revealed A popular history of the UFO phenomenon in Canada, which has captured the imaginations of young and old alike. A World of UFOs UFOs and UFO encounters are truly global phenomena. What are some of the most interesting cases? Which ones seem most mysterious? And what can one of the worlds most active UFO researchers and investigators tell us about UFOs, from A to Z? Join Chris A. Rutkowski as he takes us on a tour of A World of UFOs. I Saw It Too! I Saw It Too! is the first collection of stories told by kids to document their UFO sightings. These accounts are real cases of UFOs they’ve seen or alien creatures they’ve encountered that were reported to government or military officials, UFO investigators, and journalists. The Big Book of UFOs The Big Book of UFOs is a compendium of his best and most disturbing UFO stories for enthusiastic fans everywhere, with startling evidence to make even the biggest skeptics believe. The renowned ufologist takes us on a tour of UFOs in Canada and around the world. He has studied UFOs, aliens, abductions, and even encounters reported by kids.