This extraordinary study examines how the accounts of a historical figure, the so-called democrat and liberal Dion, have been distorted and reworked by ancient and modern writers alike.

What happened to Greek tragedy after the death of Euripides? This book provides some answers, and a broad historical overview.

Averil Cameron is one of the leading historians of late antiquity and Byzantium. This collection (Cameron’s third in the Variorum series) discusses the changing approach among historians of the later Roman empire from the 1960s to the present and the articles reproduced have been chosen to reflect both these wider changes in treatments of the subject as well as Cameron’s own development as a historian over many decades. It provides a revealing and important survey of some profound historiographical changes. Her volume contains fundamental papers and reviews that tell a story in which she has played a leading part. They move from her early days as an ancient historian to her important contribution in the establishment of the field of late antiquity and point to her later work as a Byzantinist, a trajectory rivalled by few other scholars. The book will be important for scholars and students of the later Roman empire and late antiquity, and for anyone interested in the inheritance of Edward Gibbon, the perennial questions about the end of the Roman empire and its supposed decline, or the emergence of Islam in the early seventh century and its relation to the late antique world. (CS 1113).

The Colossus of Rhodes is both the most famous and the least well-known monument of Ancient Greece. Numbered among the Seven Wonders of the World, this bronze statue of the god Helios, thirty-four metres in height, was created by the sculptor Chares of Lindos between the years 295 and 283 BC, only to be destroyed by an earthquake in 227 BC. The legends that have spread after its collapse seem so strange and contradictory that, from an archaeological point of view, it has become a minor and almost neglected object, which specialists in Greek sculpture barely mention in their work. In The Colossus of Rhodes, the first comprehensive examination of the Colossus, Nathan Badoud mobilises a large array of sources, ranging from antiquity to the present day, proposing an intellectual excavation through the layers of the literary, artistic, and scientific tradition to discover the historical Colossus. It envisages the statue in its religious, political, and topographical contexts, exploring its function, its technique, its appearance, its meaning, and its location. Badoud reconsiders the beginnings of the Hellenistic world, marked by the emergence of Rhodes as an imperial power, embodied by the Colossus.

This book is a study in the myth of the origins and early history of the Goths as told in the Getica written by Jordanes in AD 551. Jordanes claimed they emigrated from the island of Scandza (Sweden) in 1490 BC, thus giving them a history of more than two thousand years. He found this narrative in Cassiodorus' Gothic history, which is now lost. The present study demonstrates that Cassiodorus and Jordanes did not base their accounts on a living Gothic tradition of the past, as the Getica would have us believe. On the contrary, they got their information only from the Graeco-Roman literature. The Greeks and Romans, however, did not know of the Goths until the middle of the third century AD. Consequently, Cassiodorus and Jordanes created a Gothic history partly through an erudite exploitation of the names of foreign peoples, and partly by using the narratives about other peoples' history as if they belonged to the Goths. The history of the Migrations therefore must be reconsidered.

Imperial ceremony was a vital form of self-expression for late antique society. Sabine MacCormack examines the ceremonies of imperial arrivals, funerals, and coronations from the late third to the late sixth centuries A.D., as manifest in the official literature and art of the time. Her study offers us new insights into the exercise of power and into the social, political, and cultural significance of religious change during the Christianization of the Roman world.

Publisher Description

The 'Alexandra' attributed to Lykophron is a notoriously difficult poem but one that sheds crucial light on Greek religion, foundation myths, and myths of colonial identity. This book asserts its importance as a strongly political and historical document, and argues that the probable decade of its composition was a turning-point in Roman history.