Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

In examining Schiller's often-neglected use of gesture, this study treats his dramas as written to be performed -- not merely read. Many aspects of the works of Friedrich Schiller (1759-1805) have attracted attention. His work as a philosopher and pioneering thinker in poetics and aesthetics and as a historian have recently been the focus of much attention. But Schiller's dramas have always held the most interest, and they continue to be performed regularly both in German-speaking lands and around the world. Schiller is a dramatist of psychological conflict rather than of abstract ideas, and he had a unique grasp of how to use the stage to that end. This study of Schiller's use of gesture begins with a discussion of the origins of the gestures he employs, viewing them in relation to his medical writings, his literary influences, theories of the theater and acting, and Enlightenment thinking in general. The study then considers the use of gesture and related aspects of stagecraft in Schiller's nine completed dramas, highlighting elementsof continuity and development. It is concerned with the interpretation of gesture, often marginalized in studies of Schiller's works, and with the interrelationship between gesture and verbal text. It also considers Schiller's relationship to the theater of his day, and discusses the first performances of his plays as well as their more recent stage history in both Germany and Great Britain. Appearing in the 250th anniversary of Schiller's birth, this study treats his dramas as plays written to be performed -- as works that reach their fullest potential in the theater. John Guthrie teaches modern German literature and language at the University of Cambridge, where he isfellow and director of studies at Murray Edwards College.

To mark the 200th anniversary of Schiller’s death, leading scholars from Germany, Canada, the UK and the USA have contributed to this volume of commemorative essays. These were first presented at a symposium held at the University of Birmingham in June 2005. The essays collected here shed important new light on Schiller’s standing as a national and transnational figure , both in his own lifetime and in the two hundred years since his death. Issues explored include: aspects of Schiller’s life and work which contributed to the creation of heroic and nationalist myths of the poet during the nineteenth and early twentieth centuries; his activities as man of the theatre and publisher in his own, pre-national context; the (trans-)national dimensions of Schiller’s poetic and dramatic achievement in their contemporary context and with reference to later appropriations of national(ist) elements in his work. The contributions to this volume illuminate Schiller’s achievements as poet, playwright, thinker and historian, and bring acute insights to bear on both the history of his impact in a variety of contexts and his enduring importance as a point of cultural reference.

Samuel Taylor Coleridge, a prominent figure of the Romantic era, presents readers with a comprehensive collection of his literary works in 'The Complete Works: Poetry, Plays, Literary Essays, Lectures, Autobiography and Letters (Classic Illustrated Edition)'. Coleridge's intricate and elegantly crafted poetry, insightful literary essays, and thought-provoking lectures offer readers a glimpse into the creativity and depth of Romantic literature. His works often explore themes of nature, imagination, and the supernatural, resonating with audiences both past and present. This edition provides readers with a wealth of material that showcases Coleridge's versatile talent and profound understanding of the human experience. The collection is a valuable resource for scholars and enthusiasts of Romantic literature alike. Samuel Taylor Coleridge's expertise as a poet, critic, and lecturer shines through in this comprehensive collection, giving readers a profound insight into his artistic vision and literary contributions. Whether you are a dedicated scholar of Coleridge's work or a newcomer to Romantic literature, 'The Complete Works' offers a rich and rewarding reading experience that is sure to captivate and inspire.

This volume explores in detail Kierkegaard's various relations to his German contemporaries. Kierkegaard read German fluently and made extensive use of the writings of German-speaking authors. It can certainly be argued that, apart from his contemporary Danish sources, the German sources were probably the most important in the development of his thought generally. The volume has been divided into three tomes reflecting Kierkegaard's main areas of interest with regard to the German-speaking sources, namely, philosophy, theology and a more loosely conceived category, which has here been designated "literature and aesthetics." This third tome is dedicated to the German literary sources that were significant for Kierkegaard; in particular the work of authors from German Classicism and Romanticism. Important forerunners for many of Kierkegaard's literary motifs and characters can be found in the German literature of the day. His use of pseudonyms and his interest in irony were both profoundly influenced by German Romanticism. This volume demonstrates the extent to which Kierkegaard's views of criticism and aesthetics were decisively shaped by the work of German authors.

Colin Falck's book has had a widespread influence since it first appeared in 1989. Hailed as a work that alters the way we think about literary theory and its institutionalisation in America and Britain, it is a philosophically informed account of the 'paradigm-shift' required to replaced structuralism and post-structuralism as modes of perceiving literature and related culture. Falck now supplements this second paperback edition with an appendix and other new material.

Lesley Sharpe assesses Schiller's development as a dramatist, poet and thinker against the background of his life.

The Complete Works of Samuel Taylor Coleridge: Poetry, Plays, Literary Essays, Lectures, Autobiography and Letters (Classic Illustrated Edition) captures the essence of Coleridge's prolific literary career in one comprehensive volume. This collection showcases the vast range of his talents, from his iconic poems like 'The Rime of the Ancient Mariner' to his insightful literary essays and thought-provoking lectures. Coleridge's unique blend of imagination and intellect is evident throughout his works, making this book an essential read for those interested in Romantic literature. The rich language and depth of themes in his poetry and plays set him apart as a master of the craft, influencing generations of writers to come.Samuel Taylor Coleridges profound understanding of human emotions and the natural world is reflected in his extensive body of work. His personal struggles and spiritual journey are intricately woven into his writings, offering readers a glimpse into the mind of a complex and visionary poet. The inclusion of his autobiography and letters provides further insights into the man behind the words, adding layers of depth to his already compelling literary legacy.I highly recommend The Complete Works of Samuel Taylor Coleridge to anyone passionate about poetry, literature, and Romanticism. This collection not only showcases Coleridge's genius but also serves as a timeless reminder of the power of words to resonate with the human soul. Dive into this classic edition to immerse yourself in the world of one of the greatest poets of the Romantic era.