WINNER OF THE 2021 GOLD LIVING NOW AWARD AND THE 2020 SILVER NAUTILUS BOOK AWARD From the world class spiritual medium and author of the “compassionate yet educational” (John Edward, author of Infinite Quest) I’m Not Dead, I’m Different comes an insightful exploration into what it’s like on the other side. Is there really an afterlife? Do spirits still feel love for us? What is it like when we cross over? After more than twenty-five years of bringing comfort to tens of thousands of people, Hollister Rand brings her incredible knowledge and experience to this accessible and comprehensive book that takes you on an eye-opening journey into the afterlife. With warm-hearted sincerity, Rand offers you a clear-eyed and uplifting view into an unknown universe and teaches you how to navigate your life on this earthly plane with eternity in mind. In an increasingly uncertain world, there is only one guarantee: we all face the same outcome. Featuring her signature humor and infused with authenticity regarding her own spiritual journey, Rand provides comfort, clarity, and laughs along the way.

Few religious leaders have examined the potential for the positive impact of digital media and digital immortality creation in religious contexts. It is evident that there have been recent moves away from traditional funeral services focusing on the transition of the deceased into the future world beyond, towards a rise of memorial content within funerals and commemorative events. This has heralded shifts in afterlife beliefs by replacing them, to all intents and purposes, by attitudes to this life. Digital Afterlife and the Spiritual Realm explores the ways in which digital media and digital afterlife creation affects social and religious understandings of death and the afterlife. Features Understands the impact of digital media on those living and those working with the bereaved Explores the impact of digital memorialisation post death Examines the ways in which digital media may be changing conceptions and theologies of death For many people, digital afterlife and the spiritual realm largely remains an area that is both inchoate and confusing. This book will begin to unravel some of this bafflement.

Mark Twain once quipped that a "classic [is] something that everybody wants to have read and nobody wants to read." This definition fits Adam Smith's timeless work The Wealth of Nations, published in 1776 on the eve of the American Revolution. For more than two centuries, partisans and pundits across the political spectrum have selectively quoted (or purported to quote) Smith's masterpiece of economic theory in support of legislative agendas and public policy. Smith himself would have been surprised at the near universal acceptance of his theories, especially given changes in the world economy since the 18th century. This book provides a close reading of his work, revealing a complex intellect schooled in the high moral ideals of classical philosophy, yet firmly grounded in the pragmatism of international trade and commerce.

"Adapted from Historic Haunts of Savannah by Michael Harris and Linda Stickler."

Over four months, 32 states, and 13,000 miles in a rented motor home, Denizet-Lewis and his canine companion attempt to pay tribute to the most powerful interspecies bond there is, in the country with the highest rate of dog ownership in the world. On the way, Denizet-Lewis--known for his deeply reported dispatches from far corners of American life--meets an irresistible cast of dogs and dog-obsessed humans.

Argues that African American literature must take into account the rich diversity of African American life and culture.

San Francisco is the endgame of gentrification, where racialized displacement means that the Black population of the city hovers at just over 3 percent. The Robeson Justice Academy opened to serve the few remaining low-income neighborhoods of the city, with the mission of offering liberatory, social justice--themed education to youth of color. While it features a progressive curriculum including Frantz Fanon and Audre Lorde, the majority Latinx school also has the district's highest suspension rates for Black students. In Progressive Dystopia Savannah Shange explores the potential for reconciling the school's marginalization of Black students with its sincere pursuit of multiracial uplift and solidarity. Drawing on ethnographic fieldwork and six years of experience teaching at the school, Shange outlines how the school fails its students and the community because it operates within a space predicated on antiblackness. Seeing San Francisco as a social laboratory for how Black communities survive the end of their worlds, Shange argues for abolition over revolution or progressive reform as the needed path toward Black freedom.