The Nazis and their state-sponsored cohorts stole mercilessly from the Jews of Europe. In the aftermath of the Holocaust, returning survivors had to navigate a frequently unclear path to recover their property from governments and neighbors who had failed to protect them and who often had been complicit in their persecution. This book is about the less publicized area of post-Holocaust restitution involving immovable (real) property confiscated from European Jews and others during World War II.

Museums in Israel After the Holocaust explores the influence of the traumatic events of the Holocaust on the formation of a cultural heritage policy during the foundational years of the State of Israel. Based on primary research, the book offers a new understanding of cultural practices after the Second World War, while analyzing the role of key Jewish cultural representatives who shaped museum collections that emerged during this period. The book investigates the ways Israel has dealt with the complicated history of “heirless” Jewish cultural objects and questions of ownership, by providing a detailed examination of the process of allocation of “heirless” Jewish cultural property handled by two American-Jewish organizations: the Jewish Restitution Successor Organization (JRSO) and the Jewish Cultural Reconstruction (JCR) in the immediate years following the Second World War. The book takes a material culture approach, which explores the meanings and values attached to an object over the course of time and during its transition between different owners. Museums in Israel After the Holocaust is essential reading for academics, students, and professionals working on and interested in Holocaust and Israel studies, art history, material culture studies, museum studies, cultural heritage, and Middle Eastern studies.

The architect of O.J. Simpson's Dream Team tells the inside story of the Simpson murder trial from the beginning. In this book, the man who created the defense strategy answers the questions of fact, law, and ethics that were fired at him before and after the jury's verdict. With candor, wit, and compassion, Shapiro brings to light the details of The Trial of the Century, giving us revealing glimpses of O.J. Simpson, Johnnie Cochran, Marcia Clark, Chris Darden, Judge Lance Ito, Barry Scheck, F. Lee Bailey, Alan Dershowitz, and many others. At the heart of the book is the dramatic story of how Shapiro helped to win what many considered to be an open-and-shut case against O.J. Simpson. In the midst of mounting the legal defense, Shapiro had to deal with the tumult of a media circus, a fractious defense team, and his own priorities as a husband and father. Through it all, he maintained a steady hand and the quiet belief that justice would prevail. According to Shapiro, the only possible verdict was the conclusion of reasonable doubt reached by the jury.

'To portray the Holocaust, one has to create a work of art', says Claude Lanzmann, the director of Shoah. However, can the Holocaust be turned into theatre? Is it possible to portray on stage events that, by their monstrosity, defy human comprehension? These are the questions addressed by the playwrights and the scholars featured in this book. Their essays present and analyse plays performed in Israel, America, France, Italy, Poland and, of course, Germany. The style of presentation ranges from docudramas to avant-garde performances, from realistic impersonation of historical figures to provocative and nightmarish spectacles. The book is illustrated with original production photographs and some rare drawings and documents; it also contains an important descriptive bibliography of more than two hundred Holocaust plays.

An insightful look at today's issues Corbin Fowler presents essays and letters that address classical philosophy as well as current events. It's an accessible and highly interesting viewpoint of life in America today. An accessible discourse on philosophy

Focused on 'The Holocaust in an Age of Genocide', Remembering for the Future brings together the work of nearly 200 scholars from more than 30 countries and features cutting-edge scholarship across a range of disciplines, amounting to the most extensive and powerful reassessment of the Holocaust ever undertaken. In addition to its international scope, the project emphasizes that varied disciplinary perspectives are needed to analyze and to check the genocidal forces that have made the Twentieth century so deadly. Historians and ethicists, psychologists and literary scholars, political scientists and theologians, sociologists and philosophers - all of these, and more, bring their expertise to bear on the Holocaust and genocide. Their contributions show the new discoveries that are being made and the distinctive approaches that are being developed in the study of genocide, focusing both on archival and oral evidence, and on the religious and cultural representation of the Holocaust.

This is the first book- length academic study of the portrayal in contemporary historical crime fiction of Nazi Germany and the Holocaust and their legacies. It discusses novels written by five authors: David Downing, Philip Kerr, Luke McCallin, Joseph Kanon and David Thomas. Their work belongs to a subgenre of the historical crime novel that has emerged since the late 1980s to become a significant body of writing located at the intersection of crime fiction and Holocaust literature. The readings of these novels explore questions of form and genre to ask how popular fiction might approach the Holocaust. Themes of resistance and complicity and the relationship between them, and problems of guilt and responsibility are also discussed. This book also explores questions of justice to show how these novels explore social and moral justice, and vengeance and revenge, as alternatives to ordinary legal justice after the Holocaust.

Holocaust Remembrance Between the National and the Transnational provides a key study of the remembrance of the Jewish Catastrophe and the Nazi-era past in the world arena. It uses a range of primary documentation from the restitution conferences, speeches and presentations made at the Stockholm International Forum of 2000 (SIF 2000), a global event and an attempt to mark a defining moment in the inter-cultural construction of the political and institutional memory of the Holocaust in the USA, Europe and Israel. Containing oral history interviews with delegates to the conference and contemporary press reports, this book explores the inter-relationships between global and national Holocaust remembrances. The causes, consequences and 'cosmopolitan' intellectual context for understanding the SIF 2000 are discussed in great detail. Larissa Allwork examines this seminal moment in efforts to globally promote the important, if ever controversial, topics of Holocaust remembrance, worldwide Genocide prevention and the commemoration of the Nazi past. Providing a balanced assessment of the Stockholm Project, this book is an important study for those interested in the remembrance of the Holocaust and the Third Reich, as well as the recent global direction in memory studies.

In its analysis of Anglo-Jewish women writing the Holocaust, this book highlights the necessity of their inclusion in the evolving canon of modern British literature, by showing how these writers complicate theories of trauma and memory by using fantasy and the Gothic as a response to silence.

"The unique features of the American system of justice - which allowed it to handle claims that originated over fifty years ago and in another part of the world - made it the only forum in the world where Holocaust claims could be heard. Without the lawsuits brought by American lawyers. Bazyler asserts, the claims of the elderly survivors and their heirs would continue to be ignored."--BOOK JACKET.