Scaramouche PLUS Bardelys the Magnificent by Rafael Sabatini For the first time, these two great classics together for the price of 1! Rafael Sabatini was a prolific Italian writer who wrote his novels of romance and high adventure in English. Several of these very successful novels were made into notable films. Scaramouche: A Romance of the French Revolution Set during the French Revolution, this classic novel of swashbuckling adventure and sweeping romance is also a thought-provoking commentary on class, inequality, and the individual's role in society. Scaramouche, the unforgettable clown, is a comic figure with a very serious message. Scaramouche is a story that has become Rafael Sabatini's enduring legacy. In the words of one reader: "Scaramouche is a tale of revenge, an astonishing tour de force - every single page seethes with incident, color, and detail." Bardelys the Magnificent An absorbing story of love and adventure in France of the early seventeenth century. Bardelys the Magnificent is the tale of Sieur Marcel de Saint-Pol; Marquis of Bardelys, and those things which befell him in Languedoc, in the year of the Rebellion. One of the most stirring tales Sabatini ever wrote.

As Languedoc enters her year of rebellion, amid the glorious battles and brutal insurrections, Marcel a.k.a. the Marquis of Bardleys, has his heart set on a fair lady. Yet will she succumb to the Marquis’ ‘strange wooing’?

King Vidor (1894-1982) had the longest career of any Hollywood director, and his works include some of the most dramatic, sublime moments in the history of American cinema. Regarded by many film historians as one of the greatest of silent era filmmakers--especially for masterworks The Big Parade, The Crowd, and Show People--Vidor is nonetheless one of the most underrated of Hollywood's "old masters" in terms of his overall career. His sound era films include Hallelujah, Street Scene, The Champ, The Stranger's Return, Our Daily Bread, Stella Dallas, The Citadel, Northwest Passage, Duel in the Sun, Beyond the Forest, The Fountainhead, Ruby Gentry and War and Peace. He also helped to establish the Screen Directors Guild and served as its first president. This book charts the ways in which Vidor's vast, complex body of work ranges over diverse genres and styles while also expressing his recurring personal interests in spirituality (especially Christian Science), aesthetics, metaphysics, social realism, and the myth of America. The first book since 1988 to give a comprehensive view of Vidor's career, it discusses his artistic evolution in a way that appeals to the general reader as well as to the film scholar.

This fascinating study of the genre of swashbuckling films received wide critical acclaim when it was first published in 1977. Jeffrey Richards assesses the contributions to the genre of directors, designers and fencing masters, as well as of the stars themselves, and devotes several chapters to the principal subjects if the swashbucklers – pirates, highwaymen, cavaliers and knights. The result is to recall, however fleetingly, the golden days of the silver screen. Reviews of the original edition: ‘An intelligent, scholarly, well-written account of adventure films, this work is sensitive both to cinema history and to the literary origins of the "swashbuckler"....Essential for any library with books on film, it may very well be the definitive book on its subject.’ – Library Journal

Adventure fiction is one of the easiest narrative forms to recognize but one of the hardest to define because of its overlap with many other genres. This collection of essays attempts to characterize adventure fiction through the exploration of key elements--such as larger-than-life characters and imperialistic ideas--in the genre's 19th- and 20th-century British and American works like The Scarlet Pimpernel by Orczy and Captain Blood by Sabatini. The author explores the cultural and literary impact of such works, presenting forgotten classics in a new light.

Ready of wit and skilled of blade, the elegant surgeon-buccaneer Captain Blood is ever a jump ahead of his foes. Time and again, he falls headlong into deep peril, and his own motley crew are happy to sail to hell and back at his command. Yet when everything is stacked against him, can he keep his honour until the bitter end?

"To understand the history and spirit of America, one must know its wars, its laws, and its presidents. To really understand it, however, one must also know its cheeseburgers, its love songs, and its lawn ornaments. The long-awaited Guide to the United States Popular Culture provides a single-volume guide to the landscape of everyday life in the United States. Scholars, students, and researchers will find in it a valuable tool with which to fill in the gaps left by traditional history. All American readers will find in it, one entry at a time, the story of their lives."--Robert Thompson, President, Popular Culture Association. "At long last popular culture may indeed be given its due within the humanities with the publication of The Guide to United States Popular Culture. With its nearly 1600 entries, it promises to be the most comprehensive single-volume source of information about popular culture. The range of subjects and diversity of opinions represented will make this an almost indispensable resource for humanities and popular culture scholars and enthusiasts alike."--Timothy E. Scheurer, President, American Culture Association "The popular culture of the United States is as free-wheeling and complex as the society it animates. To understand it, one needs assistance. Now that explanatory road map is provided in this Guide which charts the movements and people involved and provides a light at the end of the rainbow of dreams and expectations."--Marshall W. Fishwick, Past President, Popular Culture Association Features of The Guide to United States Popular Culture: 1,010 pages 1,600 entries 500 contributors Alphabetic entries Entries range from general topics (golf, film) to specific individuals, items, and events Articles are supplemented by bibliographies and cross references Comprehensive index

This Excellent Collection brings together Sabatini's longer, major books and a fine selection of shorter pieces and Naval Science-Fiction Books and Sea-Stories. This Books created and collected in Rafael Sabatini's Most important Works illuminate the life and work of one of the most individual writers of the XX century - a man who elevated political writing to an art. Rafael Sabatini (1875 – 1950) was an Italian-English writer of romance and adventure novels. He is best known for his worldwide bestsellers: The Sea Hawk (1915), Scaramouche (1921), Captain Blood (a.k.a. The Odyssey of Captain Blood) (1922), and Bellarion the Fortunate (1926). In all, Sabatini produced 34 novels, eight short story collections, six non-fiction books, numerous uncollected short stories, and several plays. This Collection included: CAPTAIN BLOOD SERIES · Captain Blood · Captain Blood Returns · The Fortunes of Captain Blood SCARAMOUCHE SERIES · Scaramouche · Scaramouche the King-Maker NOVELS · The Lovers of Yvonne · The Tavern Knight · Bardelys the Magnificent · The Trampling of the Lilies · Love-at-Arms · The Shame of Motley · St. Martin's Summer · Mistress Wilding · The Lion's Skin · The Strolling Saint · The Gates of Doom · The Sea Hawk · The Snare · Fortune's Fool · The Carolinian · Bellarion the Fortunate · The Nuptials of Corbal · The Hounds of God · The Romantic Prince · The King's Minion · The Black Swan · The Stalking Horse · Venetian Masque · Chivalry · The Lost King · The Sword of Islam · The Marquis of Carabas · Columbus · King in Prussia · The Gamester SHORT STORIES · The Justice of the Duke · The Banner of the Bull · Turbulent Tales · Other Stories DRAMA · The Tyrant HISTORICAL WORKS · The Life of Cesare Borgia · Torquemada and the Spanish Inquisition · The Historical Nights' Entertainment – First Series · The Historical Nights' Entertainment – Second Series · The Historical Nights' Entertainment – Third Series

Examination of literacy and reading habits in nineteenth-century Ireland and implications for an emerging cultural nationalism.