This text reprints selected non-fictional works by Haywood, with particular attention to the journalism, criticism, and "conduct and advice" material. Here, Haywood explicates and defends ideas on gender and culture that she develops obliquely elsewhere.

This text reprints selected non-fictional works by Haywood, with particular attention to the journalism, criticism, and "conduct and advice" material. Here, Haywood explicates and defends ideas on gender and culture that she develops obliquely elsewhere.

This text reprints selected non-fictional works by Haywood, with particular attention to the journalism, criticism, and "conduct and advice" material. Here, Haywood explicates and defends ideas on gender and culture that she develops obliquely elsewhere.

This text reprints selected non-fictional works by Haywood, with particular attention to the journalism, criticism, and "conduct and advice" material. Here, Haywood explicates and defends ideas on gender and culture that she develops obliquely elsewhere.

This text reprints selected non-fictional works by Haywood, with particular attention to the journalism, criticism, and "conduct and advice" material. Here, Haywood explicates and defends ideas on gender and culture that she develops obliquely elsewhere.

In seventeenth- and eighteenth-century Britain, captivity emerged as a persistent metaphor as well as a material reality. The exercise of power on both an institutional and a personal level created conditions in which those least empowered, particularly women, perceived themselves to be captive subjects. This "domestic captivity" was inextricably connected to England’s systematic enslavement of kidnapped Africans and the wealth accumulation realized from those actions, even as early fictional narratives suppressed or ignored the experience of the enslaved. Domestic Captivity and the British Subject, 1660–1750 explores how captivity informed identity, actions, and human relationships for white British subjects as represented in fictional texts by British authors from the period. This work complicates interpretations of canonical authors such as Aphra Behn, Richard Steele, and Eliza Haywood and asserts the importance of authors such as Penelope Aubin and Edward Kimber. Drawing on the popular press, unpublished personal correspondence, and archival documents, Catherine Ingrassia provides a rich cultural description that situates literary texts from a range of genres within the material world of captivity. Ultimately, the book calls for a reevaluation of how literary texts that code a heretofore undiscussed connection to the slave trade or other types of captivity are understood.

Eliza Haywood was one of the most popular and versatile writers of the eighteenth century. The two novellas in this edition – The Rash Resolve (1724) and Life’s Progress (1748) – show her developing and adapting her ideas on the subject of passion and romance. Though superficially presented as cautionary tales, Haywood introduces a feminist slant.

This book explores and examines the political philosophies of enlightenment women across Europe in the eighteenth century.

While under arrest in 1750 on suspicion of producing a seditious pamphlet Eliza Haywood insisted she ‘never wrote any thing in a political way’. This study of the life and works, the first full-length biography of Haywood in nearly a century, takes the measure of her duplicity.

The question of an erotic readership has always vexed scholars. With little evidence of anyone's actually reading erotic material, scholars have made due with variations of an "ideal reader" approach. Insofar as it presupposes authorial intention and a stable meaning this theoretical model proves unsatisfactory. Using an interdisciplinary approach, Carnal Reading proposes a new theory of erotic reading that refigures bodily responses as constitutive of cognitive understanding. Chapters explore the enthusiasm inspired by religious reading, the impressionable and "permeable" nature of the early modern body, contemporary literary critiques and the potential eroticism immanent in language.