"The ancient history of English Royalty, Germans, Native-Americans, African-Americans, Gypsies, Cajuns, Creoles, Dutch, Swiss Italian Jews and Jewish Western Pioneers are discussed in an easy to understand manner"--Back cover.

"In Secret Genealogy II, not only does the author reach our ancient Jewish ancestry but the gray area of interlocking tribes of antiquity with whom many of us share our DNA. Secret Genealogy II takes another deep look into the meanings of names in our family trees, continuing to explore the theory that America was built on a much stronger Jewish foundation than what was originally thought by historians. This mesmerizing trail delves into the contradictions of American surnames and tries to answer some of the questions arising from the inconsistencies we run into when ancestry searching. When it comes to genealogy, why do families have so many secrets? What were they trying to hide? Why did they hide the country that they originally came from? Why say you're from Holland (Italy, Germany, or other) when you're not? Why did the family hide their original surname? And why did they change it? Secret Genealogy II helps you answer those questions."--Back cover.

Beginning in 1924, Proceedings are incorporated into the Apr. no.

Uglješa Grušić examines the legal regulation of transnational employment relationships in the private international law of the European Union.

In this important volume, Graziella Parati examines the ways in which Italian women writers articulate their identities through autobiography - a public act that is also the creation of a private life. Considering autobiographical writings by five women writers from the seventeenth century to the present, Parati draws important connections between self-writing and the debate over women's roles, both traditional and transgressive. Parati considers the first prose autobiography written by an Italian woman - Camilla Faa Gonzaga's 1622 memoir - as her beginning point, citing it as a central "pre-text". Parati then examines the autobiographies of Enif Robert, Fausta Cialente, Rita Levi Montalcini, and Luisa Passerini. Through her discussion of these women's writings, she demonstrates the complex negotiations over identity contained within them, negotiations that challenge dichotomies between male and female, maternal and paternal, and private and public. Public History, Private Stories is a compelling exploration of the disparate identities created by these women through the act of writing autobiography.