A genuine literary event—an illuminating collection of correspondence from one of the most acclaimed American writers of all time Over the course of a nearly sixty-year career, Norman Mailer wrote more than 30 novels, essay collections, and nonfiction books. Yet nowhere was he more prolific—or more exposed—than in his letters. All told, Mailer crafted more than 45,000 pieces of correspondence (approximately 20 million words), many of them deeply personal, keeping a copy of almost every one. Now the best of these are published—most for the first time—in one remarkable volume that spans seven decades and, it seems, several lifetimes. Together they form a stunning autobiographical portrait of one of the most original, provocative, and outspoken public intellectuals of the twentieth century. Compiled by Mailer’s authorized biographer, J. Michael Lennon, and organized by decade, Selected Letters of Norman Mailer features the most fascinating of Mailer’s missives from 1940 to 2007—letters to his family and friends, to fans and fellow writers (including Truman Capote, James Baldwin, and Philip Roth), to political figures from Henry Kissinger to Bill and Hillary Clinton, and to such cultural icons as John Lennon, Marlon Brando, and even Monica Lewinsky. Here is Mailer the precocious Harvard undergraduate, writing home to his parents for the first time and worrying that his acceptances by literary magazines were “all happening too easy.” Here, too, is Mailer the soldier, confronting the violence of war in the Pacific, which would become the subject of his masterly debut novel, The Naked and the Dead: “[I’m] amazed how casually it fits into . . . daily life, how very unhorrible it all is.” Mailer the international celebrity pledges to William Styron, “I’m going to write every day, and like Lot’s Wife I’m consigning myself to a pillar of salt if I dare to look back,” while the 1980s Mailer agonizes over the fallout from his ill-fated friendship with Jack Henry Abbott, the murderer who became his literary protégé. (“The continuation of our relationship was depressing for both of us,” he confesses to Joyce Carol Oates.) At last, he finds domestic—and erotic—bliss in the arms of his sixth wife, Norris Church (“We bounce into each other like sunlight”). Whether he is reflecting on the Kennedy assassination, assessing the merits of authors from Fitzgerald to Proust, or threatening to pummel William Styron, the brilliant, pugnacious Norman Mailer comes alive again in these letters. The myriad faces of this artist and activist, lover and fighter, public figure and private man, are laid bare in this collection as never before. Praise for Selected Letters of Norman Mailer “Extraordinary.”—Vanity Fair “As massive as the life they document . . . the autobiography [Mailer] never wrote . . . a kind of map, from the hills and rice paddies of the Philippines through every victory and defeat for the rest of the century and beyond.”—Esquire “The shards and winks at Mailer’s own past that are scattered throughout the letters . . . are so tantalizing. They glitter throughout like unrefined jewels that Mailer took to the grave.”—The New Yorker “Indispensable . . . a subtle document of an unsubtle man’s wit and erudition, even (or especially) when it’s wielded as a weapon.”—New York “Umpteen pleasures to pluck out and roll between your teeth, like seeds from a pomegranate.”—The New York Times

A landmark in the modern literature of war by a still-controversial literary icon Includes a selection of letters—nine never before published—that reveal the real life roots of one of the greatest American debut novels of the last century Nearly universally praised upon publication as an achievement inviting comparison with Tolstoy and Hemingway, Norman Mailer's The Naked and the Dead is not just a monumental war novel but also a devastating antiwar novel, exposing the primal nature of power through the interplay of a platoon of soldiers on an impossible and ultimately pointless mission on an obscure island in the Pacific during World War II. Written just after the war ended, in the early days of the emerging Cold War, the novel daringly engages with the authoritarian impulses in the American character. To celebrate and commemorate the centennial of Mailer’s birth and the 75th anniversary of the publication of his unforgettable debut novel, this expanded collector’s edition includes a selection of 23 letters (all but four from Mailer to his first wife, Beatrice) chosen by Mailer biographer J. Michael Lennon that reveals the keen insight and powerful ambition of a brilliant young writer grappling with the challenge of converting the weight of experience into art.

