Scientific techniques developed in materials science offer invaluable information to archaeology, art history, and conservation. A rapidly growing number of innovative methods, as well as many established techniques, are constantly being improved and optimised for the analysis of cultural heritage materials. The result is that on the one hand more complex problems and questions can be confronted, but on the other hand the required level of technical competence is widening the existing cultural gap between scientists and end users, such as archaeologists, museum curators, art historians, and many managers of cultural heritage who have a purely humanistic background. The book is intended as an entry-level introduction to the methods and rationales of scientific investigation of cultural heritage materials, with emphasis placed on the analytical strategies, modes of operation, and resulting information rather than on technicalities. The extensive and updated reference list should be a useful starting point for further reading. Students and researchers from the humanities approaching scientific investigations should find it useful, as well as scientists applying familiar techniques and methods to unfamiliar problems related to cultural heritage.

The characterization of cultural heritage objects becomes increasingly important for conservation, restoration, dating, and authentication purposes. The use of scientific methods in archaeometry and conservation science has led to a significant broadening of the field. Scientific analysis of these objects is a challenging task due to their complex composition, artistic and historical values requiring the use of minimally invasive and nondestructive analytical procedures. This textbook summarizes scientific methods that are currently used to characterize objects of cultural heritage and archaeological artifacts. This book provides a brief description of the structure of matter at the molecular, atomic, and nuclear levels. Furthermore, it discusses the chemical and physical nature of materials from the molecular to the atomic and nuclear level as determined by the principles of quantum mechanics. Important aspects of natural and anthropogenic radioactivity that play a critical role for some of the analytical techniques are also emphasized. The textbook also provides principals and applications of spectroscopic methods for characterization of cultural heritage objects. It describes the technologies with specific examples for utilization of spectroscopic techniques in the characterization of paintings, books, coins, ceramics, and other objects. Analytic approaches that employ isotopes and determination of isotope ratios will be reviewed. General principles of imaging techniques and specific examples for utilization of these methods will also be summarized. In the later part of the book, a number of scientific techniques for the age determination of cultural heritage material and archaeological artifacts will be presented and discussed with specific examples.

The scientific analysis of cultural heritage materials poses specific and often difficult analytical challenges. This book attempts to rationalize the links between the most commonly asked questions in archaeology, art history, and conservation with the potential answers resulting from the vast array of scientific techniques presently available.

The legacy of physical artifacts as well as intangible attributes of a society that have been inherited from past generations is referred to as cultural heritage. Conservation science for cultural heritage refers to the study of conservation of art, technical art history and other cultural works using scientific inquiry. The research areas of this field include the technology and structure of artistic and historical works. It also studies the materials and techniques by which cultural, artistic and historic objects are made. It contributes to the fields of art conservation and architectural conservation by providing scientific methods and principles for the maintenance of cultural objects in museums and other collections. It identifies the materials that make up a piece of art including their chemical makeup. It is also concerned with the identification of changes that cause decline and develop methods to minimize the decline of cultural heritage. This book contains some path-breaking studies in the field of conservation science for cultural heritage. It consists of contributions made by international experts. This book will provide comprehensive knowledge to the readers.

The Second International Congress on Science and Technology for the Conservation of Cultural Heritage was held in Seville, Spain, June 24-27, 2014, under the umbrella of the TechnoHeritage network. TechnoHeritage is an initiative funded by the Spanish Ministry of Economy and Competitivity dedicated to the creation of a network which integrates CSIC

Focuses on the empirical research methods for the Humanities. Suitable for students and scholars of Literature, Applied Linguistics, and Film and Media, this title helps readers to reflect on the problems and possibilities of testing the empirical assumptions and offers hands-on learning opportunities to develop empirical studies.

The scientific and technological advances that influence the protection of cultural heritage are developing at an ever-increasing pace. Systems to explore, research and analyse their materiality, to control the different scopes, or to represent and model them have reached an unprecedented dimension in recent decades. The Network of Science and Technology for the Conservation of Cultural Heritage aims to promote collaboration between the agents of these systems, in order to facilitate the sharing of experiences and to foster technology transfer, with the common goal of contributing to the conservation of Cultural Heritage. In the context of the TechnoHeritage Network, the fourth edition of the International Congress on Science and Technology for the Conservation of Cultural Heritage was held March 26-30, 2019, in Seville, Spain. This Congress was an international meeting of researchers and specialists from multiple areas, whose line of work is the knowledge and conservation of Cultural Heritage. Among all the topics discussed, the role and impact of digital technologies for the knowledge, maintenance, management and dissemination of cultural heritage should be highlighted. Digital media modify the way of understanding this heritage, of perceiving it and transmitting it, and offer a new horizon of strategies to make decision-making more sustainable over time.

Reviewing the analytical strategies used in the study of cultural heritage assets, this book pays particular attention to analytical methodology and ensuring reliable results are obtained for those working in conservation practice.

The role of exact sciences in connection with cultural heritage now is well established and a new scientific branch has been generated: Archaeometry. Literally, Archaeometry means measurement on ancient objects. It is a multidisciplinary field of investigations where the rigorous methods of exact sciences give a fundamental contribution to solving the problems associated with conservation and restoration, as well as to the study itself of the cultural heritage. Archaeometry, as a scientific research field, involves interdisciplinary groups formed by scholars of the humanistic area together with scientists: physicists, chemists, mathematicians, biologists, engineers, etc. The primary justification for the need of involving exact sciences in the field which, in the past, traditionally has been exclusive of Art Historians must no doubt be found in the conservation and restoration activities. The second argument which, in the public opinion, justifies the involvement of science with the world of Art is the confidence that scientific methods are infallible in unmasking forgeries. But in our opinion the awareness of the central role of scientific methods as a support for philological and historical investigations is still very little diffuse or, at least, finds it hard to become widespread. Perhaps also because of our mentality, Physics, compared to chemistry, is more apt to find applications in a context free from authentication or conservation implications.