Scholarship on Fire: A History of the “Chair of Fire” and Southern Baptist Evangelism in Theological Education takes a step back into early-twentieth-century Texas Baptist history and observes the unveiling of the crown jewel of the Southern Baptist Convention, the Southwestern Baptist Theological Seminary and the events that led the forward-thinking architect of theological education, Benajah Harvey (B. H.) Carroll, to the creation of the world’s first endowed chair of evangelism and professorship of evangelism at his newly formed Texas seminary. This book carries the reader through a 112-year history of an academic chair and professorship that both educated men and women in the art of personal and mass evangelism and provided the necessary evangelistic spirit to forge the fervent pioneering, soul-winning denominational spirit that has thrust Southern Baptists to the forefront of evangelistic advancement since their inception in 1845. Studying the auspicious beginnings of evangelism taught in theological education will delve into the lives of the men who have taught Christians to reach their neighbors for Christ Jesus. The “Chair of Fire” has impacted all seminaries and Christian schools around the world because of the inclusion of evangelism in theological education.

Provides more than 4,200 sources of education-related financial aid and awards at all levels of study. Includes a section on federal financial aid that features a quick summary of programs sponsored by the federal government. Also includes a state-by-state listing of agencies that users can contact in their home state.

To the unstudied eye, St. Matthew's gospel can seem a terse narrative, almost a historical document and not the tremendously spiritual (and doctrinal) storehouse that it is. In his third volume of meditations on Matthew (chapters 19-25), Erasmo Leiva continues to show Matthew's prose to be not terse so much as economical--astoundingly so given its depth. The lay reader can derive great profit from reading this. Each short meditation comments on a verse or two, pointing to some facet of the text not immediately apparent, but rich with meaning. Leiva's work is scholarly but eminently approachable by the lay reader. The tone is very much of "taste and see how good the Lord is" and an invitation of "friend, come up higher!." The goal of the book is to help the reader experience the heat of the divine heart and the light of the divine Word. Leiva comments on the Greek text, demonstrating nuances in the text that defy translation. He uses numerous quotes from the Fathers and the Liturgy of the Church to demonstrate the way the Tradition has lived and read the Word of God. His theological reflection vivifies doctrine by seeking its roots in the words and actions of Jesus.

After serving as a missionary and then foreign advisor to Qing officials from 1887 to 1911, John Ferguson became a leading dealer of Chinese art, providing the Metropolitan Museum of Art, the Cleveland Museum of Art, and other museums with their inaugural collections of paintings and bronzes. In multiple publications dating to the 1920s and 1930s, Ferguson made the controversial claim that China’s autochthonous culture was the basis of Chinese art. His two Chinese language reference works, still in use today, were produced with essential help from Chinese scholars. Emulating these “men of culture” with whom he lived and worked in Peking, Ferguson gathered paintings, bronzes, rubbings, and other artifacts. In 1934, he donated this group of over one thousand objects to Nanjing University, the school he had helped to found as a young missionary. This work offers a significant contribution to the history of Chinese art collection. John Ferguson learned from and worked with Qing dynasty collectors and scholars, and then Republican-era dealers and archeologists, while simultaneously supplying the objects he had come to know as Chinese art to American museums and individuals. He is an ideal subject to help us see the interconnections between increased Western interest in Chinese art and archeology in the modern era, and cultural change taking place in China.