The Cinema of Norman Mailer: Film is Like Death not only examines the enfant terrible writer's thoughts on cinema, but also features interviews with Norman Mailer himself. The Cinema of Norman Mailer also explores Mailer's cinema through previously published and newly commissioned essays written by an array of film and literary scholars, enthusiasts, and those with a personal, philosophical connection to Mailer. This volume discusses the National Book Award and Pulitzer Prize-winning author and filmmaker's six films created during the years of 1947 and 1987, and contends to show how Mailer's films can be best read as cinematic delineations that visually represent many of the writer's metaphysical and ontological concerns and ideas that appear in his texts from the 1950s until his passing in 2007. By re-examining Mailer's cinema through these new perspectives, one may be awarded not just a deeper understanding of Mailer's desire to make films, but also find a new, alternative vision of Mailer himself. Norman Mailer was not just a writer, but more: he was one of the most influential Postmodern artists of the twentieth century with deep roots in the cinema. He allowed the cinema to not only influence his aesthetic approach, but sanctioned it as his easiest-crafted analogy for exploring sociological imagination in his writing. Mailer once suggested, "Film is legitimately more interesting than books..." and with that in mind, readers of Norman Mailer might begin to rethink his oeuvre through the viewfinder of the film medium, as he was equally as passionate about working within cinema as he was about literature itself.

This volume offers new insight into the contextual background and literary-historical impact of Norman Mailer's body of work.

In 1950, at the age of twenty-four, William Clark Styron, Jr., wrote to his mentor, Professor William Blackburn of Duke University. The young writer was struggling with his first novel, Lie Down in Darkness, and he was nervous about whether his “strain and toil” would amount to anything. “When I mature and broaden,” Styron told Blackburn, “I expect to use the language on as exalted and elevated a level as I can sustain. I believe that a writer should accommodate language to his own peculiar personality, and mine wants to use great words, evocative words, when the situation demands them.” In February 1952, Styron was awarded the Prix de Rome of the American Academy of Arts and Letters, which crowned him a literary star. In Europe, Styron met and married Rose Burgunder, and found himself immersed in a new generation of expatriate writers. His relationships with George Plimpton and Peter Matthiessen culminated in Styron introducing the debut issue of The Paris Review. Literary critic Alfred Kazin described him as one of the postwar “super-egotists” who helped transform American letters. His controversial The Confessions of Nat Turner won the 1968 Pulitzer Prize, while Sophie’s Choice was awarded the 1980 National Book Award, and Darkness Visible, Styron’s groundbreaking recounting of his ordeal with depression, was not only a literary triumph, but became a landmark in the field. Part and parcel of Styron’s literary ascendance were his friendships with Norman Mailer, James Baldwin, John and Jackie Kennedy, Arthur Miller, James Jones, Carlos Fuentes, Wallace Stegner, Robert Penn Warren, Philip Roth, C. Vann Woodward, and many of the other leading writers and intellectuals of the second half of the twentieth century. This incredible volume takes readers on an American journey from FDR to George W. Bush through the trenchant observations of one of the country’s greatest writers. Not only will readers take pleasure in William Styron’s correspondence with and commentary about the people and events that made the past century such a momentous and transformative time, they will also share the writer’s private meditations on the very art of writing. Advance praise for Selected Letters of William Styron “I first encountered Bill Styron when, at twenty, I read The Confessions of Nat Turner. Hillary and I became friends with Bill and Rose early in my presidency, but I continued to read him, fascinated by the man and his work, his triumphs and troubles, the brilliant lights and dark corners of his amazing mind. These letters, carefully and lovingly selected by Rose, offer real insight into both the great writer and the good man.”—President Bill Clinton “The Bill Styron revealed in these letters is altogether the Bill Styron who was a dear friend and esteemed colleague to me for close to fifty years. The humor, the generosity, the loyalty, the self-awareness, the commitment to literature, the openness, the candor about matters closest to him—all are on display in this superb selection of his correspondence. The directness in the artful sentences is such that I felt his beguiling presence all the while that I was enjoying one letter after another.”—Philip Roth “Bill Styron’s letters were never envisioned, far less composed, as part of the Styron oeuvre, yet that is what they turn out to be. Brilliant, passionate, eloquent, insightful, moving, dirty-minded, indignant, and hilarious, they accumulate power in the reading, becoming in themselves a work of literature.”—Peter Matthiessen

Includes bibliographical references (p. [907]-914) and index.

