Preaching and music are both regular elements of Christian worship, yet they often don't interact or inform each other in meaningful ways. Theologian, pastor, and musician Noel A. Snyder considers how preaching that seeks to engage hearts and minds might be helpfully informed by musical theory—so that preachers might craft sermons that sing.

This work contains 48 sermons which the author preached in Macao, Ningpo and Shanghai China.

Doxology: a journal of worship and the sacramental life, Volume 34.2 (Pentecost 2023) Founded in 1984, Doxology: a journal of worship and the sacramental life is a quarterly, peer reviewed journal published by the Order of Saint Luke (OSL Publications). It focuses on emerging and historical theologies and practices of Christian worship. Print distribution is to the members of the Order globally, as well as to a number of theology departments and seminary libraries in the United States. Doxology also continues the tradition of the journal Sacramental Life, which merged with Doxology in 2020.

Aelred (1110–1167) served Rievaulx Abbey, the second Cistercian monastery in England, for twenty years as abbot. During his abbacy he wrote thirteen treatises, some offering spiritual guidance and others seeking to advise King Henry II. He also wrote thirty-one sermons as a commentary on Isaiah 13–16 and 182 surviving liturgical sermons, mostly addressed to his monks. This volume contains the second half of Aelred's ninety-eight liturgical sermons from the Reading-Cluny collection, Sermons 134 through 182, as well as Aelred's sermon for the translation of Saint Edward the Confessor in 1163, from the critical edition by Peter Jackson first published in Cistercian Studies Quarterly. For the most part, the collection follows the liturgical year; this volume begins with a sermon for the birth of John the Baptist and ends with three sermons for the feast of All Saints. It contains sixteen Marian sermons as well as a sermon for the birth of Saint Katherine and a sermon for nuns.

An examination of worldviews, religious belief and ritual as seen through the musical performances of one Afro-American Baptist church in a small black community in rural Mississippi. "Let the Church Sing!" Music and Worship in a Black Mississippi Community is based on years of fieldwork by an Irish ethnomusicologist, who examines, in more detail than ever before, how various facets of the Clear Creek citizens' worldview find expression through religious ritual and music. Thérèse Smith, though originally very much an outsider, gradually found herself welcomed into Clear Creek by members and officials of the Clear Creek Missionary Baptist Church. She was permitted to record many hours' worth of sermons and singing and engaged in community events as a participant-observer. In addition, she conducted plentiful interviews, not just at Clear Creek but, for comparison, at Main St. Baptist Church in Lexington, Kentucky. All of this enables her to analyze in detail how music is interwoven in the worship service, how people feel about the music that they make and hear, and, more generally, how the religious views so vividly expressed help the Church's members think about the relationship between themselves, their community, and the larger world. Music and prayer enable the members and leaders of the Church to bring the realm of the spiritual into intersection with the material world in a particularly active way. The book is enriched by extensive musical transcriptions and an accompanying CD of recordings from actual church services, and these are examined in detail in the book itself. Thérèse Smith is in the Music Department, University College, Dublin.