#5 in the Saxon mystery series. Saxon returns to his hometown, Chicago, where one of his oldest pals, cop Gavin Cassidy, has died of a lethal combination of drugs and alcohol in a cheap hotel. Saxon arrives for the funeral to find his old crowd—and the old town—much changed. He also encounters rumors that Gavin’s death might not have been accidental. Had Gavin Cassidy, a career cop, finally “seen the elephant” (police parlance for becoming involved in a life-threatening situation), and been unable to extricate himself before it was too late? Saxon’s unofficial investigation into his friend’s death is hindered by the still strong Chicago police machine bosses—and by his long estranged, ex-con father.

A workbook to provide exercises to teach students about the life of those who traveled on the Oregon Trail.

"The phrase ’seeing the elephant’ symbolized for ’49 gold rushers the exotic, the mythical, the once-in-a-lifetime adventure, unequaled anywhere else but in the journey to the promised land of fortune: California. Most western myths . . . generally depict an exclusively male gold rush. Levy’s book debunks that myth. Here a variety of women travel, work, and write their way across the pages of western migrant history."-Choice "One of the best and most comprehensive accounts of gold rush life to date"ˆ–San Francisco Chronicle

"We conceive of the individual animal as a small world, existing for its own sake, by its own means. Every creature is its own reason to be. All its parts have a direct effect on one another, a relationship to one another, thereby constantly renewing the circle of life. Thus, we are justified in considering every animal physiologically perfect." --Goethe Every animal on earth has its own unique character --the slow sloth, the burrowing mole, the towering giraffe, the huge but flexible elephant. In vivid portrayals of nine different animals, Craig Holdrege shows how all of an animal's features are interconnected and reveal the animal as a whole. Moreover, every animal intersects with and influences the larger environment in dynamic ways. Seeing the Animal Whole provides a nuanced sense for what it means to be a living being. With the open-ended question "Who are you?" and with the will to let the animals themselves be his guide, Holdrege avoids the pitfalls of mechanistic and anthropomorphic perspectives that skew our concepts of animals and even lead to their mistreatment. This book presents an integrative view of animals and nature that you won't find elsewhere. The author presents a different way of seeing and relating to nature, leading to a groundbreaking understanding of animal development and evolution as creative processes with the animals as active participants. Further evolution of life on earth depends largely on human activity, and this book shows a way to learn from nature's living qualities so we can further --rather than disrupt --the health of the planet --which belongs to all of its inhabitants. And that matters.

A scientific safari and personal memoir celebrating the enigmatic dignity of the world's largest land animal. As a child in South Africa, spending summers exploring the wild with his boyhood friends, Lyall Watson came face to face with his first elephant. This "entertaining and enchanting" work (Washington Post Book World) chronicles how Watson's fascination grew into a lifelong quest to understand the nature and behavior of this impressive creature. From that moment on, Watson's fascination grew into a lifelong obsession with understanding the nature and behavior of this impressive creature. Around the world, the elephant—at once a symbol of spiritual power and physical endurance—has been worshipped as a god and hunted for sport. "Watson's insights and speculations are dazzling, but what lends them power is his extraordinary knowledge of evolutionary biology and animal behavior, ethnography and South African history" (Wade Davis, National Geographic Society). "Like a shaman, Watson conjures up the spirit of the massive beast" (Publishers Weekly), documents the animal's wide-ranging capabilities to remember and to mourn, and reminds us of its rich mythic origins, its evolution, and its devastation in recent history. Part meditation on an elusive animal, part evocation of the power of place, Elephantoms presents an alluring mix of the mysteries of nature and the wonders of childhood.

The third edition of Bradt's Mali has been thoroughly updated, and includes new sections on Mali's festivals, music and musicians.

Imaging science has the power to illuminate regions as remote as distant galaxies, and as close to home as our own bodies. Many of the disciplines that can benefit from imaging share common technical problems, yet researchers often develop ad hoc methods for solving individual tasks without building broader frameworks that could address many scientific problems. At the 2010 National Academies Keck Futures Initiative Conference on Imaging Science, researchers from academia, industry, and government formed 14 interdisciplinary teams created to find a common language and structure for developing new technologies, processing and recovering images, mining imaging data, and visualizing it effectively. The teams spent nine hours over two days exploring diverse challenges at the interface of science, engineering, and medicine. NAKFI Seeing the Future with Imaging Science contains the summaries written by each team. These summaries describe the problem and outline the approach taken, including what research needs to be done to understand the fundamental science behind the challenge, the proposed plan for engineering the application, the reasoning that went into it, and the benefits to society of the problem solution.

"The first comprehensive account of the relation of collections of imperial beasts to narrative practices in England, The Novel and the Menagerie explores an array of imaginative responses to the empire as a dominant, shaping factor in English daily life. Kurt Koenigsberger argues that domestic English novels and collections of zoological exotica (especially zoos, circuses, traveling menageries, and colonial and imperial exhibitions) share important aesthetic strategies and cultural logics: novels about English daily life and displays featuring collections of exotic animals both strive to relate Englishness to a larger empire conceived as an integrated whole." "Koenigsberger's investigations range from readings of novels by authors such as Charles Dickens, Virginia Woolf, Salman Rushdie, and Angela Carter to analyses of ballads, handbills, broadsides, and memoirs of showmen. Attending closely to the collective English practices of imagining and delineating the empire as a whole, The Novel and the Menagerie works at the juncture of literary criticism, colonial discourse studies, and cultural analysis to historicize the notion of totality in the theory and practice of the English novel. In exploring the shapes of the novel in England and of the English institutions that collected exotic animals, it offers fresh readings of familiar literary texts and opens up new ways of understanding the character of imperial Englishness across the nineteenth and twentieth centuries."--BOOK JACKET.

Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - "Oh, my! But it's hot! It is just too hot for anything!" cried Chako, one of the monkeys in the circus cage. "It is hotter under this tent than ever it was in the jungle! Whew!" and he hung by his tail and swung to and fro from a wooden bar. "In the jungle we could find a pool of water where we could keep cool," said another monkey, who was poking around the floor of the cage, hoping he could find a peanut. But there were only shells. "I wish I could go back to the jungle," he chattered. "What did you come away from the jungle for, if you don't like it in this circus?" asked Woo-Uff, the big yellow lion, who lay on his back in his cage, his legs stuck up in the air, for he was cooler that way. "Why did you come from the jungle, Chako?"