The Abolition of Man, C. S. Lewis's masterpiece in ethics and the philosophy of science, warns of the danger of combining modern moral skepticism with the technological pursuit of human desires. The end result is the final destruction of human nature. From Brave New World to Star Trek, from steampunk to starships, science fiction film has considered from nearly every conceivable angle the same nexus of morality, technology, and humanity of which C. S. Lewis wrote. As a result, science fiction film has unintentionally given us stunning depictions of Lewis's terrifying vision of the future. In Science Fiction Film and the Abolition of Man, scholars of religion, philosophy, literature, and film explore the connections between sci-fi film and the three parts of Lewis's book: how sci-fi portrays "Men without Chests" incapable of responding properly to moral good, how it teaches the Tao or "The Way," and how it portrays "The Abolition of Man."

Venturing to Worlds Unknown Science fiction writers are our modern seers of sorts. Creating worlds that are not our own, they inspire us to look beyond and imagine “what if?” The summer edition of An Unexpected Journal explores the impact these world builders have had on our culture. From the classic science fiction book The First Men in the Moon to modern sci-fi favorites from Brandon Sanderson, explore the what these stories say about us as a society and individually. Contents "The Spiritual Borders of Sci-Fi: C.S. Lewis and A Voyage to Arcturus" by Jason Monroe. "Ghost" a science fiction short story by Alicia Pollard "Illustrating Faith" by Josiah Peterson on Christian faith in The Ransom Trilogy by C.S. Lewis “Gender, Not Sex: Presentation of Gender Roles in Lewis’s The Ransom Trilogy” by Annie Nardone on the harmonious relationship of masculinity and femininity. “Spacemen without Chests? Virtue and Technology in Star Trek and Dune” by Seth Myers on the relevance of C.S. Lewis in popular science fiction. “Gremlins and the Second Way” by C.M. Alvarez on creation and causation. "To Infinity and Beyond" by Douglas LeBlanc on how science fiction can improve our understanding of God. "Time Travelers." a science fiction poem by Laurie Grube "The Autumn People" an essay by Megan Joy Rials on the way science fiction illustrates goodness, sacrifice, and community illustrated in Ray Bradbury’s Something Wicked This Way Comes. “Materialism and Midichlorians: Pantheism, Naturalism, and Hope in Star Wars” by Zak Schmoll on the apologetic value of a galaxy far, far away. "Imagining Morality" by Sean Hadley on moral development in speculative fiction. "Excerpt from Note to Self" by Donald W. Catchings, Jr. An exclusive preview of a chapter of his upcoming time travel science fiction novel. "Starsight Review" by Christy Luis on the need for philosophical depth found in the work of science fiction writer Brandon Peterson. “Ethics of The Matrix” by C.M. Alvarez the dangers of relativism illustrated in The Matrix. "What Makes Us Human?" A reflection and poem by Annie Nardone. "Personhood in Altered Carbon" by Cherish Nelson on the dangers of diminishing bodies." "To Save a Life" by Zak Schmoll on finding resolution in Ender's Game. Summer 2020 Volume 3, Issue 2 230 pages About An Unexpected Journal An Unexpected Journal is the endeavor of a merry band of Houston Baptist University Master of Arts in Apologetics students and alumni. The Journal seeks to demonstrate the truth of Christianity through both reason and the imagination to engage the culture from a Christian worldview.

Sehnsucht: The C. S. Lewis Journal, established by the Arizona C. S. Lewis Society in 2007, is the only peer-reviewed journal devoted to the study of C. S. Lewis and his writings published anywhere in the world. It exists to promote literary, theological, historical, biographical, philosophical, bibliographical and cultural interest (broadly defined) in Lewis and his writings. The journal includes articles, review essays, book reviews, film reviews and play reviews, bibliographical material, poetry, interviews, editorials, and announcements of Lewis-related conferences, events and publications. Its readership is aimed at academic scholars from a wide variety of disciplines, as well as learned non-scholars and Lewis enthusiasts. At this time, Sehnsucht is published once a year.

C.S. Lewis sets out to persuade his audience of the importance and relevance of universal values such as courage and honor in contemporary society. This critical edition, prepared by Michael Ward, helps readers get the most out of Lewis's work with an introduction placing the book in the context of his life and times; a fully annotated version of the text; a commentary on key passages; and a set of questions for group discussion or individual reflection.

The Abolition of Man is one of C.S. Lewis’s most important and influential works. In three weighty lectures, given at the height of the Second World War, Lewis defends the objectivity of value, pointing to the universal moral law that all great philosophical and religious traditions have recognized. This critical edition, prepared by Michael Ward, helps readers get the most out of Lewis’s classic work with an introduction placing the book in the context of his life and times; a fully annotated version of the text; a commentary on key passages; and a set of questions for group discussion or individual reflection. Scholarly, detailed, yet accessible, it is the must-have version of an essential volume.

First published in 1979. This volume presents Science Fiction as a coherent system, not as a collection of facts or random sequence of individual voices. The contributors are concerned with less with surveying the bare facts of the genre than with interpretating their significance. They attempt to establish the common properties of Science Fiction writing whether in the treatment of a theme or in SF of a given period or nationality.

The Abolition of Man, C. S. Lewis's masterpiece in ethics and the philosophy of science, warns of the danger of combining modern moral skepticism with the technological pursuit of human desires. The end result is the final destruction of human nature. From Brave New World to Star Trek, from steampunk to starships, science fiction film has considered from nearly every conceivable angle the same nexus of morality, technology, and humanity of which C. S. Lewis wrote. As a result, science fiction film has unintentionally given us stunning depictions of Lewis's terrifying vision of the future. In Science Fiction Film and the Abolition of Man, scholars of religion, philosophy, literature, and film explore the connections between sci-fi film and the three parts of Lewis's book: how sci-fi portrays "Men without Chests" incapable of responding properly to moral good, how it teaches the Tao or "The Way," and how it portrays "The Abolition of Man."

This text investigates why C. S. Lewis brings humans into outer space in order to recover a Christian worldview during a time of war. Lewis’s science fiction trilogy was published throughout the WWII era, and his readers were all too familiar with advances in technological warfare and the biological experimentation of the Nazi agenda. To recover a Christian worldview during such a tumultuous time, the first two installments of the trilogy bring humans into outer space in order to reconnect with the Cosmic Chain of Being. Malacandra and Perelandra depict all beings coexisting in the Great Dance that Maleldil creates. In the last installment, Lewis’s N.I.C.E. reflects experimentation carried out in some concentration camps during WWII. Lewis’s return to Earth in the last book of the trilogy calls for readers to acknowledge our broken Chain of Being and recover our faith in God rather than attempt to become gods ourselves. Explore Lewis’s science fiction through J. R. R. Tolkien’s Recovery lens for a connection between Lewis’s Christian worldview, the potential for human self-abolition, and recovering the Cosmic Chain of Being for modern humans.

A volume of original essays on horror and fantasy writing as a genre and one of the few critical guides to the subject. Creepers concentrates on the rich and neglected vein of British 20th century horror and fantasy, tracing its influences from 19th century vampire-gothic to Christmas ghost tale and exploring the historical, formal and aesthetic concerns of this diverse group of writers.