DigiCat Publishing presents to you this special edition of "Seeing America First, with the Berry Brothers" by Eleanor Colby. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

From the first synchronized sound films of the late 1920s through the end of World War II, African American music and dance styles were ubiquitous in films. Black performers, however, were marginalized, mostly limited to appearing in "specialty acts" and various types of short films, whereas stardom was reserved for Whites. Jumping the Color Line discusses vernacular jazz dance in film as a focal point of American race relations. Looking at intersections of race, gender, and class, the book examines how the racialized and gendered body in film performs, challenges, and negotiates identities and stereotypes. Arguing for the transformative and subversive potential of jazz dance performance onscreen, the six chapters address a variety of films and performers, including many that have received little attention to date. Topics include Hollywood's first Black female star (Nina Mae McKinney), male tap dance "class acts" in Black-cast short films of the early 1930s, the film career of Black tap soloist Jeni LeGon, the role of dance in the Soundies jukebox shorts of the 1940s, cinematic images of the Lindy hop, and a series of teen films from the early 1940s that appealed primarily to young White fans of swing culture. With a majority of examples taken from marginal film forms, such as shorts and B movies, the book highlights their role in disseminating alternative images of racial and gender identities as embodied by dancers – images that were at least partly at odds with those typically found in major Hollywood productions.

-Invisible Reality presents a vital look at Blackfeet history and the traditional belief that Blackfeet made nature adapt to them.---Provided by publisher.

American National Biography is the first new comprehensive biographical dicionary focused on American history to be published in seventy years. Produced under the auspices of the American Council of Learned Societies, the ANB contains over 17,500 profiles on historical figures written by an expert in the field and completed with a bibliography. The scope of the work is enormous--from the earlest recorded European explorations to the very recent past.

American government securities); 1928-53 in 5 annual vols.:[v.1] Railroad securities (1952-53. Transportation); [v.2] Industrial securities; [v.3] Public utility securities; [v.4] Government securities (1928-54); [v.5] Banks, insurance companies, investment trusts, real estate, finance and credit companies (1928-54).

Michael Jackson challenged the power structure of the American music industry and struck at the heart of blackface minstrelsy, America’s first form of mass entertainment. The response was a derisive caricature that over time Jackson subverted through his art. In this expanded, all-new edition, Michael Jackson and the Blackface Mask argues for the tangible relationship between Jackson and blackface minstrelsy. It reveals the dialogue at minstrelsy’s core and, in its broader sense, tracks a centuries-long pattern of racial oppression and its resistance and how that has been played out in popular theatre. Michael Jackson and the Blackface Mask explores Jackson’s early talent and fame and the birth and escalation of ‘Wacko Jacko’. In relation to all this, the book examines Jackson’s dynamic art as it evolved, from his live performances and short films to the very surface of his own body. Scholarly and interdisciplinary, this work is suitable for readers across a diverse spectrum of academic fields, including African American studies, popular music studies and cultural theory, media and communication, gender studies and performance and theatre studies. Academic but accessible, this book will also be an engaging read for anyone interested in Michael Jackson and especially in his role as an icon of difference, in America’s dynamics of race and his mass media image.

Some warriors are drawn to the thrill of combat and find it the defining moment of their lives. Others fall victim to fear, exhaustion, impaired reasoning, and despair. This was certainly true for twentieth-century American ground troops. Whether embracing or being demoralized by war, these men risked their lives for causes larger than themselves with no promise of safe return. This book is the first to synthesize the wartime experiences of American combat soldiers, from the doughboys of World War I to the grunts of Vietnam. Focusing on both soldiers and marines, it draws on histories and memoirs, oral histories, psychological and sociological studies, and even fiction to show that their experiences remain fundamentally the same regardless of the enemy, terrain, training, or weaponry. Peter Kindsvatter gets inside the minds of American soldiers to reveal what motivated them to serve and how they were turned into soldiers. He recreates the physical and emotional aspects of war to tell how fighting men dealt with danger and hardship, and he explores the roles of comradeship, leadership, and the sustaining beliefs in cause and country. He also illuminates soldiers’ attitudes toward the enemy, toward the rear echelon, and toward the home front. And he tells why some broke down under fire while others excelled. Here are the first tastes of battle, as when a green recruit reported that “for the first time I realized that the people over the ridge wanted to kill me,” while another was befuddled by the unfamiliar sound of bullets whizzing overhead. Here are soldiers struggling to cope with war’s stress by seeking solace from local women or simply smoking cigarettes. And here are tales of combat avoidance and fraggings not unique to Vietnam, of soldiers in Korea disgruntled over home-front indifference, and of the unique experiences of African American soldiers in the Jim Crow army. By capturing the core “band of brothers” experience across several generations of warfare, Kindsvatter celebrates the American soldier while helping us to better understand war’s lethal reality--and why soldiers persevere in the face of its horrors.