Set theory is an autonomous and sophisticated field of mathematics that is extremely successful at analyzing mathematical propositions and gauging their consistency strength. It is as a field of mathematics that both proceeds with its own internal questions and is capable of contextualizing over a broad range, which makes set theory an intriguing and highly distinctive subject. This handbook covers the rich history of scientific turning points in set theory, providing fresh insights and points of view. Written by leading researchers in the field, both this volume and the Handbook as a whole are definitive reference tools for senior undergraduates, graduate students and researchers in mathematics, the history of philosophy, and any discipline such as computer science, cognitive psychology, and artificial intelligence, for whom the historical background of his or her work is a salient consideration - Serves as a singular contribution to the intellectual history of the 20th century - Contains the latest scholarly discoveries and interpretative insights

Excerpts from criticism of the works of novelists, poets, playwrights, and other creative writers, 1900-1960.

The twentieth century has seen a revolution in art music, with the great variety of conceptually opposed musical developments existing side by side. This book presents a study of this century's music from the point of view of its structure, without addressing collective styles, the mechanisms or techniques for sound manipulation, or the literature of the period. Rather, the essays in this book address questions of how form, timbre and texture, rhythm, line, chord, and ordering procedures are dealt with by twentieth-century composers in a wide variety of musical works from early to very recent examples.

The Nineteenth century and after (London)