A genuine literary event--an illuminating collection of correspondence from one of the most acclaimed American writers of all time Over the course of a nearly sixty-year career, Norman Mailer wrote more than 30 novels, essay collections, and nonfiction books. Yet nowhere was he more prolific--or more exposed--than in his letters. All told, Mailer crafted more than 45,000 pieces of correspondence (approximately 20 million words), many of them deeply personal, keeping a copy of almost every one. Now the best of these are published--most for the first time--in one remarkable volume that spans seven decades and, it seems, several lifetimes. Together they form a stunning autobiographical portrait of one of the most original, provocative, and outspoken public intellectuals of the twentieth century. Compiled by Mailer's authorized biographer, J. Michael Lennon, and organized by decade, Selected Letters of Norman Mailer features the most fascinating of Mailer's missives from 1940 to 2007--letters to his family and friends, to fans and fellow writers (including Truman Capote, James Baldwin, and Philip Roth), to political figures from Henry Kissinger to Bill and Hillary Clinton, and to such cultural icons as John Lennon, Marlon Brando, and even Monica Lewinsky. Here is Mailer the precocious Harvard undergraduate, writing home to his parents for the first time and worrying that his acceptances by literary magazines were "all happening too easy." Here, too, is Mailer the soldier, confronting the violence of war in the Pacific, which would become the subject of his masterly debut novel, The Naked and the Dead: "[I'm] amazed how casually it fits into . . . daily life, how very unhorrible it all is." Mailer the international celebrity pledges to William Styron, "I'm going to write every day, and like Lot's Wife I'm consigning myself to a pillar of salt if I dare to look back," while the 1980s Mailer agonizes over the fallout from his ill-fated friendship with Jack Henry Abbott, the murderer who became his literary protégé. ("The continuation of our relationship was depressing for both of us," he confesses to Joyce Carol Oates.) At last, he finds domestic--and erotic--bliss in the arms of his sixth wife, Norris Church ("We bounce into each other like sunlight"). Whether he is reflecting on the Kennedy assassination, assessing the merits of authors from Fitzgerald to Proust, or threatening to pummel William Styron, the brilliant, pugnacious Norman Mailer comes alive again in these letters. The myriad faces of this artist and activist, lover and fighter, public figure and private man, are laid bare in this collection as never before. Praise for Selected Letters of Norman Mailer "Extraordinary."--Vanity Fair "As massive as the life they document . . . the autobiography [Mailer] never wrote . . . a kind of map, from the hills and rice paddies of the Philippines through every victory and defeat for the rest of the century and beyond."--Esquire "The shards and winks at Mailer's own past that are scattered throughout the letters . . . are so tantalizing. They glitter throughout like unrefined jewels that Mailer took to the grave."--The New Yorker "Indispensable . . . a subtle document of an unsubtle man's wit and erudition, even (or especially) when it's wielded as a weapon."--New York "Umpteen pleasures to pluck out and roll between your teeth, like seeds from a pomegranate."--The New York Times

"The extraordinary man he was, brilliant, volatile, deeply prejudiced, deeply generous, emerges most compellingly in his letters. There have been previous collections but none so essential as this, composed exclusively of letters not previously published in volume form and drawn from his long and controversial life. Among the three editors is his own grandson, Dorian Grieve."--BOOK JACKET.

A sequel (with no duplication) to the 1975 The short stories of Ernest Hemingway: critical essays. Twenty-eight previously published and five new essays (plus an overview essay) reflect the state of Hemingway scholarship since 1975. Includes a checklist of all the short story criticism from 1975 through early 1990. Annotation copyrighted by Book News, Inc., Portland, OR